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Plotting doesn’t have to feel like wrangling an octopus into a cardigan. In this episode of Master Fiction Writing, we turn to Pixar’s Story Spine - seven simple prompts that reveal your story’s engine: who we meet, what upends the status quo, how cause-and-effect escalates, where the climax hits, and what the change means. We unpack each beat (from “Once upon a time…” to “And ever since that day…”) and keep things focused with just two “Because of that…” moves to force clean causality. You’ll hear quick, recognisable examples and leave with a concise spine you can expand into scenes—without drowning in index cards.
You’ll learn:
How to define your story’s “normal,” inciting incident, and rising consequences
Why limiting yourself to two causal beats sharpens momentum
How to aim your climax at your character’s internal shift
How to land an emotionally clear resolution
By Stuart Wakefield4.6
2121 ratings
Plotting doesn’t have to feel like wrangling an octopus into a cardigan. In this episode of Master Fiction Writing, we turn to Pixar’s Story Spine - seven simple prompts that reveal your story’s engine: who we meet, what upends the status quo, how cause-and-effect escalates, where the climax hits, and what the change means. We unpack each beat (from “Once upon a time…” to “And ever since that day…”) and keep things focused with just two “Because of that…” moves to force clean causality. You’ll hear quick, recognisable examples and leave with a concise spine you can expand into scenes—without drowning in index cards.
You’ll learn:
How to define your story’s “normal,” inciting incident, and rising consequences
Why limiting yourself to two causal beats sharpens momentum
How to aim your climax at your character’s internal shift
How to land an emotionally clear resolution

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