Many of us have grown up with the belief that a strong work ethic is a positive thing, and that by contrast idle hands are the devil's playthings. According to Professor Andrew Hussey, that argument makes very little sense. Starting off with a line from the Cilla Black song 'Work is a Four Letter Word' he offers a powerful counter-argument by navigating the ideas of, among others, Bertrand Russell, John Ruskin and the Situationists in France, whose graffiti slogan 'Ne Travaillez Jamais' - never work - still appears regularly on Parisian streets. Hussey argues that the corporate culture in particular, born out of mid-20th Century America and built upon ideologies of work developed during the industrial revolution and on through to the development of the assembly line, can have a hugely corrosive impact on people's lives. The programme features the voices of workers from the 1930s through to the present day, describing working life in call centres where even a trip to the toilet is timed by management. Hussey doesn't however suggest that we all take to the sofa to watch TV and eat crisps, though; instead he argues that by taking control of the work we do and the way we do it, work can actually become a positive force in our lives, once stripped of what he regards as the caustic power of modern managerialism.

How many stories are there in the world? According to William Wallace Cook, dime novelist and prolific producer of American pulp, there were precisely 1,462 and in Plotto, his "Master Book of All Plots", he anatomised them all in the service of struggling writers everywhere. Plotto, published in 1928, was nothing less than a manual of fictional devices, intended to sit on a writer's shelf between the dictionary and the thesaurus. Any writer stuck for inspiration could leaf through Plotto to discover plots like "a ventriloquist, captured by savages and threatened with death, makes an animal talk-and is given his freedom" or "a reporter, writing up an imaginary interview as fact, quotes a man as being in town on a certain day. The man, subsequently accused of a crime, establishes an alibi through an interview innocently faked by the reporter." Cook hailed his own book as "an invention which reduces literature to an exact science." But it was weird science. Nevertheless it worked for Cook, who churned out up to 50 novels a year. It also worked for Perry Mason creator Earl Stanley Gardner who borrowed liberally from Plotto. Even the young Alfred Hitchcock had a copy. And if imitation is the sincerest form of flattery then Cook must have been delighted by the appearance of "The Plot Robot," whose name promised much but which, rather disappointingly was a cardboard circle with a pointer attached to it. Miles Jupp investigates the Plot Device that promises to make writing easy, with the help of crime writers Val McDermid and John Harvey.

The comedian and actor Isy Suttie sets out to explore how creativity is influenced by the mysterious and medically controversial phenomenon ASMR (Autonomous Sensory Meridian Response). Ever since she was little, Isy has been experiencing what she and her family describe as 'head squeezing' - a euphoric, incredibly relaxing version of goose bumps that starts around the head or face and travels around the body. A few years ago she realised not everyone got this feeling, that it's got a name - ASMR, or 'brain tingles'. There are hoards of online videos designed to trigger the feeling - often involving whispering women offering to book you a golfing holiday, test your eyes, wrap your gifts or tutor you on how to fold the perfect towel. Isy watches some ASMR videos with fellow comedian Joe Lycett, who's also experienced it, as has the journalist and musician Rhodri Marsden. Zoe Fothergill and Claire Tolan are two artists who've made work inspired by ASMR videos. Isy speaks to Charlotte Luke aka The ASMR Angel who has thousands of internet followers. She meets Dr Nick Davis who's carried out research into ASMR and she heads off to Sheffield University where she's wired up to a machine which tests her responses to different videos, to try to unravel how and when ASMR occurs.

Sukhdev Sandhu travels to the epicentres of countercultural America in Woodstock and San Francisco to tell the story of a book of hippy philosophy that defined the 1960s and intimated how the internet would grow long before the web arrived. With Luc Sante, Eliot Weinberger, Kenneth Goldsmith, Ed Sanders, Lois Britton, and Fred Turner Producer: Tim Dee.

How is Russian President Vladimir Putin perceived by the people in his own country? How is his intervention in Syria shaping the public mood? In a series of reports, Steve Rosenberg investigates Putin's Russia.

From December 2015.

Stephen Evans goes deep into the Milky Way to look at the phenomenon of StarCraft and reveals how, in South Korea, it is more than just a computer game and is a key part of the rapidly growing multi-billion dollar world of esports. Worth over $620 million globally, with a worldwide audience of over 135 million people, esports are now big business, and in South Korea much of this thanks to the impact of certain computer game called StarCraft. StarCraft is essentially a sci-fi, military-based real-time strategy (RTS) game developed and published by Blizzard Entertainment. It was released in 1998 and in the years since has become one of the world's most popular computer game titles shifting over 11 million copies and spawning a mainstream cultural sensation in South Korea where thousands of fans pack into stadiums across the country to watch the best StarCraft players in the world battle it out for big money stakes. From the importance of PC Bangs - the ubiquitous street corner hubs for gaming fans - to the multi-million dollar world of professional StarCraft and esports Soul-based journalist and broadcaster Stephen Evans joins the dots of how this game took root in a South Korean society that embraced super fast broadband and was thirsty for a multi-scenario, multi-player and multi-layered challenge. Socially inclusive, cheap and available to everyone, since the late 1990s online gaming has taken this nation of 50 million people by storm, and StarCraft is central to this way of life. This way of life has brought dizzying successes and change, but with it the issue of addiction and related health problems the South Korean government have been forced to regulate this brave new world to tackle issues that are becoming increasingly relevant to policy makers outside of the Korean peninsular.