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Mark, Sarahlyn, Lawrence, and guest Landen Celano from the Grunt Work podcast talk about talk about our ambivalence toward the three-camera, laugh-tracked half-hour comedies that filled our childhoods. Why did some of these stand the test of time? Are some shows well suited for hate-watching or background watching? Why the Night Court reboot doing so well?
We touch on some new shows like Kevin Can F*** Himself and Reboot that reflect on sitcom tropes, shows that subverted the format even at the time (Norman Lear), the juggernaut that is Chuck Lorre, catch phrases, and our memories of Three's Company, Happy Days, Good Times, Saved by the Bell, A Different World, etc.
For more, visit prettymuchpop.com. Hear bonus content at patreon.com/prettymuchpop or by subscribing via Apple Podcasts to the Mark Lintertainment Channel.
By Mark Linsenmayer4.8
4141 ratings
Mark, Sarahlyn, Lawrence, and guest Landen Celano from the Grunt Work podcast talk about talk about our ambivalence toward the three-camera, laugh-tracked half-hour comedies that filled our childhoods. Why did some of these stand the test of time? Are some shows well suited for hate-watching or background watching? Why the Night Court reboot doing so well?
We touch on some new shows like Kevin Can F*** Himself and Reboot that reflect on sitcom tropes, shows that subverted the format even at the time (Norman Lear), the juggernaut that is Chuck Lorre, catch phrases, and our memories of Three's Company, Happy Days, Good Times, Saved by the Bell, A Different World, etc.
For more, visit prettymuchpop.com. Hear bonus content at patreon.com/prettymuchpop or by subscribing via Apple Podcasts to the Mark Lintertainment Channel.

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