On this episode, we share something a little different by sharing an installment from The Watches of Podcast, a new series where we step away from industry-wide analysis and focus deeply on individual brands—their history, philosophy, people, and, importantly, their watches.

Each episode is designed as a focused, evergreen exploration of a single brand, and here we use that format to zero in on Ming’s dive watches, a category that has quietly become one of the most revealing expressions of the brand’s identity.

We trace how Ming approached the dive watch not as a traditional tool-first object, but as a sculptural, design-led problem to solve. From early experimental concepts to fully realized production models, we talk about how the brand steadily moved away from simply “doing a dive watch” and toward creating dive watches that could only exist as Ming designs. The discussion centers on proportion, restraint, and engineering choices that prioritize wearability and originality without abandoning the functional expectations of the genre.

Finally, we focus on the modern era of Ming dive watches, where everything clicks into place: compact dimensions, inventive use of sapphire and rotating dials, thoughtful movement customization, and distinct aesthetic identities across models like the Bluefin and the Uni. We reflect on why these watches resonate so strongly with collectors, why they earned serious recognition within the industry, and why their final re-release feels like the close of a meaningful chapter—one that shows how Ming redefined what a contemporary dive watch can be.

We’ll be back next week with a new episode of Openwork. In the meantime, enjoy The Dive Watches of Ming. We hope you like it as much as we enjoyed making it.

You can find us online at collectivehorology.com. To get in touch with suggestions, feedback or questions, email [email protected].

On this episode, we step back to assess where the watch industry actually landed in 2025, revisiting our prior predictions with a focus on the bigger forces at work rather than scorekeeping. We talk candidly about the pressure points that defined the year—pricing fatigue, currency and tariff shocks, and the uneven mood among collectors—while also acknowledging the resilience of independent watchmaking and the ways enthusiasm managed to persist despite real headwinds.

From there, the conversation shifts to what those experiences mean looking ahead. We explore how the volatility of the U.S. market is likely to reshape industry behavior in 2026, pushing brands to think more globally and rebalance their attention toward Asia. This isn’t framed as a retreat, but as a strategic response to risk, growth, and changing demographics, alongside a growing appreciation among collectors for watches and design voices emerging from outside the traditional European center of gravity.

Finally, we zoom in on the cultural and structural changes we see gaining momentum: the rising influence of Gen Z, evolving definitions of value and novelty, and a gradual move away from public-facing watch discourse toward smaller, more intentional communities. Whether through new approaches to complications, aesthetics, manufacturing, or how collectors connect with one another, we see an industry that is fragmenting in interesting ways—less centralized, more experimental, and increasingly shaped by how people actually engage with watches today.

Hosted by Asher Rapkin and Gabe Reilly, co-founders of Collective Horology, Openwork goes inside the watch industry.

You can find us online at collectivehorology.com. To get in touch with suggestions, feedback or questions, email [email protected].

On this episode of Openwork, we dig into the long-awaited reduction of U.S. tariffs on Swiss watches, which finally dropped from 39% to 15% after weeks of confusion and delay. We explain what actually changed, why the rollout took more than a month after the initial agreement, and how the U.S. customs system ultimately flipped the switch. While the lower rate is meaningful relief for the industry, we also talk through the real-world complications around retroactivity, post-summary corrections, and why many shipments were still hit with the higher rate during the transition period.

From there, we zoom out to look at what the latest export data is telling us about the health of the watch market in 2025. Swiss watch exports to the U.S. have fallen sharply, contributing to one of the toughest post-COVID years for the industry despite strength at the very high end. We discuss how tariffs, currency swings, delayed shipments, and tighter payment terms create knock-on effects that ripple through brands, suppliers, and retailers long before they show up clearly in headline numbers.

We also cover a few developments that stood out to us, including LVMH’s growing momentum in fine watchmaking and its increasingly visible role in the independent space, as well as the surprising strength of jewelry-focused brands like Van Cleef & Arpels in the secondary market. Finally, we close with a hands-on discussion of the new Omega Seamaster Planet Ocean, looking at where it succeeds, where it falls short, and what it says about Omega’s broader strategy as it continues to define itself against Rolex.

Hosted by Asher Rapkin and Gabe Reilly, co-founders of Collective Horology, Openwork goes inside the watch industry.

You can find us online at collectivehorology.com. To get in touch with suggestions, feedback or questions, email [email protected].

In this episode of Openwork, we talk with our sales director, Geoff Souder, about what fundamentally changes when you move from selling traditional luxury watches to selling independent brands. Drawing on decades of experience with mainstream names like Rolex and Patek Philippe, Geoff explains how scale and standardization create a polished but often homogenous retail experience, then contrasts that with the realities of independence—where there is no built-in foot traffic and every relationship must be earned.

The conversation centers on how independent watches shift the meaning of ownership inward, away from status and recognition and toward personal connection, artistic intent, and patronage, ultimately reshaping not just how watches are sold, but how they’re understood and valued.

Hosted by Asher Rapkin and Gabe Reilly, co-founders of Collective Horology, Openwork goes inside the watch industry.

You can find us online at collectivehorology.com. To get in touch with suggestions, feedback or questions, email [email protected].

Openwork is going weekly. In addition to our classic shows which focus on a specific topic or guest, we’re introducing a new format: a discussion of current events in the watch industry. So this week, we take a look at some tariff news (or lack thereof), supplier challenges, the significant growth of India, along with a few new releases.

Hosted by Asher Rapkin and Gabe Reilly, co-founders of Collective Horology, Openwork goes inside the watch industry.

You can find us online at collectivehorology.com. To get in touch with suggestions, feedback or questions, email [email protected].

Today we’re talking about the rise of independent hype watches. Until very recently, as we’ve discussed on this podcast, independent watchmaking was something of a backwater of the watch industry or at best the realm of the cognoscenti. But in recent years, creations from the likes of MB&F, Simon Brette, Rexhep Rexhepi and today’s guest Sylvain Berneron have become objects of desire, cutthroat demand and even speculation. How did it get this way? What are the drivers? And what role do the brands and watchmakers themselves play in the economy of hype?

Our guest is Sylvain Berneron, a French-born industrial and fine-arts trained designer who, after early roles in automotive design at BMW, moved into the watch world — spending five years at Breitling (ultimately as Chief Product Officer) and earlier working for the Richemont Group on brands such as IWC and Jaeger‑LeCoultre. In 2022 Sylvain founded his independent brand Berneron (based in Neuchâtel, Switzerland) and launched the Mirage collection, noted for its all-gold movement, shaped asymmetric case. And this summer, he unveiled his second collection, the Quantième Annuel. Both collections are highly limited – variants are produced in just 24 units each annually.

Hosted by Asher Rapkin and Gabe Reilly, co-founders of Collective Horology, Openwork goes inside the watch industry.

You can find us online at collectivehorology.com. To get in touch with suggestions, feedback or questions, email [email protected].

This week we’re coming to you from Geneva, where we’ve attended the GPHG award ceremony, celebrated Czapek’s 10th anniversary, and had some time to experience the city’s horological treasures. We share a recap of our time in Geneva, including what everyone who attended the GPHG is really talking about.

Hosted by Asher Rapkin and Gabe Reilly, co-founders of Collective Horology, Openwork goes inside the watch industry.

You can find us online at collectivehorology.com. To get in touch with suggestions, feedback or questions, email [email protected].

Today we’re talking to someone who has made the transition from watchmaker to journalist to watch brand executive. In fact, it’s not so much a transition but a career expansion as he still assembles watches while creating copious content and works in various business roles for a number of watch brands. Of course, we’re talking to none other than Rob Nudds, the watch industry’s renaissance man.

Rob's latest collaboration with Straum: Straum × TRTS Jan Mayen Titanium Stormy Seas.

Hosted by Asher Rapkin and Gabe Reilly, co-founders of Collective Horology, Openwork goes inside the watch industry.

You can find us online at collectivehorology.com. To get in touch with suggestions, feedback or questions, email [email protected].

It’s the Omega-sode. We’re taking a look at the business of Omega: How they went from the world’s number one watch brand – both in terms of sales and units shipped – to number three, what happened along the way, and where they may be headed next.

Hosted by Asher Rapkin and Gabe Reilly, co-founders of Collective Horology, Openwork goes inside the watch industry.

You can find us online at collectivehorology.com. To get in touch with suggestions, feedback or questions, email [email protected].

We're live at WatchTime New York 2025 with Nicholas Bowman-Scargill, 4th Managing Director of Fears. We discuss the growth of WindUp, WatchTime and the many other watch happenings in New York this past week, including what the brands are talking about behind closed doors. Yes, a bit of tea.

Hosted by Asher Rapkin and Gabe Reilly, co-founders of Collective Horology, Openwork goes inside the watch industry.

You can find us online at collectivehorology.com. To get in touch with suggestions, feedback or questions, email [email protected].