New Books Network

Since the late nineteenth century, the US federal government has enjoyed exclusive authority to decide whether someone has the ability to enter and stay in US territory. But freedom of movement was not guaranteed in the British colonies or early US. By contrast, voluntary migrants were met with strict laws and policies created by colonies and states, which denied free mobility and settlement in their territories to unwanted populations. 

Migration and the Origins of American Citizenship: African Americans, Native Americans, and Immigrants (Oxford University Press, 2026) by Dr. Anna O. Law presents a story of constitutional development that traces the confluence of the logics of slavery and settler colonialism in early legal rulings and public policy about migration and citizenship. The book examines the division of labor between the national and state governments that endured for over a century, reasons why that arrangement changed in the late nineteenth century, and what the transformation meant for people subject to those regimes of control. Drawing into one study the migration policy histories of groups of people that are usually studied separately, and

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Female artists have long employed collage to reflect the ways in

Cut Out presents an expanded definition of collage and cutting techniques to encompass photomontage, assemblage and the photogram. Tracing a lineage from nineteenth-century makers to

At a moment when photography and its history are being actively contested and reappraised, Cut Out is a reminder of its political power. 

This interview was conducted by Dr. Miranda Melcher whose book

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For over a century, Alfred Hitchcock has remained one of cinema's

Hitchcock's work received tremendous success and critical acclaim. While he never won the competitive Academy Award for Best Director, he received five Oscar nominations, two Golden Globes, the Irving G. Thalberg Memorial Award, a BAFTA Fellowship, multiple lifetime achievement awards, and two stars on the Hollywood Walk of Fame. Nine of his films are preserved in the United States National Film Registry. His mastery of tension, innovative camera techniques, and psychological depth continue to inspire and influence modern filmmakers such as Christopher Nolan, Jordan Peele, and Bong Joon Ho.

Drawing on new archival research, previously unpublished interviews, and a rigorous examination of key biographies, A Century of Hitchcock: The Man, the Myths, the Legacy (University Press of Kentucky, 2026) challenges the long-standing narratives that have shaped Hitchcock's legacy. Author Tony Lee Moral revisits controversial claims regarding Hitchcock's alleged abuses, scrutinizing biographer Donald Spoto's interpretations—particularly Spoto's portrayal of the director's relationship with actress Tippi Hedren. With his analysis of Spoto's 1980 interview of Hedren, Moral reveals for the first time how one key document contradicts decades of exaggeration.

In this comprehensive reappraisal of Hitchcock's career, Moral encourages readers to explore the complexities of creative collaboration and the risks of relying on a single biographical narrative. Marking one hundred years since Hitchcock's first film, The Pleasure Garden, and fifty years since his last film, Family Plot,

Tony Lee Moral is a British filmmaker and author who specializes in film history, especially the work of Alfred Hitchcock. He is the author of Hitchcock and the Making of Marnie, The Making of Hitchcock's The Birds, The Young Alfred Hitchcock's Moviemaking Master Class, and Alfred Hitchcock Storyboards.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th- and 19th-century British Literature. 

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What if, every time you wanted to write down 1,000,000, you had to draw a picture of a god? And what if that number were the biggest you had a symbol for? If you were doing math in ancient Egypt, those were the rules: anything bigger broke math.
As mathematician Richard Elwes shows in Huge Numbers: A Story of Counting Ambitiously, from 4 1/2 to Fish 7 (Basic Books, 2026)this is the strange story of math. Even today, writing down some numbers is beyond us: try it with all the zeroes in a googolplex, or an outrageous alien number like TREE(3). Safer not to try: even harnessing every particle in the universe, you wouldn’t come close. But this book is no mere bestiary of numerical monsters. It shows how, by hunting down and studying ever-bigger numbers, arithmetic has reshaped human thought and made our modern era of science and computation possible.
Where many math books celebrate abstract algebra or ineffable infinities, Huge Numbers is both more practical and far weirder. It reveals a world where most numbers remain out of reach until we discover how to chase them down and tame them, and so remake our world again.

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In this unique “history from below,” Destination Elsewhere: Displaced Persons and Their Quest to Leave Postwar Europe (Cornell University Press, 2021) chronicles encounters between displaced persons in Europe and the Allied agencies who were tasked with caring for them after the Second World War. The struggle to define who was a displaced person and who was not was a subject of intense debate and deliberation among humanitarians, international law experts, immigration planners, and governments. What has not adequately been recognized is that displaced persons also actively participated in this emerging refugee conversation. Displaced persons endured war, displacement, and resettlement, but these experiences were not defined by passivity and speechlessness. Instead, they spoke back, creating a dialogue that in turn helped shape the modern idea of the refugee.

As Ruth Balint shows, what made a good or convincing story at the time tells us much about the circulation of ideas about the war, the Holocaust, and the Jews. Those stories depict the emerging moral and legal distinction between economic migrants and political refugees. They tell us about the experiences of women and children in the face of new psychological and political interventions into the family. Stories from displaced persons also tell us something about the enduring myth of the new world for people who longed to leave the old.

Balint focuses on those persons whose storytelling skills became a major strategy for survival and escape out of the displaced persons’ camps and out of the Europe. Their stories are brought to life in Destination Elsewhere, alongside a new history of immigration, statelessness, and the institution of the postwar family.

Ruth Balint is Professor of History at the University of New South Wales. She is the author of When Migrants Fail to Stay (Bloomsbury, 2023), Smuggled: An Illegal History of Migration (NewSouth, 2021), and Troubled Waters: Borders, Boundaries and Possession in the Timor Sea (Allen & Unwin, 2008).

Geraldine Gudefin is a modern Jewish historian researching Jewish migrations, family life, and legal pluralism. She is currently a Visiting Scholar at the Centre for Asian Legal Studies at the National University of Singapore, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939.

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In this episode Chella Ward and Amina Easat-Daas spoke with Dr Martijn de Koning about the nature of Islamophobia in the Netherlands and how this sits in relation to common perceptions about Dutch society as a liberal and tolerant society and the Islamophobic realities of the Netherlands. De Koning also spoke at length of the recent NTA affair in the Netherlands, the exceptionalising of surveilling Muslim communities and how Muslims in the Dutch context have begun to challenge this. Dr de Koning is an Associate Professor in Islam, Politics and Society at Radboud University and has published extensively on Islamophobia in the Netherlands.

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For the RtB Books in Dark Times series back in 2021, John spoke with Elizabeth Bradfield, editor of Broadsided Press, poet, professor of creative writing at Brandeis, naturalist, photographer.

Her books include Interpretive Work, Approaching Ice, Once Removed, and Toward Antarctica. She lives on Cape Cod, travels north every summer to guide people into Arctic climes, birdwatches.

Liz is in and of and for our whole natural world. Did poetry sustaining her through the darkest hours of the pandemic? What about other sources of inspiration?

Mentioned in the episode:

Listen and Read Here:

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“I am haunted by history: the history of dictatorship, the history of empire, history as a whole,” declares the Iraqi novelist, poet, scholar, and literary translator Sinan Antoon near the start of this conversation about his most recent novel, Of Loss and Lavender. Sinan, speaking with Magalí and critic Michael Allan, goes on to say that “the novel allows for a more wholesome, in-depth confrontation with history.” That confrontation, in turn, requires narrative forms that are complex, sometimes fractured, and often non-linear in order to braid together a range of different perspectives on a particular moment or event.

As Sinan observes in a discussion of the Arabic term nisyān—“forgetting” or “forgetfulness,” although its nuances in Arabic are not easily rendered in English—even memory itself is not static. And yet, shared histories of empire and imperialism make it possible to draw connections between far-flung locations, as Sinan does in Of Loss and Lavender by drawing together Iraq and Puerto Rico. From here, the conversation turns to the pleasures and challenges of translation, including some of Sinan’s choices when translating his own work into English. This includes the effort to make legible the nuances of race, class, and other forms of difference across contexts; although, as Sinan notes, much of his younger readership in the Arab world today is often well-versed in US culture. The conversation concludes with a discussion of Sinan’s frequent use of poems and songs in the novel, a device that points back to the multi-genre experiments of the premodern Arabic tradition, and a moving portrait of a teacher who transmitted to his students ideas about justice and equality despite the dictatorship under which he worked.

Mentioned in this episode:

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In October 1943, the Gripsholm—a Swedish ocean liner—and the Teia Maru—a Japanese troop ship—sat in Mormugao, a port in Portuguese India. There, the two ships exchanged their passengers: Allied civilians stuck in Japanese territory after Pearl Harbor , and an assortment of Japanese, Japanese-American, and other Japanese-ethnic people from the Americas.
The trade capped a long and fraught diplomatic exchange between the U.S. and Japan, two countries at war. Evelyn Iritani’s book Safe Passage: The Untold Story of Diplomatic Intrigue, Betrayal, and the Exchange of American and Japanese Civilians by Sea During World War II (Farrar, Straus and Giroux, 2026) tells the story of how this exchange came about: How U.S. civilians tried to survive in Japan or occupied Hong Kong, or how the U.S. government pressured Japanese Americans, housed in internment camps, to accept repatriation to Japan, a country many had never known.

Evelyn is a Pulitzer Prize-winning journalist. Her previous book, An Ocean Between Us: The Changing Relationship of Japan and the United States Told in Four Stories From the Life of An American Town (William Morrow and Company: 1994), won a Washington Governor’s Writers Day Award. Evelyn began her career at the Seattle Post-Intelligencer and moved to the Los Angeles Times in 1995 to cover international economics. Her reporting garnered numerous awards, including the 2004 Pulitzer Prize for National Reporting and the George Polk Award for Economics Reporting for a series she co-authored on Wal-Mart.
She can be found on her website, Facebook, LinkedIn and Instagram.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Safe Passage. Follow on Twitter at @BookReviewsAsia.

 Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

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One of the biggest worries of the US Constitution's Framers was the danger of a standing army to a democracy, so they designed a system to ensure civilian control over the state's armed forces. In The State and the Soldier: A History of Civil-Military Relations in the United States (Wiley, 2025), Kori Schake looks at how well this principle of civilian control has worked across US history. Writing for popular and academic audiences, Schake highlights instances when the principle of civilian control over the military risked failing as well as when it worked. The State and the Soldier presents a highly readable history of the tenuous relationship between a republican form of government and the armed forces it needs to maintain.

Kori Schake, Ph.D. is a Senior Fellow at the American Enterprise Institute.

You can find a transcript of our conversation here.

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