This episode is part of a duo with the ScreenDrafts crew!

We are talking about the film, Simpatico with Clay Kellar and Ryan Marker. Be sure to check out the other episode on our Patreon for Twilight New Moon!

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This Friday on Podcast Like It’s 1999, Daniel Waters joins us to talk about the Spanish film: Open Your Eyes!

We talk about how this film shapes up to the remake Vanilla Sky,the concept of being too faithful to original material, and our love for Penelope Cruz.

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Today on Podcast Like It’s…1999, we bring you a very special Bonus Interview with Sarah Polley!

We discuss her films of 1999, and her recent work writing and directing for Women Talking! 

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Today on Podcast Like It’s…1999, Griffin Newman joins us for their final film of 99 watching Big Daddy!

An absolute riot of an episode, we talk about Adam Sandler's Filmography, and Griffin describes their unique Jack and Jill viewing experience.

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This week on Podcast Like It’s…1999, Mike Natale and Tom Lorenzo join us to talk about Rosetta!

A Belgian/French film about a teenager living with her alcoholic mother, we talk about niche film critic circles, and our thoughts on 1999’s Cannes Film Festival.

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This special fan episode is made up of:

Adventures of Sebastian Cole with Mat Newman

In Too Deep with Jackson Boren

Human Traffic with Jon Barnhill

Wing Commander with Amanda Heldsinger

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This Black Friday on Podcast Like It’s…1999, we are talking about Tim Roth's The War Zone with Jessica Ellis!

A very difficult watch, causing us to watch in installments, we talk about the director's relationship to the subject matter, and why this film lands in Roger Ebert's Best Films of 1999.

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This week on Podcast Like It’s…1999, we bring you Thanksgiving a little early with this double feature!

We are talking about 1999's Macy's Thanksgiving Day Parade, and the movie Get Bruce with Emily St. James and Joe Reid respectively. 

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This week on Podcast Like It’s…1999, Bryan Cogman joins us for his last film of 99: Cookie’s Fortune!

A black comedy directed by Robert Altman, about a small town in Mississippi family following the suicide of their wealthy Aunt, we talk about Altman’s laissez faire directorial style, his approach to an ensemble cast, and the concept of the camera acting as a character.

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