Joanna Scanlan is one of our great comic actors; she’s best-known for “The Thick of It”, where she plays the obstructive civil servant Terri Coverley. But her range is much wider than comedy. She’s extraordinarily moving in “After Love”, Aleem Khan’s 2021 film about a widow who discovers her husband’s secret life – a performance so powerful that it dominates the whole film, and won her BAFTA’s lead actress award in 2022.

Before that, she played Charles Dickens's long-suffering wife, Catherine, in “The Invisible Woman” – and appeared in “Girl with a Pearl Earring” and “Notes on a Scandal”, to name just a couple of her film roles. On television she’s familiar from “The Larkins”, “No Offence” and “Puppy Love” – a series she co-wrote. She also co-wrote “Getting On”, a blackly comic portrayal of life on an NHS ward, which has become a great deal more topical in the fourteen years since it was first broadcast.

Born in Merseyside, Joanna Scanlan grew up in North Wales; she went to Cambridge to study history and law, and only got her first job as an actress when she was thirty-four, after having a breakdown.

She tells Michael about how that breakdown became a turning point, thanks to a doctor who told her that she would be ill all her life unless she acted. She remembers her schooldays in Wales, when she sang in a choir five times a day, and her early career working for the Arts Council, where the power-mad clock-watchers she worked with became the inspiration for the character of Terri Coverley.

A Loftus Media production for BBC Radio 3

Brought up in a comfortable suburb of Sheffield, Hugh Brody has spent his life travelling to the most inhospitable corners of the world. For more than ten years he lived among the peoples of the Arctic and sub-Arctic, learning their languages, discovering their ways of being in the world, and helping map their territories so they could claim land rights. He has also worked in isolated villages in the west of Ireland, in the southern Kalahari, on Skid Row in Edmonton, Canada, and in tribal communities in western India.

He has explored these places over the last fifty-five years in a considerable body of work: more than a dozen films, dozens of essays, and ten books. The latest is a moving and beautifully written personal memoir, “Landscapes of Silence: from Childhood to the Arctic”. Married to the actress Juliet Stevenson, Hugh Brody now divides his time between Highgate, North London, and a house on the Suffolk coast, though he admits that he has never really “settled down”.

Hugh Brody’s music choices include Beethoven, Sibelius, Stravinsky, Clara Schumann, and the music he heard every day when living with an Inuit family: Johnny Cash.

Produced by Elizabeth Burke

Todd Field began his career as a jazz musician and as an actor; he has appeared in over forty films, including Kubrick’s “Eyes Wide Shut” and Woody Allen’s “Radio Days”. He then went on to direct two full-length award-winning films, “In the Bedroom” - about grief and revenge in a close-knit family - and “Little Children”, starring Kate Winslet. Both were nominated for multiple Oscars. This week his third feature film “Tar” opens in Britain. Cate Blanchett stars as Lydia Tar, the conductor of a major German orchestra; the film is an exploration of the darker side of the classical music world, the power of the conductor, and of abusive power more generally – it’s also a celebration of some really wonderful music.

In conversation with Michael Berkeley, Todd Field talks about how he started writing “Tar” by interviewing classical musicians, and particularly women working in the industry. He looks back on his “free-range” childhood in Oregon, and tells how his wife financed his ambition to become a film director by buying a truck, going round flea-markets, and starting an interior-design shop. He reveals the struggle to release his award-winning film “In the Bedroom” after Harvey Weinstein bought it and demanded more and more cuts. Field won the fight and retained the film he believed in, but it took six months and a fiendishly clever strategy invented by his friend Tom Cruise.

Todd Field started out as a jazz musician in a big band, and his choices include two tracks by Sarah Vaughan, whom he met backstage at a concert in Oregon. Other choices include Mahler’s Symphony No 5; Elgar’s Cello Concerto; and Gorecki’s second string quartet, which played constantly in his head while making “Tar”.

A Loftus Media production for BBC Radio 3

Rabbi, writer and broadcaster Jonathan Romain is minister of Maidenhead Synagogue and one of Britain's leading rabbis in Reform Judaism. He’s the author of twenty books – some scholarly and learned, and others which are very funny – revealing the ups and downs of his day-to-day work, in a way that will resonate with vicars, priests and religious leaders of any description. He’s become a kind of agony uncle, dispensing advice on love affairs, marriage, parenthood, and he’s written about all this in “Confessions of a Rabbi” and in his latest book, “The Naked Rabbi”. On the more serious side, he’s a prominent figure in the campaign for Assisted Dying, he was awarded an MBE for his work on inter-faith marriage, and he’s spent much of the last year working with Ukrainian refugees.

In conversation with Michael Berkeley, Jonathan Romain talks about what he’s learned over the years as a rabbi about love and marriage, and why some of his views put him very much out on a limb. His playlist takes in Max Bruch, Leonard Cohen, Rimsky-Korsakov, and a tribute to his love of football. And he tells us his favourite Jewish joke.

Produced by Elizabeth Burke

The structural engineer and author Roma Agrawal tells Michael Berkeley about her passions for tall buildings, bridges, concrete and Indian classical dance.

Roma Agrawal is a highly successful woman operating in what is still very much a man’s world. Her job is, essentially, to make sure that the buildings, bridges, roads and tunnels we use every day don’t collapse. She spent six years working out the incredibly complex structure of the spire and foundations of the Shard in London, the tallest building in western Europe.

As well as engineering, Roma has another passion: she tells Michael about her lifelong love of the ancient Bharata Natyam form of Indian Classical Dance, and we hear the first piece of music she danced to as a child in Mumbai. She chooses songs by Abida Parveen, Anoushka Shankar and Nitin Sawhney as well as pieces by Tchaikovsky and by Carl Davis which drew her to Western music.

Roma tells Michael about her campaign to encourage more women to become engineers, why she decided to speak out about the emotional and physical strain of IVF and how working on the Shard helped her overcome her fear of heights.

Producer: Jane Greenwood

The writer Julia Blackburn talks to Michael Berkeley about how music helped her through her traumatic childhood and about the joy of late-flowering love.

Julia Blackburn is the author of novels, poetry, plays and books about historical figures including Napoleon, Billie Holiday, Goya, and the Norfolk artist John Craske, as well as books about grief, her love of animals, and the natural world. She’s also published memoirs, including an astonishing book about her childhood, The Three of Us.

Julia shares her love of Beethoven, Pergolesi, English folk song, music from central Africa, and the songs of Billie Holiday, which helped her through her a childhood marked by chaos and neglect.

And she tells Michael Berkeley about the happiness she has found in bringing up her own children, and the delight she has found in love later in life.

Producer: Jane Greenwood

It’s hard to think of an artist with a more striking and ambitious range than William Kentridge; his work spans etching, drawing, collage, huge tapestries - as well as film, theatre, dance and opera. He was born in Johannesburg and brought up during the apartheid regime; his art is highly politically charged. His parents, both lawyers, were notable figures in the anti-apartheid movement – his father being Sir Sydney Kentridge, who represented Nelson Mandela. For forty years now William Kentridge has used his art to explore the legacy of colonialism, and the barbarity of war. He’s probably best known for his charcoal sketches, which become stop-go animations, preserving almost every change and rubbing-out. But he has a keen eye for the absurdity of life too, so we watch typewriters turn into trees, birds flying off the pages of dictionaries, or a film titled “Portrait of the artist as a coffee pot”.

In conversation with Michael Berkeley, William Kentridge talks about the importance of music in his work, and brings a playlist that reflects a lifetime of listening. We hear a famous 1937 recording of a Monteverdi madrigal; Janet Baker singing one of the songs from “Les Nuits d’ete” by Berlioz; a duet from The Magic Flute; a rare recording of the American guitarist Elizabeth Cotten; and a collaboration between the Kronos Quartet and a trio of musicians from Mali.

He looks back to his childhood in South Africa, and what it was like to grow up under the cruel system of apartheid; and he reveals how important early failures were in enabling him to see the way forward.

A Loftus Media production for BBC Radio 3

Arifa Akbar tells Michael Berkeley about her nocturnal life as a theatre critic and her desire to tell the story of her sister's death from tuberculosis.

Arifa Akbar almost never has a quiet night in; as chief theatre critic of the Guardian she is out reviewing a production almost every evening. She also sits on the boards of the Orwell Foundation and of English PEN, and judges prizes including the UK Theatre Awards and the Women’s Prize for Fiction.

In conversation with Michael Berkeley, she discusses the book she wrote about the death of her older sister, Fauzia, from tuberculosis, in which she explores Fauzia’s troubled life and why the medical profession failed to diagnose her illness until it was too late.

Arifa chooses music from Bollywood films which remind her of her childhood, which was split between a prosperous and lively extended family in Lahore and poverty and social isolation in London. And she reveals how, after the death of her sister, she began to explore the tubercular heroines of nineteenth-century opera. Initially repelled by the glamorization of these women dying awful deaths, she has now come to love the music of Verdi and Puccini.

Producer: Jane Greenwood

Jules Montague trained as a doctor in Dublin before moving to London and becoming a consultant neurologist, specialising in treating people with dementia. This led to her first book, "Lost and Found: Why losing our memories doesn’t mean losing ourselves". After fifteen years as a doctor, she has now left clinical practice to become an investigative journalist, focusing on some of the deeper questions raised by her medical work. Her second book is called The Imaginary Patient: How Diagnosis gets us Wrong.

In conversation with Michael Berkeley, she explains that although most of us are relieved when our symptoms are explained by a medical label, diagnosis is not always a good thing. Her experience working as a doctor in Mozambique and in India has revealed how differently diseases may be diagnosed across different cultures. In some ways, she claims, a diagnosis of “spirit possession” may actually be more helpful to the patient than the label “PTSD”. She talks too about her work as a neurologist treating patients with brain damage and dementia, and how it’s led her to ask questions about how much of the “real” person remains when memory is lost.

Jules’s parents are from the Assam region of India and took her back as a child to spend time there; her music choices include a New Year dance from Assam, as well as piano music by Beethoven, a heart-breaking scene from Puccini’s Madame Butterfly; and music by Stravinsky, which he finished soon after suffering a stroke.

A Loftus Media production for BBC Radio 3

The Broadmoor psychiatrist and psychotherapist Dr Gwen Adshead shares her passion for choral music with Michael Berkeley.

When people ask Gwen Adshead what she does for a living she sometimes tells them she is a florist, because she is unable to face another conversation about why she has devoted her life to working with ‘monsters’.

Gwen has spent thirty years as a psychiatrist and as a pioneering forensic psychotherapist working at Broadmoor Hospital in Berkshire with some of society’s most violent, and vilified, offenders.

The author of more than 100 academic books and papers, Gwen recently co-wrote a best-selling book, with her friend Eileen Horne, for a more general audience: The Devil You Know takes the reader into the therapy room at Broadmoor to try to understand people often labelled as ‘monstrous’, including serial killers, stalkers and child sex offenders.

Gwen tells Michael about her work at Broadmoor, encouraging offenders to understand what drove them to violence, to face up to what they have done, and to try to find a future free of violence. She finds parallels in her work with music: the leader of a group therapy session has much in common with a conductor; and as a psychotherapist Gwen has to listen to her patients with the same concentration as when she is listening to fellow choir members.

Gwen’s passion for choral music runs through the programme with pieces by Tallis, Gibbons, Lauridsen and Verdi, and a Maori song that conjures up her early childhood in New Zealand.

Producer: Jane Greenwood

A Loftus Media production for BBC Radio 3