Robert Powell is one of our best-known actors, with a career that began in the late sixties and exploded into almost instant fame; since then, there have been some fifty films, including “The Thirty-Nine Steps” and “The Italian Job”, numerous theatre roles, and television appearances which have included six years on Holby City. For many people, though, he will always be Gustav Mahler thanks to Ken Russell’s 1973 biopic; for some, he became a memorable representation of Jesus Christ, thanks to his starring role in Zeffirelli’s six-hour epic.

Robert Powell begins by choosing Mahler’s famous Adagietto from the Fifth Symphony. He listened to Mahler non-stop when rehearsing for the role, but was still surprised by some of the eccentric things Ken Russell asked him to do: he will never forget floating for hours in a freezing lake. He talks about the impact of early fame, conjuring up the excitement of the King’s Road in the “swinging sixties”, and meeting his wife, Babs, who danced with Pan’s People. And he tells the story of how, when he was playing Jesus, he delivered the Sermon on the Mount and “something really extraordinary happened”. These days he is a devoted grandfather, making up for the time he couldn’t spend with his family when he was away filming. Other music choices include Stravinsky, Bach, Janacek, and his hero Bob Dylan.

A Loftus Media production for BBC Radio 3

Back when he was studying English at UEA, Peter J Conradi had a friend who ran the student literary society, organizing writers to come to Norwich and speak. He went along to a meeting and the speaker there changed the whole course of his life. The writer was Iris Murdoch. She became a friend, and he became – in his words – her “disciple”, and eventually her biographer. And then Peter and his partner, Jim O’Neill, spent eight months caring for Iris at the end of her life, as Alzheimer's took hold – they listened to a lot of music together. Peter has spent his career as an English Professor at the University of Kingston and his biography of Iris Murdoch is not his only book: he’s also written about Dostoevsky, John Fowles, and Angus Wilson; about grief, about becoming a Buddhist, and about dogs.

In conversation with Michael Berkeley, Peter discusses the extraordinary power Iris Murdoch exerted over all her friends and lovers, and her secretiveness, so that each would be kept in a separate compartment. He remembers how she kept singing and dancing right up to the end. And he reveals his own mental health struggles, and how Buddhism has helped him. Music choices include Strauss, Bartok, Bach, Britten’s War Requiem, and the Anthem by Leonard Cohen that contains the famous words “There is a crack in everything, that’s how the light gets in.”

A Loftus Media production for BBC Radio 3

The novelist and journalist Susie Boyt tells Michael Berkeley about her lifelong passions for music, theatre and dancing.

Whether she’s writing black comedies about dysfunctional families or about her intense love of Judy Garland, Susie Boyt is unafraid to address the big questions in all our lives. Her seven novels explore how we can best take care of people, how we can survive life’s inevitable traumas and how we might live alongside the loss of people we love.

Susie chooses pieces by Mozart, Beethoven and Britten as well as music from the ballet Giselle that conjures up the fragility and vulnerability of childhood. Susie’s father was the painter Lucian Freud and we hear a song by the music hall star Gus Elen which recalls the many hours she sat for him in his studio sharing their love of song lyrics.

Producer: Jane Greenwood

The historian Simon Thurley tells Michael Berkeley about his passion for ancient buildings and the music associated with them.

At the age of seven, Simon Thurley dug up what turned out to be Roman remains in his back garden in Cambridgeshire, and a lifelong passion for history - and historic buildings - was ignited.

He went on to work as Curator of Historic Royal Palaces and as the Director of the Museum of London. Then, in 2002, at the astonishingly young age of 39, he was appointed Chief Executive of English Heritage, a post he held for 13 years, during which time he was responsible for overseeing over 400 historic sites from Dover Castle to Stonehenge.

He is the author of more than a dozen books about history and architecture and since 2021 he has chaired the National Heritage Memorial Fund, the fund of last resort to protect the nation’s most vulnerable heritage when other routes have failed.

Simon tells Michael about the building mania of Henry VIII, how we can make old buildings sustainable to live in today, and what the future might hold for the Royal Palaces under King Charles III.

He chooses music by Holst which reminds him of his religious childhood, an opera by Bellini which conjures up the English Civil War, and music by Purcell which reminds him of up Hampton Court, one of the buildings he loves most and which he helped to restore after a devastating fire.

Producer: Jane Greenwood

A Loftus Media production for BBC Radio 3

Joanna Scanlan is one of our great comic actors; she’s best-known for “The Thick of It”, where she plays the obstructive civil servant Terri Coverley. But her range is much wider than comedy. She’s extraordinarily moving in “After Love”, Aleem Khan’s 2021 film about a widow who discovers her husband’s secret life – a performance so powerful that it dominates the whole film, and won her BAFTA’s lead actress award in 2022.

Before that, she played Charles Dickens's long-suffering wife, Catherine, in “The Invisible Woman” – and appeared in “Girl with a Pearl Earring” and “Notes on a Scandal”, to name just a couple of her film roles. On television she’s familiar from “The Larkins”, “No Offence” and “Puppy Love” – a series she co-wrote. She also co-wrote “Getting On”, a blackly comic portrayal of life on an NHS ward, which has become a great deal more topical in the fourteen years since it was first broadcast.

Born in Merseyside, Joanna Scanlan grew up in North Wales; she went to Cambridge to study history and law, and only got her first job as an actress when she was thirty-four, after having a breakdown.

She tells Michael about how that breakdown became a turning point, thanks to a doctor who told her that she would be ill all her life unless she acted. She remembers her schooldays in Wales, when she sang in a choir five times a day, and her early career working for the Arts Council, where the power-mad clock-watchers she worked with became the inspiration for the character of Terri Coverley.

A Loftus Media production for BBC Radio 3

Brought up in a comfortable suburb of Sheffield, Hugh Brody has spent his life travelling to the most inhospitable corners of the world. For more than ten years he lived among the peoples of the Arctic and sub-Arctic, learning their languages, discovering their ways of being in the world, and helping map their territories so they could claim land rights. He has also worked in isolated villages in the west of Ireland, in the southern Kalahari, on Skid Row in Edmonton, Canada, and in tribal communities in western India.

He has explored these places over the last fifty-five years in a considerable body of work: more than a dozen films, dozens of essays, and ten books. The latest is a moving and beautifully written personal memoir, “Landscapes of Silence: from Childhood to the Arctic”. Married to the actress Juliet Stevenson, Hugh Brody now divides his time between Highgate, North London, and a house on the Suffolk coast, though he admits that he has never really “settled down”.

Hugh Brody’s music choices include Beethoven, Sibelius, Stravinsky, Clara Schumann, and the music he heard every day when living with an Inuit family: Johnny Cash.

Produced by Elizabeth Burke

Todd Field began his career as a jazz musician and as an actor; he has appeared in over forty films, including Kubrick’s “Eyes Wide Shut” and Woody Allen’s “Radio Days”. He then went on to direct two full-length award-winning films, “In the Bedroom” - about grief and revenge in a close-knit family - and “Little Children”, starring Kate Winslet. Both were nominated for multiple Oscars. This week his third feature film “Tar” opens in Britain. Cate Blanchett stars as Lydia Tar, the conductor of a major German orchestra; the film is an exploration of the darker side of the classical music world, the power of the conductor, and of abusive power more generally – it’s also a celebration of some really wonderful music.

In conversation with Michael Berkeley, Todd Field talks about how he started writing “Tar” by interviewing classical musicians, and particularly women working in the industry. He looks back on his “free-range” childhood in Oregon, and tells how his wife financed his ambition to become a film director by buying a truck, going round flea-markets, and starting an interior-design shop. He reveals the struggle to release his award-winning film “In the Bedroom” after Harvey Weinstein bought it and demanded more and more cuts. Field won the fight and retained the film he believed in, but it took six months and a fiendishly clever strategy invented by his friend Tom Cruise.

Todd Field started out as a jazz musician in a big band, and his choices include two tracks by Sarah Vaughan, whom he met backstage at a concert in Oregon. Other choices include Mahler’s Symphony No 5; Elgar’s Cello Concerto; and Gorecki’s second string quartet, which played constantly in his head while making “Tar”.

A Loftus Media production for BBC Radio 3

Rabbi, writer and broadcaster Jonathan Romain is minister of Maidenhead Synagogue and one of Britain's leading rabbis in Reform Judaism. He’s the author of twenty books – some scholarly and learned, and others which are very funny – revealing the ups and downs of his day-to-day work, in a way that will resonate with vicars, priests and religious leaders of any description. He’s become a kind of agony uncle, dispensing advice on love affairs, marriage, parenthood, and he’s written about all this in “Confessions of a Rabbi” and in his latest book, “The Naked Rabbi”. On the more serious side, he’s a prominent figure in the campaign for Assisted Dying, he was awarded an MBE for his work on inter-faith marriage, and he’s spent much of the last year working with Ukrainian refugees.

In conversation with Michael Berkeley, Jonathan Romain talks about what he’s learned over the years as a rabbi about love and marriage, and why some of his views put him very much out on a limb. His playlist takes in Max Bruch, Leonard Cohen, Rimsky-Korsakov, and a tribute to his love of football. And he tells us his favourite Jewish joke.

Produced by Elizabeth Burke

The structural engineer and author Roma Agrawal tells Michael Berkeley about her passions for tall buildings, bridges, concrete and Indian classical dance.

Roma Agrawal is a highly successful woman operating in what is still very much a man’s world. Her job is, essentially, to make sure that the buildings, bridges, roads and tunnels we use every day don’t collapse. She spent six years working out the incredibly complex structure of the spire and foundations of the Shard in London, the tallest building in western Europe.

As well as engineering, Roma has another passion: she tells Michael about her lifelong love of the ancient Bharata Natyam form of Indian Classical Dance, and we hear the first piece of music she danced to as a child in Mumbai. She chooses songs by Abida Parveen, Anoushka Shankar and Nitin Sawhney as well as pieces by Tchaikovsky and by Carl Davis which drew her to Western music.

Roma tells Michael about her campaign to encourage more women to become engineers, why she decided to speak out about the emotional and physical strain of IVF and how working on the Shard helped her overcome her fear of heights.

Producer: Jane Greenwood

The writer Julia Blackburn talks to Michael Berkeley about how music helped her through her traumatic childhood and about the joy of late-flowering love.

Julia Blackburn is the author of novels, poetry, plays and books about historical figures including Napoleon, Billie Holiday, Goya, and the Norfolk artist John Craske, as well as books about grief, her love of animals, and the natural world. She’s also published memoirs, including an astonishing book about her childhood, The Three of Us.

Julia shares her love of Beethoven, Pergolesi, English folk song, music from central Africa, and the songs of Billie Holiday, which helped her through her a childhood marked by chaos and neglect.

And she tells Michael Berkeley about the happiness she has found in bringing up her own children, and the delight she has found in love later in life.

Producer: Jane Greenwood