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What made a generation of Jewish artists and intellectuals transform
Though
Denby paints these figures in all their complexity: ambitious,
Together, Denby and Katz
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In Corporate Power and the Politics of Change (Cambridge UP, 2025) Matteo Gatti examines how corporations have taken on roles traditionally reserved for governments – advocating on social issues, setting internal norms, and stepping in where public institutions fall short. This phenomenon, called corporate governing, takes two forms: socioeconomic advocacy, when companies take public stances, and government substitution, when they deliver services or protections the state does not provide. Drawing on legal doctrine and insights from the social sciences, Gatti shows how this shift reflects broader pressures within firms and deep dysfunction outside them. The rise of corporate governing has also triggered political, legal, and cultural backlash that challenges its legitimacy and reach. This book offers a framework for understanding how corporate power reshapes policymaking and what that means for business and democracy.
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From Suzy Hansen, whose previous book, Notes on a Foreign Country, was a finalist for the Pulitzer Prize, From Life Itself: Turkey, Istanbul, and a Neighborhood in the Age of Erdoğan (Farrar, Straus & Giroux,
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In Fearless, Sleepless, Deathless: What Fungi Taught Me about Nourishment, Poison, Ecology, Hidden Histories, Zombies, and Black Survival (University
Pinto
When she’s not in the
Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.
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Contemporary digital gameplay is only accessible by navigating an
In Thresholds of Digital Gameplay (MIT Press, 2025), Daniel
Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He
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Stealing the future and concealing the theft—capitalism’s method, as examined by the author of the acclaimed Carbon Democracy Today,
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Kelly M. Duke Bryant’s Negotiating Childhood: French Colonialism and African Children in Senegal, 1848-1940 (U Mass Press, 2026)explores how colonial child protection policies and African children’s responses to them produced new ways of defining, measuring, documenting, and experiencing childhood in the French colony of Senegal from 1848 to 1940. In this groundbreaking book, Bryant takes the scholarship in new directions, offering to a literature dominated by studies of British colonies in the twentieth century a study of childhood in a French colony from the immediate post-emancipation period through the 1930s. This focus allows her to complicate the generally accepted timeline of child protection in colonial Africa and question other assumptions about children’s history on the continent.
The author, Kelly M. Duke Bryant, is an Associate Professor of History at Rowan University and the current President of the French Colonial Historical Society.
The host, Elisa Prosperetti, is an Assistant Professor of African and global history at NIE/NTU in Singapore. She is the author of An Anticolonial Development: Race, Schooling, and Emancipation in Twentieth-Century West Africa (Cambridge University Press, 2026).
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Elad Lapidot is Professor of Jewish Thought at the University of Lille, France. His work is guided by questions concerning the relation between knowledge and politics. Among his publications: State of Others: Levinas and Decolonial Israel (Indiana UP, forthcoming), Politics of Not Speaking (Albany: SUNY Press, 2025), Jews Out of the Question: A Critique of Anti-Anti-Semitism (Albany: SUNY Press, 2020), Hebrew translation of Hegel’sPhänomenologie des Geistes (Tel Aviv: Resling Publishing, 2020), Heidegger and Jewish Thought: Difficult Others, edited with M. Brumlik (London/New York: Rowman & Littlefield, 2018), and Etre sans mot dire : La logique de ‘Sein und Zeit’ (Bucarest: Zeta Books, 2010).
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False Idols: How Diversion is Destroying Democracy (Vernon Press, 2024) examines how modern forms of diversion shape civic life and weaken democratic responsibility. Drawing on the ancient Roman idea of “bread and circuses,” Kurt Warner explores how contemporary society is saturated with distractions that keep citizens focused on what is immediate, pleasurable, profitable, or spectacular, rather than on what is politically and socially meaningful.
The conversation introduces listeners to the book’s central concern: how celebrity culture, consumerism, economic pressures, sports, politics, art, music, literature, the internet, social media, and video games can become “false idols.” These forces do not merely entertain us; they influence how we think, what we value, and how we understand our responsibilities to one another.
A key point of discussion is the book’s comparison between ancient Rome and the contemporary United States. Warner uses “bread and circuses” to consider how societies become complacent when citizens are absorbed by basic needs and entertainment while civic duty fades into the background.
The episode also explores the book’s opening narrative, which follows an ordinary man, Chris, through a day filled with advertising, media, branding, and social pressure. This scene illustrates one of the book’s central arguments: distraction is often woven into everyday life before people have noticed its influence.
Warner’s background in psychotherapy adds an important dimension to the discussion. 'False Idols' connects personal awareness with civic awareness, asking how people can recognize the forces directing their attention and reclaim the ability to think critically.
Ultimately, this episode invites listeners to reflect on the relationship between attention and democracy. 'False Idols' asks what it would mean to wake up from the collective daze of distraction and choose more meaningful forms of civic, ethical, and social engagement.
Key Themes and Context:
“Bread and circuses” in the modern world - One of the book’s central ideas is that Juvenal’s famous phrase “bread and circuses” remains relevant today. Warner uses it to examine how entertainment, consumption, and everyday distraction can draw citizens away from civic responsibility.
The many forms of diversion- The book considers a wide range of modern distractions, including celebrity worship, money, sports, politics, art, music, literature, the internet, social media, and video games. Together, these examples show how distraction can operate across culture, politics, economics, and everyday life.
Democracy and civic duty - At the heart of the book is a concern with democracy. Warner argues that distraction becomes dangerous when it weakens civic engagement and allows people to avoid the difficult work of political and ethical responsibility.
Critical thinking as resistance - The later chapters of 'False Idols' focus on critical thinking as a way of resisting manipulation and recovering agency. The book invites readers to examine not only what they consume, but also how their attention, values, and judgments are shaped.
The psychological dimension of distraction - Warner’s background in psychotherapy informs the book’s attention to emotion, avoidance, and self-awareness. Distraction is presented not only as a social or political problem, but also as something that affects how individuals relate to themselves and others.
Vernon Press – Bridging Scholarly Ideas and Global Readership
Vernon Press stands out as a bilingual independent publisher of scholarly books in the humanities and social sciences. Their mission is crucial — to provide a home for ideas of international importance and to embrace scholarship from underrepresented voices and perspectives. Through its diverse catalog, Vernon Press engages with global readers, contributing to academic and public discourse.
Dessy Vassileva, the Marketing & Design expert at Vernon Press, brings a 360º multidisciplinary approach to her work at Vernon Press.
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Will Miles is trapped. Trapped in tiny Greening, Michigan, where a toxic high school rumor has turned her into a social exile. Trapped in the predictable routines of her mother, and under the unrelenting gaze of her mother’s increasingly sinister boyfriend. But when Will stumbles across the early poems of Nathaniel Fellow, a famous writer forty years her senior who also grew up in Greening, she feels she’s found a kindred spirit. A passing comment from her mother only adds to Will’s fascination: Is Nathaniel the father she's never known?
Will orchestrates a plan to track Nathaniel down, following in his footsteps to New York City, where she learns he's not the answer to her past, not the way she imagined. But their meeting sparks a complicated, consuming relationship that gives Will sidelong access to a world she’s only ever imagined: of writers and intellectuals, a financial safety net, and, most intoxicatingly, a glimpse into her own potential. But who is Nathaniel Fellow, off the page? And what will shaping her life to suit his cost her? When a torrent of information about his past threatens not just her life with Nathaniel, but the story she tells herself about him, Will is faced with a choice that will change everything.
A gripping novel about ambition, parents and children, and all the ways women still pay for men’s mistakes, Famous Men (Random House, 2026) traces one woman’s journey to the truth of where she comes from, what she’s capable of, and how she might start again.
Julie Buntin‘s debut novel, Marlena, was a finalist for the National Book Critics Circle’s John Leonard Prize, released in ten territories worldwide, and named a best book of the year by over a dozen outlets, including The Washington Post, NPR, and Kirkus Reviews. She is the co-editor of Notes to New Mothers, a collection of dispatches from postpartum life by sixty writers and artists. Previously, Buntin was an editor and director of writing programs at Catapult. Now, she writes and teaches in Ann Arbor, where she is an assistant professor at the University of Michigan.
Recommended Books:
Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.
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