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In Female Art and Agency in Yugoslavia, 1971–2001 (Bloomsbury, 2024), Anja Foerschner offers a compelling exploration of the women artists, curators, scholars, and activists who shaped the cultural landscape of Yugoslavia and its successor states. Drawing on both original research and existing scholarship, she traces the emergence of the New Art Practice of the late 1960s and 1970s, highlighting the pivotal role of Belgrade’s Student Cultural Centre, where women were instrumental in forging a progressive artistic and curatorial vision.
Through insightful examinations of performance art, video art, and the development of feminist thought in Yugoslavia, Foerschner reveals how the region carved out a distinctive place within the international postwar avant-garde. Situating Yugoslav feminism in dialogue with Western and neighbouring contexts, she sheds new light on the complex intersections of art, politics, and social change. By exploring artistic responses to the breakup of Yugoslavia in the 1990s, and the enduring political dimensions of cultural production, this book invites readers to reconsider the legacies of activist art and their resonance in our present time.
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An unsettling exploration of the persistence of racism in reproductive healthcare in the US—and why even affluent Black women are imperiled by substandard care.
From a leading expert on race, class, maternal health, and reproductive rights.
Racism in maternal healthcare is not reserved for the poor. An unsparing picture of inequities in prenatal care and childbirth in the United States, Expecting Inequity: How the Maternal Health Crisis Affects Even the Wealthiest Black Americans (MIT Press, 2026) reveals that not only are black people three to four times more likely to die from a pregnancy-related cause, but racial disparities in maternal mortality persist across income levels. That is, wealthier black people are much more likely to die during pregnancy, childbirth, or the postpartum period than their white counterparts. Focusing on a San Francisco obstetrics clinic that caters to the affluent, Khiara Bridges looks at the choices around prenatal care and childbirth that class-privileged, pregnant black people are making in order to survive what has been called the “black maternal health crisis.”
Bridges, whose previous work exposed how race and racism are embedded in maternal healthcare for the poor, draws on two years of participant-observation to show how wealthier black people try to leverage their class privilege to avoid some of the negative effects of their blackness—only to discover that in a country that has never reckoned with its horrific racial past, there is no escaping racism’s reach. Throughout the book, engaging, heartbreaking, infuriating stories of women’s experiences with pregnancy and prenatal care illustrate how race and racism matter regardless of wealth or status.
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What does the JKF assassination mean to us now? In The Umbrella Man and Other Stories: What We Talk About When We Talk About the JFK Assassination, (Biteback Publishing, 2026) Martin Fitzgerald
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Sustainability has become a touchstone for development worldwide,
Instead of focusing on only environmental harms or toxic distributions, Refusing Sustainability approaches
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Border Afterlives: Migrant Deaths, Forensic Investigations, and the Politics of Haunting (University of Arizona Press, 2026) begins
In this conversation, we discuss
Gabriella
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Stacy Innerst is a renowned children’s book artist and painter. His picture books have received a host of starred reviews and have been honored with the Sydney Taylor Book Award (for The Book Rescuer), the New York Times/New York Public Library Best Illustrated Children’s Books Award (Ruth Bader Ginsburg: The Case of RBG Vs. Inequality) and the SCBWI Golden Kite for Picture Book Illustration (The Music in George’s Head.).
In tour wonderful conversation, we celebrate his new book, Piece by Piece: How Stephen Sondheim Made Musical Puzzles Come Alive
written by Erin Frankel (Author), artwork by Stacy Innerst which launched with Caulkins Creek in April, 2026. We discuss Stacy's love for drawing, his metamorphosis from magazine illustrator to children's book artist (with an emphasis on artist), and how his deep love for history and music infuses his work.
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Money is everywhere in our daily lives. It lurks in the swipe of a
J.W. Mason is an Associate Professor of Economics at John Jay
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Heritage in the UN Decade of Ocean Science for Sustainable Development (2021-2030) and Beyond (U Edinburgh Press, 2025) outlines the need to embed Ocean Heritage into ocean science, sustainable development, and marine conservation to meet the goals of the UN Decade of Ocean Science for Sustainable Development (2021–2030) and beyond. Ocean Heritage—spanning tangible sites, such as shipwrecks or submerged harbours, and intangible connections such as traditional practices and knowledge systems—remains underrepresented in ocean governance. Yet it offers critical insights for more effective policy and research. Its inclusion is essential to ensuring science is informed by human–ocean relationships and responsive to the needs of communities.
Led by the Cultural Heritage Framework Programme (CHFP), the Ocean Decade’s only programme focused on Ocean Heritage, this text demonstrates how heritage supports all 10 Ocean Decade Challenges. Ocean Heritage strengthens climate adaptation, improves spatial planning, and supports equitable governance by grounding decisions in historical context and lived experience. The paper draws on more than 20 CHFP-endorsed initiatives, offering clear case studies and actionable recommendations for policy alignment, institutional support, and multidisciplinary collaboration.
As the Ocean Decade reaches its midpoint, this book offers a path forward: one where science draws on the full range of human—ocean relationships to guide sustainable, equitable action. Ocean Heritage is not a symbolic gesture—it is a fundamental human right. Rather than treating culture as an add-on to marine conservation, this paper calls for its broad integration into ocean science and decision-making.
Athena Trakadas is a maritime archeologist who studies underwater and coastal marine cultural heritage and advises international and national heritage, marine science and governmental organizations.
Helen Dewar is an historian of the Atlantic World and French colonization in North America in the 17th and 18th centuries. She is a professor of history at the Université de Montréal (Québec, Canada) and the author of Disputing New France: Companies, Sovereignty and Law in the French Atlantic, 1598-1663 (McGill-Queen’s University Press, 2022). helen.dewar[at]umontreal.ca Helen’s institutional website
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We use avatars to play video games. We use pseudonyms on social
While many have explored the connections between surveillance,
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This week on Democracy Dialogues, Rachel Beatty Riedl speaks with Peter John Loewen to reflect on the 250th anniversary of US independence. They discuss the ways in which America’s unique founding moment has shaped democratic institutions and practice, and the paradox of America’s profound democratic experiment.
In this episode, Loewen describes his research on the representative nature of elected politicians – how they are similar to and different from ordinary people in their decision making. He also tackles questions of polarization and what happens when people have increased contact with other points of view. And the conversation wraps up with a discussion of higher education and democracy, and what role universities can play in shaping the next generation of democratic citizens.
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