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Ending corruption in Ukraine and the woman enslaved by ISIS now trying to tell her story. Kate Adie introduces insight and analysis from correspondents around the world:
Viktor Yanukovych and his associates are accused of stealing billions during his time as president, but are they still be benefiting from corruption? Simon Maybin surveys the scene from a snowy rooftop in Kiev.
Stacey Dooley joins a 23-year-old Yazidi woman as she returns to find the house where she was held captive by ISIS in Mosul. She wants to tell her story but finds herself unexpectedly silenced.
An assault on freedom of speech or an attempt to protect a nation’s dignity? Adam Easton explores the controversy around a new law in Poland which proposes prison sentences for anyone blaming the country for Nazi crimes against Jews.
Simon Broughton meets a Mozambican artist turning bullets, guns and old mobiles phones into works of art.
And Megha Mohan confronts a taboo in India: why menstruating women are often denied access to temples. Left out of her own grandmother's last rites, she's left wondering why.
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By BBC Radio 4
4.6
344344 ratings
Ending corruption in Ukraine and the woman enslaved by ISIS now trying to tell her story. Kate Adie introduces insight and analysis from correspondents around the world:
Viktor Yanukovych and his associates are accused of stealing billions during his time as president, but are they still be benefiting from corruption? Simon Maybin surveys the scene from a snowy rooftop in Kiev.
Stacey Dooley joins a 23-year-old Yazidi woman as she returns to find the house where she was held captive by ISIS in Mosul. She wants to tell her story but finds herself unexpectedly silenced.
An assault on freedom of speech or an attempt to protect a nation’s dignity? Adam Easton explores the controversy around a new law in Poland which proposes prison sentences for anyone blaming the country for Nazi crimes against Jews.
Simon Broughton meets a Mozambican artist turning bullets, guns and old mobiles phones into works of art.
And Megha Mohan confronts a taboo in India: why menstruating women are often denied access to temples. Left out of her own grandmother's last rites, she's left wondering why.
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