New Books Network

The American Jewish philanthropic enterprise is unparalleled in scope, dynamism, and the diversity of funders and the causes they support. Yet even as Jewish giving has been largely successful in responding with alacrity to emergencies, it has been subjected to severe criticism. What once was regarded as a point of pride has become the object of scorn and dismissal, with skepticism--if not harsh criticism--about its work rife both within and outside Jewish communal circles.

Based on 320 interviews with professionals at Jewish not-for-profits across the United States, principals of foundations and their top staff personnel, and also tax filings of major foundations, Jewish Giving: Philanthropy and the Shaping of American Jewish Life (NYU Press, 2025) provides readers with fresh perspectives to evaluate the efforts of Jewish donors, large and small. The book traces the evolution of Jewish giving from the colonial era to the present, charting the changing profile of those who give to Jewish causes and what funders have aimed to achieve through their largesse. It makes the case that philanthropy serves as a prism through which broader themes in communal life are illuminated. As society or politics change, the priorities of charitable giving adjust in response. These changes in targeted funding can help to sharpen our understanding of demographic and social patterns. Devoting much attention to twenty-first century developments in contemporary Jewish giving, the book pays special attention to the changing landscape of donors who are remaking Jewish philanthropy, including women, Orthodox Jews, Sephardi givers, and young funders.

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Despite increasingly hardened visions of racial difference in colonial governance in French Africa after World War I, interracial sexual relationships persisted, resulting in the births of thousands of children. These children, mostly born to African women and European men, sparked significant debate in French society about the status of multiracial people, debates historians have termed 'the métis problem.'

Drawing on extensive archival and oral history research in Gabon, Republic of Congo, Senegal, and France, in Multiracial Identities in Colonial French Africa: Race, Childhood, and Citizenship (Cambridge UP, 2023) Dr. Rachel Jean-Baptiste investigates the fluctuating identities of métis. Crucially, she centres claims by métis themselves to access French social and citizenship rights amidst the refusal by fathers to recognize their lineage, and in the context of changing African racial thought and practice. In this original history of race-making, belonging, and rights, Dr. Jean-Baptiste demonstrates the diverse ways in which métis individuals and collectives carved out visions of racial belonging as children and citizens in Africa, Europe, and internationally.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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In this, our second interview with children's author Cindy Williams Schrauben, we celebrate her new book, Hank's Change of Heart (The Little Press, 2025) Hardcover, illustrations by Sasha Richards, published by The Little Press just last month (Nov. 2025). We talk about the difficulties in traditional publishing, both for those aspiring to be published, and those already published. We discuss the role of the message in the story, the joy of writing, and the pain of rejection, and the importance of obsessive perseverence in getting traditionally published.

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Exploded Views: Speculative Form and the Labor of Inquiry (U Minnesota Press, 2025) is the latest book by scholar Jonathan P. Eburne, J. H. Hexter Professor in the Humanities at Washington University in St. Louis. An experiment in returning to incomplete scholarly projects to renovate and reimagine them, the book stages a series of encounters with essays “suspended in process”: essays that Jonathan began writing but that didn’t materialize in their intended form.

Fascinating, witty, and original, Exploded Views is a record of Jonathan’s intellectual curiosity in its rich idiosyncrasy—from the parasitical deformations of insect galls to the speculative science of “orgone energy,” from Leonora Carrington’s surrealist art and literature to methamphetamine addiction in the time of late capitalism, and more. It’s also a challenge for scholars to account for the many kinds of labor that make and unmake scholarship, and, just as importantly, an unabashed defence of "nerding out" as the humanities scholar's prerogative.

This conversation brings together Exploded Views with the work of NBN host Alix Beeston, whose interest in abandoned and interrupted scholarly and creative works informs her recent co-edited book Incomplete. Like Exploded Views itself, Jonathan and Alix’s frank and wide-ranging discussion brings to the foreground the kinds of scholarly activity that usually sit in the background of scholarly writing, not least the communities, relationships, and environments that define intellectual labor.

What does it mean, Jonathan and Alix ask, to be doing the kind of work we do as scholars? What does it feel like to do this work? What does it require or cost? And what might be the value of cultural criticism as an inventive, creative practice—or even, perhaps, a form of relational labor akin to friendship?

The non-profit bookstore Jonathan helped to found is The Print Factory in Bellafonte, Pennsylvania—check it out if you’re in the area! Exploded Views is available now from the University of Minnesota Press.

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Covert action is generally understood as unacknowledged interference by one state in the affairs of another state or non-state actor to affect change. This definition, inspired from the US approach, dominates the debate in intelligence policy and scholarship and provides a prism through which most observers (mis)understand this form of secret statecraft. 

Covert Action: National Approaches to Unacknowledged Intervention (Georgetown UP, 2025) moves the intelligence studies and analysis of covert action beyond the Anglosphere. It provides a truly global analysis of covert operations, comparing different states' histories and approaches, acrid five continents. In doing so, it produces a more holistic understanding of the variation in covert action traditions across states and cultures over time. Several key themes emerge from the book. It pays particular attention to the language of covert operations, to the euphemisms used, and to the efforts (where present) to protect decision-makers. Different states, the book show, adopt covert operations for different reasons. Some do not distinguish between domestic and foreign realms. Signalling, strengthening regimes, eliminating real and perceived threats all feature as rationales for covert operations. Similarly, the methods of covert operations vary, from more direct interventions to creating the conditions for others to act. While making clear that all states (democracies and authoritarian regimes) conduct covert operations, the volume highlights differences in the degree of institutionalisation and legalisation of covert operations. It also highlights how different degrees of risk-aversion and the alertness of public opinion can influence policymakers. 

The volume brings together an international group of distinguished scholars to examine the history of covert action in twenty countries. Such a breadth and depth of expertise will serve as a foundational study for scholars, students, and policymakers.

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Timothy Gitzen's Unscripting the Present (SUNY Press, 2025) interrogates contemporary sex panics in the United States, looking especially at popular culture texts to conceptualize queer youth survival strategies. Sex panics saturate contemporary discourse and politics in the United States. While such panics have a long history, they are now infused with rhetoric, logics, and methods of security that turn queer sexuality into an existential crisis. Queer youth bear the brunt of this crisis, with their presumed innocence always in danger of being lost. Unscripting the Present interweaves analysis of laws and lawsuits, news media, sociological studies, and popular culture both to understand contemporary sex panics and to highlight how queer youth find ways to survive in the here and now. Developing a novel technique of "unscripting," Gitzen focuses our attention on those impromptu moments when things go awry in representations of queer youth-moments that disrupt securitization's social "scripts." Foregoing well-worn promises of things getting better, texts such as Netflix's "Sex Education", the film "Love, Simon", and the multimodal show "Skam" upend the anxious hyperfocus on what's to come in favor of a hopeful present.

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In The Unfinished Metropolis: Igniting the City-Building Revolution (Island Press, 2025), Benjamin Schneider argues that American city-building is a lost art. U.S. cities used to constantly evolve, experimenting with new urban designs and ambitious infrastructure projects, from railroads and subways to public housing and shopping malls. But in recent years, the country has continued pursuing the same mid-20th century urban development plans—freeways, downtown office towers, suburban housing developments. The Unfinished Metropolis covers how this pattern is why Americans are so dependent on their cars, why housing is so expensive and homelessness is at crisis levels, and why downtowns are struggling and communities are fraying.

Over the course of an engaging tour of the built environment, Schneider explores common urban designs that shape our lives and color our cultural imagination: office parks, apartments, single family homes, and transit systems. He explains how these forms came to be, why they no longer function as promised, and introduces readers to the advocates and professionals around the country who are working on transformative new solutions.

Benjamin Schneider is a freelance journalist covering all things urbanism. His work has appeared in Bloomberg CityLab, MIT Technology Review, Slate, The Nation, the Los Angeles Times, and many other publications. He also writes a Substack newsletter called, “The Urban Condition.”

This interview was conducted by Timi Koyejo, an urbanist who has worked as a researcher at the University of Chicago and as an urban policy advisor to the City of Chicago.

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Stanford educator and renowned creativity expert Tina Seelig joins Richard Lucas on the New Books Network’s Entrepreneurship & Leadership channel to discuss her new book What I Wish I Knew About Luck (coming April 2026).

As the host found himself agreeing with everything Tina said, he asked for examples of people who disagreed with her. First, they discussed the value of respectful disagreement, and the fact that Richard’s father, the late Oxford philosopher JR Lucas routinely took the opportunity to disagree with his son, no matter what point of view was being put forward. Tina shared that her father, aged 99, still thinks that good things just happened to him over the course of his life, whereas she outlines all the actions he took to create that good luck. Tina dismantles the myth that luck is purely random. She distinguishes fortune (things that happen to you) from luck (something you can actively cultivate), and explains why clichés such as “the harder I work, the luckier I get” or “fortune favors the prepared mind” are true but incomplete. What is the “hard work” required to create luck? What exactly is a “prepared mind”?

Key highlights:

Why entrepreneurship and creativity are teachable skills that everyone can improve, just like sports, music, art, math, or science.

The value of keeping a “failure résumé” and viewing failure as a trampoline rather than a lava pit.

Real stories of ethical dilemmas early and late in her career. Full details in the book and podcast.

Why showing genuine appreciation (especially thank-you notes) is one of the highest-ROI habits for creating luck. A thank you note she wrote was read out at a funeral 20 years later.

How to build trust, have difficult conversations, and surround yourself with the right “crew”

The foundational role of self-awareness, values, resilience, risk-taking, and patience in manufacturing your own luck

Tina also shares the inspiring origin of the Knight-Hennessy Scholars program (co-founded by John Hennessy, former Stanford President, and Phil Knight, founder of Nike) and reflects on teaching leadership to some of the world’s most promising graduate students across all disciplines at Stanford University.

Show Notes & Sources

Pre-order “What I Wish I Knew About Luck” by Tina Seelig

Tina’s earlier books: “What I Wish I Knew When I Was 20”, “inGenius”, “Creativity Rules”

Tina’s LinkedIn

Tina’s Bio, Books, Talks

Knight-Hennessy Scholars

KHS LinkedIn

Stanford Technology Ventures Program (STVP)

Tina Seelig’s famous TED Talk and the legendary “$5 entrepreneurship challenge”

Books mentioned: “The No Asshole Rule” – Robert Sutton; “The Course of Love” – Alain de Botton; “Radical Candor” – Kim Scott

Tina Seelig’s Stanford Profile

Essential listening for anyone who wants to stop waiting for luck and start building it.

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A spectacular graphic novel about the life and times of the legendary Fela Kuti—the Pan-African frontman, multi-instrumentalist, sociopolitical powerhouse, and father of Afrobeat.

In Fela: Music Is the Weapon (Amistad, 2025), artist Jibola Fagbamiye and writer Conor McCreery team up to tell the remarkable origin story of one of Nigeria’s most famous sons, the King of Afrobeat, Fela Kuti, who rose to superstardom with his band Africa 70 in the 1970s, during a charged political period for his nation.

A once-in-a-lifetime musical talent who innovated the musical genre Afrobeat, Fela was also an outspoken critic of the Nigerian military regime. Fela focuses on a pivotal moment in his life, when he and his mother Funmilayo Ransome-Kuti, the renowned Nigerian suffrage activist, were ruthlessly attacked in their own home by soldiers who suffered no repercussions for their violence. It also explores Fela’s complex relationship with women, including his mother and Sandra Izsadore, the American singer and activist who revitalize and inspired him. Over the course of his life, Fela married 27 women, fathered numerous children, and founded the Kalakuta Republic commune, where he and his band lived, declaring themselves independent from military rule.

As rich and original as its subject, Fela complements the historical with the surreal, featuring parallel dream world sequences, set between this realm and the next, in which Fela receives visions about his future and the dangerous path he will have to walk.

Chronicling Fela’s perilous journey to capture his destiny—to become the King of Afrobeat, and to advocate for Pan-African unity in the face of European imperialism and white supremacy—this masterful biographical graphic novel celebrates this enduring legend and his legacy, offering inspiration for our own troubled time.

Jibola Fagbamiye is a visual artist based in Toronto. His work draws inspiration from his two great loves: African history and North American pop culture. Jibola has exhibited in galleries in Toronto, Los Angeles, and Lagos, and his work has been featured on AfroPunk, Toronto Life, ByBlacks, and BlogTO.

Jibola’s website and Bluesky.

Conor McCreery is a former journalist turned comics scribe. He has written Assassin’s Creed, Sherlock Holmes vs Harry Houdini, Adventure Time, Regular Show, and has worked for many of the industry's top publishers including DC, IDW, BOOM!, Titan, and Dark Horse. He lives in Toronto with his wife and three children.

Conor on Facebook and Bluesky.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.

Bradley on Facebook and Bluesky.

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In Aftertaste (Simon & Schuster, 2025) Konstantin Duhovny’s father died when he was young, and his mother is too anguished to raise him, so he raises himself, but not very well. After a sad breakup, he advertises for a roommate and finds a chef who becomes his best friend. Kostya starts to realize that although he doesn’t see ghosts, he can taste the food they once loved. He figures out how to prepare special dishes that unite people with their dead loved ones, and in hopes of helping people, decides to really learn how to cook. But he falls in love with someone who has an inkling about the afterlife and she wants to stop him from feeding ghosts. This is a beautiful but crazy novel about New York’s food scene, the most esoteric and expensive foods, ghosts, finding a soulmate, and losing one’s soul.

Daria Lavelle is a speculative fiction writer. Her short stories have appeared in The Deadlands, Dread Machine, Dark Matters, and elsewhere, and her debut novel, Aftertaste, was published by Simon & Schuster (US) and Bloomsbury (UK) in 2025, and is currently being translated into thirteen languages. Born in Kyiv, Ukraine, and raised in the New York metro area, she holds degrees in writing from Princeton University and Sarah Lawrence College. She lives in New Jersey with her family, and can often be found in a coffee shop, inventing new worlds or distorting this one. When she's not writing, she enjoys opera, One Night Ultimate Werewolf, and Escape Rooms.

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