New Books Network

Dream the Size of Freedom: How African Liberation Mobilized New Left Internationalism (University of Pennsylvania Press, 2025) by Dr. R. Joseph Parrott

Drawing

This interview was conducted by Dr. Miranda Melcher whose book

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Matthew Mason (Professor of History at Brigham Young University) chatted with Richard Bell (Professor of History at the University of Maryland) about his new book The American Revolution and the Fate of the World (Penguin, 2025). They had a wide-ranging conversation about this wide-ranging book, including how and why there hasn’t been a book quite like it written before, and how Bell illuminates both the “greatest hits” of American Revolutionary legend and some “deep cuts” that readers probably haven’t encountered before. For instance, they discussed how Bell recasts iconic events like the Boston Tea Party as having a much bigger context and impact than the provincial setting for most tellings. But also they mused over why certain events and participants, such as American privateers captured and turned into prisoners of war suffering for their country just as much as the soldiers at Valley Forge, have not been part of the central mythology of the Revolution. This and more make up this conversation about this important book.

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America’s money is global money—nearly every nation in the world writes international contracts in dollars, and in 2023, central banks around the world held nearly $6.7 trillion in dollar reserves, three times any other currency. Today, the United States’ global hegemony rests largely on its ability to produce unlimited treasury bonds that are sold around the world, dollars that supported America’s explosive growth in the twentieth century and funded its massive wars in the twenty-first. American power and the American dollar have become synonymous.
Yet in this brilliant 500-year history The Almighty Dollar: 500 Years of the World's Most Powerful Money (Crown, 2026), Brendan Greeley argues that America’s sovereignty over the dollar is an illusion—that the dollar had already empowered and destroyed nations long before it washed up on colonial shores, and that no country or king has or can ever truly control it. Reaching back to the dollar’s birth as the taler in the 15th-century silver mines of St. Joachimsthal, Greeley reveals how the dollar first thrived as a commodity for merchants and bankers—a big, silver coin that was trusted around the world, even as the miners who pulled it from the ground had trouble getting paid in that same silver. Greeley traces a captivatingly complex path across time and place, from the industrial collapse at the heart of Spain’s 17th-century silver empire, to the birth of American paper dollars in colonial Maryland, 19th-century New Orleans bank failures, and the small town of Hawarden, Iowa, which created its own dollars during the Great Depression. At every surprising turn, Greeley upends assumptions about global currencies and draws out the centuries-old tension between how dollars are manufactured and whom they actually serve.
Singular in its breadth, The Almighty Dollar dismantles the myth that America created or has ever truly controlled the dollar. Through meticulous research and vividly rendered stories of merchants, monarchs, and everyday people both past and present, Greeley shows how the dollar became America’s greatest export, spawning a vast financial industry that enriches the wealthy, even as the rest of the country’s industries suffer.

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The Commodore 64 is the most significant computer of its era. From 1982 to 1994, a total of 27 million units were sold—more than any other computer from a single manufacturer afterwards. Due to its widespread use as well as its techni­cal features, the C64 has a huge international following—even to this day. The 19 contributions compiled in Commodore 64: Past, Present, and Future of a Home Computer (Projekt Verlag, 2026) illustrate the significance of the platform for the digitalization of society, the general public’s computer science knowledge, as well as digital art and culture—both in the past, present, and also in the future. Volume 5 of the »Computer Archaeology« series is partly based on the confer­ence of the same name held in 2024 at the University of Bonn and has here been supplemented with additional contributions from the fields of artificial intelli­gence, quantum computing, and digital humanities.

Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU & University of Passau). Currently, he's teaching as a professor for game design and game studies at the HNU University of Applied Sciences Neu-Ulm, Germany, holds the position as lead editor at the online journal TITEL kulturmagazin for the game section, and is editor of the weekly game research newsletter Game Studies Watchlist.

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Camille’s Lakou (Vanderbilt UP, 2025), a novel by Guadeloupean writer and educator Marie Léticée, tells the story of Camille, a young Caribbean girl living with her single‑parent mother in a 1960s urbanized zone at the edge of Pointe‑à‑Pitre, Guadeloupe, following her through her adult life as a Caribbean migrant in Florida. Léticée explores neocolonial culture clash and identity conflict themes that will be familiar to readers of the Francophone Caribbean coming‑of‑age novel and its revisions by women writers such as Capécia, Lacrosil, Manicom, Schwarz‑Bart, Condé, Pineau, and others. Léticée makes it her own by fleshing out a time and place not well‑represented in Guadeloupean literature. While previous bildungsromanefrom the writers mentioned here typically focus on rural peasant or urban bourgeois settings, Camille’s Lakoushifts location to an impoverished urban environment. “Lakou” is translated as “courtyard” or, more colloquially, “yard.” The author explores the culture and politics of lakou society while raising the issue of how this social dynamic is transformed through the impact of globalization and dispersal into a diasporic experience outside the island milieu of Camille’s childhood.
In a collaborative translation effort between the author and Kevin Meehan, Camille’s Lakou will bring the realities and joys of Léticée’s Guadeloupe to an English audience for the first time.

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Art and Citizenship in Conflict: British Women War Artists, 1939-45 (Manchester UP, 2026) by Dr. Lucy Curzon examines the work of women war artists in order to highlight the complexity of citizenship and gender in Britain during the Second World War.

Evelyn Dunbar, Mary Kessell, Ethel Gabain, Stella Schmolle, and Laura Knight, among others, were commissioned by the War Artists' Advisory Committee (WAAC) to document the millions of women who took up sometimes unconventional roles-in agriculture, the auxiliary services, and manufacturing, among others-to support the British war effort. Indeed, their prints, drawings, and paintings were part of a broader scheme to uphold morale and promote much-needed citizen involvement on the home front. While there is growing interest, the importance of their remit in the history of the Second World War and the quality of their artistry have nonetheless not yet secured them a significant place in scholarship. Art and Citizenship in Conflict seeks to amend this gap.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Scribal Practices and Approaches Reflected in the Texts Found in the Judean Desert, Revised Second Edition (Brill, 2025) revises the first edition of this book (2004) which is long overdue. Many segments needed revision due in large part to the veritable flood of studies published in the wake of the first edition. In other cases, the author changed his mind in his continued study of the scrolls improved by the new images of the Leon Levy Dead Sea Scrolls Digital Library. Hyperlinks to this library are now added to most references to the scrolls. This book covers many aspects of a handbook for those who study the scrolls, material culture, and edit scroll fragments.

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Sentient Seas: Archaeologies of Seascapes and Maritime Rituals (UP Florida, 2026), published by University Press of Florida (2026), offers a global perspective on maritime cultures, examining how societies across time and space have understood and interacted with the sea. Synthesizing archaeological evidence, historical documents, and ethnographic accounts, Ian McNiven explores maritime traditions from ancient civilizations in the Middle East and Mediterranean to medieval Europe and Scandinavia to contemporary Indigenous communities in the South Pacific.

McNiven investigates diverse cultural practices including shipbuilding, the treatment of shipwrecks and shipwreck victims, and maritime resource use, interpreting the evidence through the perspectives of mariners who understood the seas to be sentient and capable of acting with intentionality. He introduces the concepts of “terrestrial seascapes” and “ontological switching” to illustrate how land-based shrines and votive offerings extend maritime cosmologies and maintain a liminal transition from land to sea. By bridging anthropological and archaeological research with transdisciplinary blue humanities scholarship, Sentient Seas approaches seas as spiritscapes, recontextualizing folkloric beliefs about maritime superstitions.

Ian J. McNiven is Research Professor of Indigenous archaeology at the Monash Indigenous Studies Centre at Monash University in Melbourne, and a Chief Investigator with the Australian research Council Centre of Excellence for Indigenous and Environmental Histories and Futures. He is coeditor of The Oxford Handbook of the Archaeology of Indigenous Australia and New Guinea.

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This episode featured a conversation with Rahul Sonpimple, founder of the All-India Independent Scheduled Castes Association. Our conversation began with Rahul’s conception of Indian history and the place of anti-caste struggle within it. We delved further into Rahul’s own understanding of “anti-caste” as deeply rooted in Ambedkar’s own argument about the necessity of force in emancipatory social transformation. Rahul was especially forthright about the political cost of elevating meekness as a moral condition, a choice that he associates with the rise of a Dalit middle class focused primarily on securing its own representational authority. This took us to a discussion of the need for an independent and consolidated Dalit politics rooted in the lives of the Dalit poor with sufficient leverage to negotiate terms with the state. The last part of the episode focused on Rahul’s critique of both Ambedkarites and Indian Marxists for their disregard of caste as a material question. He spoke at particular length about the failure of Indian Marxists to advance a materalist critique of caste and how their analytical separation of caste and class has played into the hands of the Hindu Right. We ended the episode with Rahul laying out his own definition of Ambedkarism as a material and spiritual politics that recognizes the Dalit poor as a revolutionary class with the potential to rebuild society.

Read the transcript here

Guest

Rahul Sonpimple is author and founder of the All-India Independent Scheduled Castes Association.

References

B.R. Ambedkar, The Buddha and his Dhamma, 1957.

B.R. Ambedkar, Small Holdings in India and their Remedies, 1918.

B.R. Ambedkar, Buddha or Karl Marx, 1956.

B.R. Ambedkar, “Mr. Russell and the Reconstruction of Society,” 1916.

Rahul Sonpimple, “Against Hindu Rashtra: Ambedkar’s Buddhist Rashtra as Nation,” The Ambedkarian Chronicle, May 4, 2026.

Rahul Sonpimple, “Remembering Babasaheb Ambedkar: The Unfinished Task of Burying Manu,” The Ambedkarian Chronicle, April 14, 2026.

Rahul Sonpimple, “Kanshi Ram Sahab: Beyond Bureaucratic Dalit Passivity,” The Ambedkarian Chronicle, March 15, 2026.

Rahul Sonpimple, “Spontaneity in Ambedkar: Beyond the Passivity of Popular Dalit Discourse,” The Ambedkarian Chronicle, April 16, 2025.

Rahul Sonpimple, “The End of Independent Ambedkarite Dalit Politics?” Round Table India, July 12, 2024.

Rahul Sonpimple, “Dalit conversions: An act of rebellion against caste supremacy,” Al Jazeera, 14 June 2018.

Himsa and ahimsa are foundational ethical concepts in Buddhism. Himsa refers to injury, harm, or violence and ahimsa to non-harming, non-violence, or compassion. Ambedkar critiqued extreme, blanket doctrines of ahimsa as unworkable and often hypocritical.

Chokhamela was a saint-poet from Maharashtra, India who belonged to the Mahar caste and was a devotee of Vitthala.

Bhakt: devotee

Vitthala: Hindu deity worshipped mainly in the states of Maharashtra and Karnataka as an avatar of Vishnu.

Kabir and Ravidas: medieval poet-saints who were part of the Bhakti movement (7th-17th century), which emphasized devotion to a personal god, rather than rituals and scriptural knowledge, as the path to spiritual liberation.

Samata Sainik Dal: a social organization founded by B. R. Ambedkar in 1927 with the objective of safeguarding the rights of all oppressed sections of Indian society.

Bhima Koregaon: a village in Maharashtra that was the site of an 1818 battle between the army of Peshwa Baji Rao II and an East India Company force comprised mainly of Mahars, a Dalit caste. This battle has attained legendary status for Dalits who view it as a victory of Mahars over the Brahminical Peshwas.

Baniya: refers to mercantile castes primarily from the states of Rajasthan and Gujarat.

Kanshi Ram: Indian social reformer and politician who founded the All India Backwards and Minorities Communities Employees' Federation (BAMCEF) in 1971 and the Bahujan Samaj Party in 1984.

Jogendra Nath Mandal: Bengali politician and Dalit leader who held the law portfolio in the 1946-47 Interim Government of India and served as the Minister of Law and Labor in Pakistan from 1947-50.

Rajah: M.C. Rajah was a Tamil politician and Dalit leader who served on the Madras Legislative Council in the 1920s and founded the All India Depressed Classes Association in 1925.

Kamble: B.C. Kamble was a Marathi politician and Dalit leader who led the Republican Party of India for decades.

BAMCEF: All India Backwards and Minorities Communities Employees' Federation

UGC Bill: officially the University Grants Commission (Promotion of Equity in Higher Education Institutions) Regulations, 2026, is a set of regulations aimed at ending discrimination against marginalized communities in higher education. Following widespread protests and a public interest litigation (PIL), the Supreme Court of India stayed the regulations in January 2026.

Bhagwa kapda: saffron clothing

Scheduled Caste Federation: a political organization founded in 1942 by Dr. B. R. Ambedkar dedicated to advocating for the rights and political self-representation of the Dalit community.

Republican Party of India: a political party established by Dr. B. R. Ambedkar in 1956.

PESA: Panchayats Extension to Scheduled Areas (PESA) Act, 1996 is a landmark legislation enacted by the Government of India to ensure self-governance for tribal communities living in Fifth Schedule Areas.

Manusmriti: a text that served as a foundational legal and societal framework in ancient India.

EWS: refers to the Economically Weaker Section, a government classification referring to those within the unreserved (general) category eligible for a 10% quota in government jobs and educational admissions.

Karan Johar: an Indian filmmaker, producer and television personality.

Dharavi: a residential area in Mumbai (Bombay) considered one of the world’s largest slums.

Adani: Gautam Adani is an Indian billionaire and chairperson of the multinational conglomerate, the Adani Group.

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Molly Brookfield’s book, Watching the Girls Go By: A History of Street Harassment in the United States (University of North Carolina Press, 2026) explores

In Watching the Girls Go By,

Mariam Olugbodi

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