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In light of the new film Trap, we look at this writer/director's oeuvre. Was he a bright light (The Sixth Sense) that at one point went out (certainly by The Happening), and has that light gone back on as he's regained full control in his most recent films (Knock at the Cabin, The Visit, et al.)? Is he a genius, overrated, or somehow both?
Mark, Lawrence, Sarahlyn and Al disagree both about Trap and about the overall Shyamalan experience.
For more, visit prettymuchpop.com. Hear bonus content at patreon.com/prettymuchpop or by subscribing via Apple Podcasts to the Mark Lintertainment Channel.
Sponsors: Get 10% off your first month of online therapy at betterhelp.com/pretty. Try a new podcast: Today In History With the Retrospectors at podfollow.com/retrospectors.
By Mark Linsenmayer4.8
4141 ratings
In light of the new film Trap, we look at this writer/director's oeuvre. Was he a bright light (The Sixth Sense) that at one point went out (certainly by The Happening), and has that light gone back on as he's regained full control in his most recent films (Knock at the Cabin, The Visit, et al.)? Is he a genius, overrated, or somehow both?
Mark, Lawrence, Sarahlyn and Al disagree both about Trap and about the overall Shyamalan experience.
For more, visit prettymuchpop.com. Hear bonus content at patreon.com/prettymuchpop or by subscribing via Apple Podcasts to the Mark Lintertainment Channel.
Sponsors: Get 10% off your first month of online therapy at betterhelp.com/pretty. Try a new podcast: Today In History With the Retrospectors at podfollow.com/retrospectors.

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