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A fascinating, behind-the-scenes look at non-religious funerals in contemporary London, An Honest Death: Life's End and Humanist Funerals (Princeton UP, 2026) is an intimate and moving ethnographic account of funerals for people who don’t believe in God or an afterlife. Focusing on secular funeral celebrants of the British Humanist Association (now called Humanists UK), the book examines how their ritual work is geared toward helping realize a secular world. There is a strong ethical commitment behind this effort, which is to face death with honesty based on the belief that this life is all we have. For the humanist celebrants and those they serve, this is what allows for a life with meaning and purpose. Written in a vivid style, the book centers on the lives and the funerals of particular people, from a three-year-old child to a man in his nineties. Anthropologist Matthew Engelke, who trained as a humanist celebrant as part of his research, describes how these officiants try to craft “sincere” funerals, avoiding language and music that might suggest that the person who died had any religious beliefs. The book also captures the highs and lows for humanist celebrants of working in the funeral business—a business that is, for many of them, a kind of vocational calling. Above all, An Honest Death draws out the tensions in secular humanist thought and practice between reason and the body, rationalism and materialism. Nothing matters more to the humanists than “daring to know” in the Enlightenment tradition, but nothing is so certainly known as the fact that we are finite and embodied creatures.
Matthew Engelke is professor and chair of the Department of Religion at Columbia University.
Caleb Zakarin is CEO and Publisher of the New Books Network.
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The Springs-and-Autumns period is a strange period in Chinese history. Coming after the decline of the Zhou, and before the famous Warring States Period, this period of Chinese history features a large number of small states with no powerful hegemon, no strong sense of the mandate of heaven, rules of chivalry that wouldn’t seem out of place in medieval Europe, and roles passed down through lineage–and not awarded on the basis of merit.
Historian Yuri Pines calls this period China’s "aristocratic age” in his book titled, appropriately, China's Aristocratic Age: Politics and Power in the Springs-and-Autumns Period (Princeton UP, 2026).
Yuri Pines is the Michael W. Lipson Chair in Chinese Studies at Hebrew University of Jerusalem. He is the author of The Everlasting Empire: The Political Culture of Ancient China and Its Imperial Legacy, The Book of Lord Shang: Apologetics of State Power in Early China, Zhou History Unearthed: The Bamboo Manuscript Xinian and Early Chinese Historiography, and other books.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of China’s Aristocratic Age. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
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There is a widespread sense throughout the developed world that
The book explains
The need to address inequality has never been more urgent. Challenging Inequalities offers
Paul Johnson
Morteza Hajizadeh
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Are you a scholar sitting on a manuscript that you think could be a book — but you have no idea where to start? In this episode of The Publishing Playbook, host Sarah Russo sits down with Laura Portwood-Stacer, founder of Manuscript Works and author of two books about academic publishing: “The Book Proposal Book” and “Make Your Manuscript Work.” Laura shares what pulled her out of academia and into editorial consulting, and why “publish or perish” no longer guarantees the payoff it once promised. She breaks down the essential elements of a strong academic book proposal, the real differences between the types of publishers out there, and why authors and editors are on the same team more often than they realize. Laura also dishes on whether academic authors actually need a literary agent, and how generative AI is reshaping trust in publishing. Plus: what it was really like competing on “Jeopardy!”
For more information on Laura’s work, please visit Manuscript Works.
Books mentioned in this episode:
“The Book Proposal Book” by Laura Portwood-Stacer
“Make Your Manuscript Work” by Laura Portwood-Stacer
“Trans Technologies” by Oliver Haimson (both Laura and the Page One team worked with Oliver on his book)
“The Seven Wonders of the Ancient World” by Bettany Hughes
Key Moments
00:00 – “That’s Not the Answer” 😤
Laura names the fantasy that finishing a book will magically change your life, and why that unrealistic expectation sets writers up for disappointment.
03:25 – “Publish or Perish” Isn't So Simple Anymore 📚
Laura explains why the old academic career formula has broken down: you can do everything right and still lose the job, the promotion, or the department.
07:12 - The Anatomy of a Strong Book Proposal 📝
Laura walks through exactly what publishers are looking for, breaking down the unspoken checklist most scholars never see.
10:40 – “You’re on the Same Team” 🤝
Laura pushes back on the idea that authors and editors are adversaries, arguing most writers misunderstand just how aligned they actually are with their publisher.
16:37 - Trade, Academic Trade, or Monograph? 🎯
Sarah and Laura unpack the three buckets publishers sort academic books into, and why so many authors overestimate how “trade” their book really is.
20:33 - Do You Actually Need an Agent? 🙋
Laura levels with authors chasing representation: most scholars publishing with university or academic presses don’t need one at all.
21:13 - AI Has Made Everyone a “Paranoid Reader” 🤖
Laura gets candid about how generative AI is eroding trust between editors and authors — and why she resents having become an accidental AI expert.
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In
For readers who know kelp only as tangles on the ocean surface or smelly mounds of seaweed littering beaches, Forest of the Sea: The Remarkable Life and Imperiled Future of Kelp (Princeton University Press, 2026) reveals a thriving three-dimensional underwater world of color
Forest
This interview was conducted by Dr. Miranda Melcher whose book
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In A New World of Revolutions: Popular Imaginations and Movements Across the Americas (Princeton UP, 2026), Arturo Chang reconstructs the histories, politics, and legacies of the Age of Revolutions (c. 1770-1850) from the vantage point of popular movements in the Americas. Challenging narratives that center the nation-state, Chang emphasizes the hemispheric politics, practices, and cultural production that connected revolutionary movements from the United States to Argentina. He draws on marching songs, poems, pamphlets, manifestos, plays, proclamations, constitutions, and other archival objects to show that hemispheric imaginaries were critical to the development of postcolonial republicanism in the Americas.
Chang shows that marginalized groups, especially Indigenous, Mestizo, and Pardo communities, contributed to and benefitted from narratives of American emancipation. Armed with hemispheric discourses, they were able to argue for such egalitarian reforms as the abolition of slavery, the elimination of colonial tribute, the protection of Indigenous lands, the end of the Spanish caste system, and the establishment of civic equality. Countering assumptions that actors in popular movements followed elite leaders or had little to say during moments of revolutionary change, Chang shows how each of these campaigns influenced republican principles in ways that reflected their own cultures and histories--and how each produced concrete interventions in the legal, social, and material realities of their communities. Chang links popular movements in New Spain (Mexico), the United States, New Granada (Colombia, Venezuela, Panama, and Ecuador), and the postcolonial Andes (Peru, Bolivia, and Argentina), arguing that, together, they constituted an American tradition of resistance against European rule.
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Immigration agents have a frontline view of the racial, economic, and legal inequalities that undocumented migration reflects—and yet most agents do not think of the role their jobs play in those inequalities. Instead, they consider themselves law enforcers, trained to confine their work strictly to crime control and security. In Bordering on Indifference: Immigration Agents Negotiating Race and Morality (Princeton UP, 2025), Dr. Irene Vega offers an original, detailed analysis of the rationales that shape how U.S. immigration agents understand and carry out their professional responsibilities. Drawing on interviews with ninety immigration agents—Border Patrol Agents and ICE Deportation Officers, most of whom are Mexican Americans from the region around the border—Dr. Vega examines why they took the job and how their training and socialization shape the ways that they grapple with the racial and moral issues raised by their work.
Dr. Vega shows that indifference is the bureaucratic resource that allows agents to look away from the most morally ambiguous aspects of their work and helps them cultivate legitimacy for their employer. She traces the development of the agents’ “moral economy”—the configuration of norms, values, and sensibilities that undergirds how they perform their work. She also shows how the immigration system benefits from minoritized bureaucrats’ labor. With Bordering on Indifference, Dr. Vega opens the closed doors of nondescript government buildings and goes into remote areas of the Southwestern borderlands to uncover the hidden normative world that immigration enforcement agents inhabit.
Guest: Dr. Irene I. Vega is associate professor of sociology at the University of California, Irvine. She studies how the United States regulates international migration, as well as migrants and their descendants.
Host: Dr. Christina Gessler, who is an academic writing coach and editor. She is the producer and show host of the Academic Life podcast.
Playlist for listeners:
Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!
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The young James Joyce (1882–1941) was forged in the smithy of Irish political controversies, and he took into his European exile a depth of political insight unrivalled among his fellow modernists. In this biography of Joyce in his youth and early exile James Joyce: A Political Life (Princeton UP, 2026), acclaimed Irish historian and biographer Frank Callanan reveals a Joyce who is markedly more politically conscious, informed and complex than the Joyce of Richard Ellmann’s classic account. Written in a sparkling style and rich with historical insights, Callanan’s deeply researched biography is the first sustained account of how Joyce’s Irish and European political and cultural context shaped his life, thought, and writings.
Joyce was eight years old in 1890 when the O’Shea divorce scandal tore Irish nationalism apart, leading to the split in the Irish Parliamentary Party, the death of nationalist leader Charles Stewart Parnell, and a long, bitter period dominated by the anti-Parnellites. This was the Ireland that Joyce grew up in and rebelled against, and which determined his literary direction. Callanan uncovers a Joyce who was a highly original and dissenting Irish nationalist, who refused to avow or vaunt his nationalism and whose understanding was refined by the experience of living in multicultural Trieste with its fraught ethnic politics and differing models of statehood. Callanan’s Joyce is as heroic as Ellmann’s defiantly modernistic artist but in a more interesting way—a writer who didn’t lack political conviction but whose views didn’t yield to the expectations of his time.
Energizing, witty, profound, and elegant, James Joyce: A Political Life is a magisterial biography that will transform how readers look at Joyce and his politics.
Frank Callanan (1956–2021) was an Irish barrister and historian. His books include The Parnell Split, 1890–91, a narrative of the last year of Parnell’s life, and T. M. Healy, a biography of Parnell’s principal adversary in the Split. He wrote the entries on Parnell, Healy, John Dillon and Conor Cruise O’Brien for the Dictionary of Irish Biography and edited The Literary and Historical Society 1955–2005, a history of the debating society of University College Dublin, to which James Joyce belonged. He also wrote and produced, with Ruán Magan, the 2022 documentary 100 Years of Ulysses.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.
YouTube Channel: https://www.youtube.com/user/a48266/videos
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Writer Naomi Kanakia has spent her adult life reading the so-called “great books,” those classic works of literature which are–depending who you ask–either deeply unfashionable, or a time-honored testament to human accomplishment.
With What’s So Great About the Great Books: Why You Should Read Classic Literature (Even Though It May Destroy You) (Princeton UP, 2026) Kanakia, a devoted lay reader, unpacks popular anxieties surrounding classic writers like Milton, Tolstoy, and Proust. Using the unpretentious approach she has cultivated on her popular Substack, Woman of Letters, Kanakia addresses common reservations about the great books, questions about why we should bother with literature with dated politics, or books exceedingly difficult to read. For plenty of readers, particularly those who came of age in the last decade, the answers may not be clear. Kanakia offers an intriguing reminder to challenge ourselves, to look beyond the walls of the ideology we have constructed for ourselves. (Just don’t ask her about “Leviathan” by Thomas Hobbes.) “What’s So Great about the Great Books” is out now with Princeton University Press.
Megan Peck Shub (AKA Galley Hag) is a writer, journalist, and a producer who has won Emmy and Peabody awards for her work on Last Week Tonight with John Oliver on HBO. She previously worked on Finding Your Roots with Dr. Henry Louis Gates, Jr., the PBS history docuseries. Megan’s eclectic slate runs the gamut from literature to pop culture to politics, with a particular focus where those topics intersect.
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Republicanism is arguably the most powerful political idea in
Giulio Boccaletti
Morteza Hajizadeh
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