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Pizza Rainbow

I love movies. I love to talk. I love to talk about movies.

The Séan Weathers Show

Buzzedwords is a live discussion and game show featuring two interesting people and a bottle of whiskey, hosted by Jeff Kamin. The guests discuss their areas of expertise with the host at the start of each half of the show. There are a selection of ten words each person is not allowed to say; if they say any of the words, they must drink. Not all of the words are in play at the same time; the words rotate at random, and are displayed behind the guests for the audience to see. If a participant happens to use one of the forbidden words, you will hear a sound, as well as what forbidden word was mentioned.

Buzzedwords is a live discussion and game show featuring two interesting people and a bottle of whiskey, hosted by Jeff Kamin. The guests discuss their areas of expertise with the host at the start of each half of the show. There are a selection of ten words each person is not allowed to say; if they say any of the words, they must drink. Not all of the words are in play at the same time; the words rotate at random, and are displayed behind the guests for the audience to see. If a participant happens to use one of the forbidden words, you will hear a sound, as well as what forbidden word was mentioned.

Buzzedwords

Männer, die auf Videos starren bietet euch jeden Monat einen Einblick in die schlecht beleuchteten Seitenstraßen der Filmindustrie – vom Kino Nordkoreas über den italienischen Erotikfilm bis zu den dadaistischen Machwerken des Donald G. Jackson findet hier der Filmfreund mit dem Geschmack für das Absurde alles, was das Herz begehrt. Dabei geht es in unseren Folgen eher selten um einzelne Trashfilme. Wir versuchen vielmehr einen Überblick über bestimmte Genres, Darsteller, Regisseure und deren oft überraschend komplexen Hintergründe zu geben. Zudem verlassen wir auch immer wieder mal die ausgetretenen Pfade und widmen uns vergessenen Serien, verhunzten Videospielen oder grauenhaften Büchern. Damit es nicht zu steif wird, bereichern wir unsere Episoden mit einer ordentlichen Portion schräger Witze und Stories, die selbst den derbsten Trucker vom Bock hauen.

Männer, die auf Videos starren | Trashfilme, schlechte Musik und grottige Games

Kui Kuku raadios kukub Filmikägu, siis järelikult on põhjust minna kinno. Mida vaatama, seda kuuled saatest!

Filmikägu

Broadcaster Mark Wigmore hosts the new podcast, "Art at the End of the World". Enjoy long-form conversations with fascinating personalities who have helped to shape culture, while learning how they work within, and interpret our changing times. Artists, entertainers, and innovators speak to their life experience and craft while reflecting on what it is to make and curate art in the current political and cultural climate. Season 2 will welcome neo-classical phenomenon Alexandra Streliski, filmmaker Robert Lantos, Theatre groundbreakers Chris Abraham & Weyni Mengesha, documentarian Alan Zweig, and many more. Get to know the artists and thinkers helping to shape culture, and find out how they create and reflect, here at the end.

Broadcaster Mark Wigmore hosts the new podcast, "Art at the End of the World". Enjoy long-form conversations with fascinating personalities who have helped to shape culture, while learning how they work within, and interpret our changing times. Artists, entertainers, and innovators speak to their life experience and craft while reflecting on what it is to make and curate art in the current political and cultural climate. Season 2 will welcome neo-classical phenomenon Alexandra Streliski, filmmaker Robert Lantos, Theatre groundbreakers Chris Abraham &amp; Weyni Mengesha, documentarian Alan Zweig, and many more. Get to know the artists and thinkers helping to shape culture, and find out how they create and reflect, here at the end.

Art at the End of the World

Secret Film Club

Long-time horror fan Pearce Duncan takes you through the various incarnations of Dracula in media over the last 100+ years.

Dracula Sucks

Keanu Reeves. Ein Schauspieler. Eine Karriere. Eine Filmographie. Film für Film besprochen.

Keanu Reloaded

A podcast for teenagers over 40! A GENERATION RIPE listener is someone who thinks of their age as an asset, not a liability. We are older people with young souls or younger people with old souls. We are a tribe of curious creatives who still embrace new experiences and aren’t afraid of taking risks. Whatever happens, good or bad, at least we’ll learn something new and get a good story out of it. If you’re lucky enough to have your bestie by your side to cheer you on, even better.

Co-hosted by actress/writer/producer Wendi McLendon-Covey 
and photo art director/producer Dfernando Zaremba

A podcast for teenagers over 40! A GENERATION RIPE listener is someone who thinks of their age as an asset, not a liability. We are older people with young souls or younger people with old souls. We are a tribe of curious creatives who still embrace new experiences and aren’t afraid of taking risks. Whatever happens, good or bad, at least we’ll learn something new and get a good story out of it. If you’re lucky enough to have your bestie by your side to cheer you on, even better. Co-hosted by actress/writer/producer Wendi McLendon-Covey and photo art director/producer Dfernando Zaremba

GENERATION RIPE

There are 835,997 words in the plays of Shakespeare. Heavenly Shows and Unnecessary Letters is a podcast where two theatre nerds watch productions of all 39 Shakespeare plays, and have a chat about the challenges and successes in adapting the work for modern stage and screen. If you’re a fan of Shakespeare, or theatre, or just like to listen to people challenge their stamina for consuming iambic pentameter, this podcast is for you. <hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

There are 835,997 words in the plays of Shakespeare. Heavenly Shows and Unnecessary Letters is a podcast where two theatre nerds watch productions of all 39 Shakespeare plays, and have a chat about the challenges and successes in adapting the work for modern stage and screen. If you’re a fan of Shakespeare, or theatre, or just like to listen to people challenge their stamina for consuming iambic pentameter, this podcast is for you. Hosted on Acast. See acast.com/privacy for more information.

There are 835,997 words in the plays of Shakespeare. Heavenly Shows and Unnecessary Letters is a podcast where two theatre nerds watch productions of all 39 Shakespeare plays, and have a chat about the challenges and successes in adapting the work for modern stage and screen. If you’re a fan of Shakespeare, or theatre, or just like to listen to people challenge their stamina for consuming iambic pentameter, this podcast is for you. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Heavenly Shows and Unnecessary Letters

Two comics take a look at two movies that dropped on the exact same day. One a blockbuster. One a flop. 
Instagrams: @lincolnonthemic, @samjgolin. Email us with any movie questions at bplotpodcast@gmail.com and we'll answer your questions on the pod! 
Twitter: @podcast_plot

Two comics take a look at two movies that dropped on the exact same day. One a blockbuster. One a flop. Instagrams: @lincolnonthemic, @samjgolin. Email us with any movie questions at bplotpodcast@gmail.com and we'll answer your questions on the pod! Twitter: @podcast_plot

B-Plot Podcast

Podcast sobre horror feito por uns viadinhos mórbidos.

Aqui você vai encontrar debates sobre cinema e televisão, viadagem, recomendações, piadas escatológicas, pouca vergonha, risadinhas frouxas, assassinatos brutais e absolutamente tudo de melhor que o gênero horror pode oferecer (na ficção e realidade).

Um episódio novo todas as quartas-feiras.

Confira o nosso site:
https://www.esqueletosnoarmario.com/

Apoie o nosso projeto:
https://apoia.se/esqueletosgays

@esqueletosgays no Twitter e Instagram

Podcast sobre horror feito por uns viadinhos mórbidos. Aqui você vai encontrar debates sobre cinema e televisão, viadagem, recomendações, piadas escatológicas, pouca vergonha, risadinhas frouxas, assassinatos brutais e absolutamente tudo de melhor que o gênero horror pode oferecer (na ficção e realidade). Um episódio novo todas as quartas-feiras. Confira o nosso site: https://www.esqueletosnoarmario.com/ Apoie o nosso projeto: https://apoia.se/esqueletosgays @esqueletosgays no Twitter e Instagram

Esqueletos no Armário

Mike Carlon and his twin brother Jimmy watched a lot of movies as kids. Unfortunately, they watched a lot of bad movies. Worse still, they remember them. 

Listen in as the Carlon brothers have fun taking a walk down memory lane while discussing movies that can best be described as Celluloid Zeroes.

Mike Carlon and his twin brother Jimmy watched a lot of movies as kids. Unfortunately, they watched a lot of bad movies. Worse still, they remember them. Listen in as the Carlon brothers have fun taking a walk down memory lane while discussing movies that can best be described as Celluloid Zeroes.

Celluloid Zeroes

Split the Difference Archive

En este espacio, el cine y sus sonidos son los protagonistas. A partir de diversos temas, abordados desde la filosofía, la producción fílmica y sonora y la simple y gustosa divagación, Sergio del Castillo y Francisco de León comparten momentos de reflexión acerca de este apasionante arte. <hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

En este espacio, el cine y sus sonidos son los protagonistas. A partir de diversos temas, abordados desde la filosofía, la producción fílmica y sonora y la simple y gustosa divagación, Sergio del Castillo y Francisco de León comparten momentos de reflexión acerca de este apasionante arte. Hosted on Acast. See acast.com/privacy for more information.

En este espacio, el cine y sus sonidos son los protagonistas. A partir de diversos temas, abordados desde la filosofía, la producción fílmica y sonora y la simple y gustosa divagación, Sergio del Castillo y Francisco de León comparten momentos de reflexión acerca de este apasionante arte. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Fonokinesis

Life-long friends Chris Ferry and Chris Huddleston discuss cult-classic and genre films from their childhood and beyond in this laid-back, rambling, and inviting series!  Rated PG for occasional mature language.

Life-long friends Chris Ferry and Chris Huddleston discuss cult-classic and genre films from their childhood and beyond in this laid-back, rambling, and inviting series! Rated PG for occasional mature language.

Chris and Chris Talk Movies!

Using The Oscars as a barometer, we ask our guests who are a mix of people working in the Industry and people who are just hardcore movie fans to watch 3 to 4 Best Picture Winning Movies from consecutive years and then to rank each from their least to most favourite from that bracket. Eventually leading to us finding the Greatest Movie of all Time!

Joe's Talks: The Hunt for the Greatest Movie Ever!

Subscribe on YouTube: https://www.youtube.com/channel/UCFjwzmHYYrddH1qb-vP9qBg?view_as=subscriber

The Best Movie Podcast Ever

Daniel Andrade returns with an all-new podcast, and this time he co-hosts with his friend, Monroe Hayden, about the films that inspired them in-front of, and behind the camera.

SkySoft's The Film's That Changed Our Lives

In an abandoned underground city at the Spanish coast, near Malaga, I found a USB stick containing 300 random movies from arthouse to weird, from obscure to notorious. Now, in Lockdown, it is time to watch and discuss them all in an international podcast project. Two Turks and a German, two filmmakers and a mystery man - Welcome to Mysterium Pictorum!

Mysterium Pictorum

The sound of stage and silver screen with weekly curated shows hosted by Amanda Stefaniuk on a dedicated movie and TV related topic with soundtrack music spanning the 1930s - today! Listen to a mix of artists from decades of movie soundtracks alongside some of Hollywood's greatest composers including Bernard Hermann, Ennio Morricone, Jerry Goldsmith, Lalo Schrifin, John Barry, Henry Mancini and more.  Find out more at<a href="https://www.mondohollywood.ca/"> www.mondohollywood.ca</a>

The sound of stage and silver screen with weekly curated shows hosted by Amanda Stefaniuk on a dedicated movie and TV related topic with soundtrack music spanning the 1930s - today! Listen to a mix of artists from decades of movie soundtracks alongside some of Hollywood's greatest composers including Bernard Hermann, Ennio Morricone, Jerry Goldsmith, Lalo Schrifin, John Barry, Henry Mancini and more. Find out more at www.mondohollywood.ca

The sound of stage and silver screen with weekly curated shows hosted by Amanda Stefaniuk on a dedicated movie and TV related topic with soundtrack music spanning the 1930s - today! Listen to a mix of artists from decades of movie soundtracks alongside some of Hollywood's greatest composers including Bernard Hermann, Ennio Morricone, Jerry Goldsmith, Lalo Schrifin, John Barry, Henry Mancini and more.&nbsp; Find out more at<a href="https://www.mondohollywood.ca/" rel="noopener noreferrer"> www.mondohollywood.ca</a>

Mondo Hollywood

Цикл актуально-исторических лекций Егора Холмогорова – монологов о России сегодняшней сквозь призму истории. О современных проблемах и их истоках. О русском пространстве и русском времени: прошлом, настоящем и будущем.

Егор Станиславович

「泉」是一档关注各种视觉与文本材料的播客节目，由两位不务正业的艺术史和电影学生主持。我们希望可以用这档节目展开不同角度的对话，为生活带来一点灵感与幽默感。如果有任何想对我们说的话，请电联：
Mila： yfwang.ivah@gmail.com
大绿：yutongliuc@gmail.com

「泉」是一档关注各种视觉与文本材料的播客节目，由两位不务正业的艺术史和电影学生主持。我们希望可以用这档节目展开不同角度的对话，为生活带来一点灵感与幽默感。如果有任何想对我们说的话，请电联： Mila： yfwang.ivah@gmail.com 大绿：yutongliuc@gmail.com

泉Izumi

The definitive show about filmmakers and their films. Each week, we'll take a look at a film from a director's filmography and deep dive into the film by analyzing it, talking about the history of the film, the connections between the film and its director's life at the time. We'll go through it all. For each episode, we'll have a rotating door of Podcasters, Film Aficionados, and bloggers bring their sensibilities and tastes to each episode. Stick with us as we analyze each film.

From the Top: The Ultimate Filmmaker's Retrospective

Hosted by Jimmy Bernasconi (‘Sacred Cinema’, ABC Radio), ‘Films for Today’ explores how the art of cinema can help us understand the social, cultural and political issues that currently trouble us. Each week, Jimmy selects a seminal film and contemplates its profound insights into the most pressing challenges of our time. For questions or enquiries about the show, you can reach Jimmy at contact@jimmybernasconi.com or on Instagram by searching ‘filmsfortoday’.

Films for Today

Join Hosts Mike and Zak on a journey through the fabulous, whimsical, and sometimes demented world of Film making. Explore movies that you may or may not have heard of with two opinionated indie filmmakers who have no shortage of opinions about the craft. Clearing the Queue is a conversation about movies, with people who live and breath them. A proud new addition to the Nerd Camp Network, brought to you by the DIY gumption of the Clearing the Queue Youtube Channel and our friends from the Camp Nightmare Podcast.&nbsp;

Join Hosts Mike and Zak on a journey through the fabulous, whimsical, and sometimes demented world of Film making. Explore movies that you may or may not have heard of with two opinionated indie filmmakers who have no shortage of opinions about the craft. Clearing the Queue is a conversation about movies, with people who live and breath them. A proud new addition to the Nerd Camp Network, brought to you by the DIY gumption of the Clearing the Queue Youtube Channel and our friends from the Camp Nightmare Podcast. 

Clearing The Queue

På jakt efter de bästa filmerna du aldrig sett. Med Jonatan och Andreas, två bibliotekarier som älskar film och kultur. Nytt avsnitt varannan torsdag. Följ oss på Instagram: @rannstensrullarna

På jakt efter de bästa filmerna du aldrig sett. Med Jonatan och Andreas, två bibliotekarier som älskar film och kultur. Nytt avsnitt varannan torsdag.Följ oss på Instagram: @rannstensrullarna

På jakt efter de bästa filmerna du aldrig sett. Med Jonatan och Andreas, två bibliotekarier som älskar film och kultur. Nytt avsnitt varannan torsdag. Följ oss på Instagram: @rannstensrullarna

Rännstensrullarna

Behind every masterpiece are quiet moments you never knew - until now.

We bring you the golden age of cinema to your pillow, offering calm, voice-led journeys through iconic movies, unforgettable performances, and the behind-the-scenes moments that shaped film history. Whether you’re a devoted cinephile or simply curious about the stories behind the silver screen, this show invites you to unwind with the art of film, one quiet night at a time.

Subscribe or listen ad-free with Whisper Premium at www.whisper.fm.

Behind every masterpiece are quiet moments you never knew - until now. We bring you the golden age of cinema to your pillow, offering calm, voice-led journeys through iconic movies, unforgettable performances, and the behind-the-scenes moments that shaped film history. Whether you’re a devoted cinephile or simply curious about the stories behind the silver screen, this show invites you to unwind with the art of film, one quiet night at a time. Subscribe or listen ad-free with Whisper Premium at www.whisper.fm.

Sleep With Classic Films

Now You See Him, Now You Don't: An Unauthorized Biography of The Invisible Man In the distinguished pantheon of classic movie monsters, The Invisible Man holds a unique position - he's the only one you technically never see. While other monsters struggled with their visibility in society, Dr. Jack Griffin took a more direct approach to the problem by disappearing altogether. He's the ultimate proof that sometimes the best career move is to simply vanish from sight. First appearing (or rather, disappearing) in H.G. Wells' 1897 novel, and later making his invisible debut in Universal's 1933 film "The Invisible Man," this transparent terror has left an impression on popular culture that, ironically, remains highly visible to this day. In a genre filled with creatures sporting distinctive looks, he made his mark by having no look at all – a bold fashion choice that has influenced designers to this day (though mostly in the field of active camouflage research). Physical specifications for The Invisible Man are, understandably, a bit difficult to pin down. Height: present but unverifiable. Weight: depends on how many bandages he's wearing. Eye color: presumably still there somewhere. His most distinctive feature is, of course, his complete lack of distinctive features, though he did popularize the stylish ensemble of bandages, dark glasses, and smoking jacket that would become the unofficial uniform of invisible persons everywhere. The cause of his transparency – a chemical formula called "monocane" – stands as one of cinema's most effective weight loss solutions, though the side effects (complete invisibility, possible megalomania, and a tendency to maniacally laugh while disrobing) have prevented FDA approval. The formula itself combines albino blood with some other mysterious ingredients, proving that sometimes the best scientific breakthroughs happen when you're not entirely sure what you're doing. His signature look, when he bothers to maintain one, consists of medical bandages wrapped head-to-toe, dark sunglasses, and a series of increasingly dramatic overcoats. This ensemble inspired what fashion critics would later call the "mysterious stranger" look, though few could pull it off with quite the same panache as someone who literally wasn't there. The outfit says both "I'm hiding a scientific breakthrough" and "I've had a terrible accident at the pharmacy." Unlike other movie monsters who had to rely on makeup effects or practical costumes, The Invisible Man pioneered the art of not being there at all. His special effects were groundbreaking for the 1930s, featuring innovative techniques that made objects appear to move on their own and clothing walk without a visible wearer. This led to some interesting behind-the-scenes innovations, including what might be cinema's first use of black velvet body suits and wire work for scenes where invisible things needed to be visibly invisible. The Invisible Man's career trajectory is particularly noteworthy for someone you can't see. His film debut in 1933 was nothing short of spectacular, featuring some of the most innovative special effects of the era and Claude Rains' magnificent voice performance as Dr. Griffin. The fact that Rains became a major star after a role where his face is only seen for a few seconds at the end proves that in Hollywood, sometimes less really is more. His condition came with unique professional challenges. Job interviews were particularly tricky ("I'm right here, sir, no, your other left"), and workplace dress codes had to be strictly observed lest colleagues spend all day wondering if he was actually wearing pants. Conference calls, however, were a breeze, as no one could tell if he was actually paying attention. The Invisible Man's influence on scientific research cannot be overstated, though most funding requests for invisibility studies are still met with raised eyebrows and nervous laughter. Various military organizations have spent decades trying to recreate his transparency formula, though presumably with fewer side effects involving maniacal laughter and public nudity. The field of optical camouflage owes much to his example, even if modern approaches tend to favor high-tech solutions over mysterious chemicals. His impact on security systems has been particularly significant. After all, how do you design a security camera to detect someone who can't be seen? This has led to numerous innovations in motion detection and thermal imaging, though The Invisible Man would probably point out (if you could see him pointing) that a good smoking jacket defeats infrared cameras quite nicely. In the realm of fashion, The Invisible Man's influence has been surprisingly visible. His bandage-wrapped aesthetic has inspired numerous designers, though most runway shows featuring invisible models tend to be rather brief and confusing. The "mysterious stranger" look continues to influence gothic and avant-garde fashion, proving that sometimes the best way to be seen is to appear unseen. The beauty industry has had a complicated relationship with his legacy. After all, how do you market makeup to someone who can't be seen? This hasn't stopped several cosmetics companies from launching "invisible beauty" lines, though customer reviews are understandably difficult to verify. The bandaged look has become a staple of spa treatments, though few establishments offer complete transparency as a service. In the world of professional sports, The Invisible Man's potential impact has led to numerous rule changes and regulations. Most sporting events now specifically prohibit invisible participants, though enforcement remains a challenge. Some argue that an invisible athlete would have an unfair advantage, while others point out that team sports would be particularly challenging when you can't see your teammates. The entertainment industry has embraced his legacy in various ways. Invisible character special effects have evolved from simple wire work and velvet suits to complex CGI, though purists insist the original techniques had more charm. Several reality shows have attempted "invisible contestant" episodes, though these typically result in a lot of empty rooms and confused camera operators. In literature, The Invisible Man has inspired countless reinterpretations and homages. Modern authors have explored everything from the practical challenges of invisible life (how do you eat in public without freaking people out?) to the philosophical implications of transparency in an increasingly surveilled world. Some works focus on the scientific aspects of invisibility, though few address the important question of why the food he eats doesn't remain visible until digested. The gaming industry has had particular fun with the concept of invisibility, though implementing it in multiplayer games often leads to accusations of camping and unsportsmanlike behavior. Several stealth games have paid homage to The Invisible Man, though most add more practical abilities than "dramatically removing bandages while laughing maniacally." In the world of social media, being invisible presents unique challenges. How do you maintain an Instagram presence when you can't be photographed? This hasn't stopped several "invisible influencers" from gaining followings, though their content tends to consist mainly of floating clothes and mysterious footprints. His impact on workplace policies has been surprisingly lasting. Many companies now have specific guidelines about invisible employees, though enforcement remains problematic. Common rules include "must wear visible clothing during meetings" and "no invisible pranks in the break room." Remote work policies have been particularly beneficial for invisible employees, as no one can tell if they're actually on camera during Zoom calls. The security industry has developed entire protocols around invisible threats, though most focus on more mundane concerns than transparent scientists with a flair for the dramatic. Modern security systems often include motion sensors and thermal cameras, making life more challenging for invisible individuals who just want to do their shopping in peace. In the field of medicine, The Invisible Man's condition has sparked numerous studies into transparency in biological systems, though most researchers focus on less dramatic applications than complete invisibility. Several papers have been published on the potential medical applications of partial transparency, though peer review is complicated when you can't see the research subjects. The legal profession has had to grapple with various questions regarding invisible rights and responsibilities. Can an invisible person be charged with indecent exposure if no one can see them? Do invisible drivers need to be visible while operating vehicles? These questions have led to some interesting court cases, though maintaining proper courtroom decorum becomes challenging when you can't see the defendant. His influence on architecture and interior design has been subtle but significant. Modern buildings often incorporate various transparency effects, though few architects actively design for invisible occupants. Some exclusive resorts have attempted to market "invisible-friendly" accommodations, though guest reviews are understandably rare. The transportation industry has had to adapt to the possibility of invisible passengers. Most airlines now require invisible travelers to maintain some form of visible covering throughout the flight, if only to prevent panic among other passengers when floating cups of coffee pass through the cabin. Train companies have similar policies, though enforcement on longer journeys can be spotty. Today, The Invisible Man remains one of horror's most enduring and influential characters, proving that sometimes the most visible impact comes from being invisible. His legacy continues to influence fields ranging from military research to fashion design, thoug

Invisible Man - Audio Biography

21st Precinct (aka Twenty-First Precinct and Twenty First Precinct) was a police drama broadcast on CBS radio from July 7, 1953, to July 26, 1956. It was initially a summer replacement for My Friend Irma. The program was produced in cooperation with the Patrolmen's Benevolent Association of the City of New York and presented "adaptations from true criminal records in New York...from the policeman's point of view." Historically, the 21st Pecinct had been located near Gramercy Park in Manhattan but in 1929 the department reorganized the precinct numbering, and the 21st designation was dropped from use. No such precinct existed during the show's run, nor does a 21st exist today. However, the fictional precinct's territory corresponds closely to that of the Upper East Side's 23rd Precinct as it has existed since 1929.[citation needed]Stanley Niss was the producer writer-director. The role of precinct Captain Frank Kennelly was played by Everett Sloane (for the first 109 episodes and briefly in episode 135).  During episode 109 Captain Frank Kennelly was promoted to Deputy Inspector and reassigned out of the 21st Precinct. He was replaced by Captain Cronin (played by James Gregory, 1955–56) and then Captain Keough (Les Damon, 1956).Other cast regulars were Ken Lynch (as Lt. Matt King), Harold Stone (as Sgt. Waters), Jack Orrison (as Sgt. Collins),[4] and Santos Ortega (as Lt. Gorman).

21st Precinct (aka Twenty-First Precinct and Twenty First Precinct) was a police drama broadcast on CBS radio from July 7, 1953, to July 26, 1956. It was initially a summer replacement for My Friend Irma. The program was produced in cooperation with the Patrolmen's Benevolent Association of the City of New York and presented "adaptations from true criminal records in New York...from the policeman's point of view."Historically, the 21st Pecinct had been located near Gramercy Park in Manhattan but in 1929 the department reorganized the precinct numbering, and the 21st designation was dropped from use. No such precinct existed during the show's run, nor does a 21st exist today. However, the fictional precinct's territory corresponds closely to that of the Upper East Side's 23rd Precinct as it has existed since 1929.[citation needed]Stanley Niss was the producer writer-director. The role of precinct Captain Frank Kennelly was played by Everett Sloane (for the first 109 episodes and briefly in episode 135). During episode 109 Captain Frank Kennelly was promoted to Deputy Inspector and reassigned out of the 21st Precinct. He was replaced by Captain Cronin (played by James Gregory, 1955–56) and then Captain Keough (Les Damon, 1956).Other cast regulars were Ken Lynch (as Lt. Matt King), Harold Stone (as Sgt. Waters), Jack Orrison (as Sgt. Collins),[4] and Santos Ortega (as Lt. Gorman).

21st Precinct&nbsp;(aka&nbsp;Twenty-First Precinct&nbsp;and&nbsp;Twenty First Precinct) was a police drama broadcast on CBS radio from July 7, 1953, to July 26, 1956. It was initially a summer replacement for&nbsp;My Friend Irma. The program was produced in cooperation with the&nbsp;Patrolmen's Benevolent Association of the City of New York and presented "adaptations from true criminal records in New York...from the policeman's point of view." Historically, the 21st Pecinct had been located near&nbsp;Gramercy Park in Manhattan but in 1929 the department reorganized the precinct numbering, and the 21st designation was dropped from use. No such precinct existed during the show's run, nor does a 21st exist today. However, the fictional precinct's territory corresponds closely to that of the Upper East Side's 23rd Precinct as it has existed since 1929.[citation needed]Stanley Niss was the producer writer-director. The role of precinct Captain Frank Kennelly was played by&nbsp;Everett Sloane&nbsp;(for the first 109 episodes and briefly in episode 135). &nbsp;During episode 109 Captain Frank Kennelly was promoted to Deputy Inspector and reassigned out of the 21st Precinct. He was replaced by Captain Cronin (played by James Gregory, 1955–56) and then Captain Keough (Les Damon, 1956).Other cast regulars were&nbsp;Ken Lynch&nbsp;(as Lt. Matt King),&nbsp;Harold Stone&nbsp;(as Sgt. Waters),&nbsp;Jack Orrison&nbsp;(as Sgt. Collins),[4]&nbsp;and&nbsp;Santos Ortega&nbsp;(as Lt. Gorman).

21st Precinct Radio Show

Three friends, movie fans, and movie podcasters take a category by category dive into the current Academy Award nominees, sharing our favs, our misses, and what we think the Academy will do this year.

We Need To Talk About the Oscars

Bogart began acting in <a href="https://en.wikipedia.org/wiki/Broadway_shows" target="_blank" rel="noreferrer noopener">Broadway shows</a>. Debuting in film in <a href="https://en.wikipedia.org/wiki/The_Dancing_Town" target="_blank" rel="noreferrer noopener">The Dancing Town</a> (1928), he appeared in supporting roles for more than a decade, regularly portraying gangsters. He was praised for his work as Duke Mantee in <a href="https://en.wikipedia.org/wiki/The_Petrified_Forest" target="_blank" rel="noreferrer noopener">The Petrified Forest</a> (1936). Bogart also received positive reviews for his performance as gangster Hugh "Baby Face" Martin in <a href="https://en.wikipedia.org/wiki/William_Wyler" target="_blank" rel="noreferrer noopener">William Wyler</a>'s <a href="https://en.wikipedia.org/wiki/Dead_End_(1937_film)" target="_blank" rel="noreferrer noopener">Dead End</a> (1937).His breakthrough came in <a href="https://en.wikipedia.org/wiki/High_Sierra_(film)" target="_blank" rel="noreferrer noopener">High Sierra</a> (1941), and he catapulted to stardom as the lead in <a href="https://en.wikipedia.org/wiki/John_Huston" target="_blank" rel="noreferrer noopener">John Huston</a>'s <a href="https://en.wikipedia.org/wiki/The_Maltese_Falcon_(1941_film)" target="_blank" rel="noreferrer noopener">The Maltese Falcon</a> (1941), considered one of the first great <a href="https://en.wikipedia.org/wiki/Film_noir" target="_blank" rel="noreferrer noopener">noir</a> films.<a href="https://en.wikipedia.org/wiki/Humphrey_Bogart#cite_note-Sklar-4" target="_blank" rel="noreferrer noopener">[4]</a> Bogart's private detectives, <a href="https://en.wikipedia.org/wiki/Sam_Spade" target="_blank" rel="noreferrer noopener">Sam Spade</a> (in The Maltese Falcon) and <a href="https://en.wikipedia.org/wiki/Philip_Marlowe" target="_blank" rel="noreferrer noopener">Philip Marlowe</a> (in 1946's <a href="https://en.wikipedia.org/wiki/The_Big_Sleep_(1946_film)" target="_blank" rel="noreferrer noopener">The Big Sleep</a>), became the models for detectives in other noir films. In 1947, he played a war hero in another noir, <a href="https://en.wikipedia.org/wiki/Dead_Reckoning_(1947_film)" target="_blank" rel="noreferrer noopener">Dead Reckoning</a>, tangled in a dangerous web of brutality and violence as he investigates his friend's murder, co-starring <a href="https://en.wikipedia.org/wiki/Lizabeth_Scott" target="_blank" rel="noreferrer noopener">Lizabeth Scott</a>. His first romantic lead role was a memorable one, as Rick Blaine, paired with <a href="https://en.wikipedia.org/wiki/Ingrid_Bergman" target="_blank" rel="noreferrer noopener">Ingrid Bergman</a> as Ilsa Lund in <a href="https://en.wikipedia.org/wiki/Casablanca_(film)" target="_blank" rel="noreferrer noopener">Casablanca</a> (1942). Blaine was ranked as <a href="https://en.wikipedia.org/wiki/AFI%27s_100_Years...100_Heroes_%26_Villains" target="_blank" rel="noreferrer noopener">the fourth greatest hero of American cinema</a> by the American Film Institute, and Blaine and Lund's romance <a href="https://en.wikipedia.org/wiki/AFI%27s_100_Years...100_Passions" target="_blank" rel="noreferrer noopener">the greatest love story in American cinema</a>, also by the American Film Institute. <a href="https://en.wikipedia.org/wiki/Raymond_Chandler" target="_blank" rel="noreferrer noopener">Raymond Chandler</a>, in a 1946 letter, wrote that "Like <a href="https://en.wikipedia.org/wiki/Edward_G._Robinson" target="_blank" rel="noreferrer noopener">Edward G. Robinson</a> when he was younger, all he has to do to dominate a scene is to enter it."<a href="https://en.wikipedia.org/wiki/Humphrey_Bogart#cite_note-5" target="_blank" rel="noreferrer noopener">[5]</a>44-year-old Bogart and 19-year-old <a href="https://en.wikipedia.org/wiki/Lauren_Bacall" target="_blank" rel="noreferrer noopener">Lauren Bacall</a> fell in love during the filming of <a href="https://en.wikipedia.org/wiki/To_Have_and_Have_Not_(film)" target="_blank" rel="noreferrer noopener">To Have and Have Not</a> (1944). In 1945, a few months after principal photography for The Big Sleep, their second film together, he divorced his third wife and married Bacall. After their marriage, they played each other's love interest in the mystery thrillers <a href="https://en.wikipedia.org/wiki/Dark_Passage_(film)" target="_blank" rel="noreferrer noopener">Dark Passage</a> (1947) and <a href="https://en.wikipedia.org/wiki/Key_Largo_(film)" target="_blank" rel="noreferrer noopener">Key Largo</a> (1948). Bogart's performances in Huston's <a href="https://en.wikipedia.org/wiki/The_Treasure_of_the_Sierra_Madre_(film)" target="_blank" rel="noreferrer noopener">The Treasure of the Sierra Madre</a> (1948) and <a href="https://en.wikipedia.org/wiki/Nicholas_Ray" target="_blank" rel="noreferrer noopener">Nicholas Ray</a>'s <a href="https://en.wikipedia.org/wiki/In_a_Lonely_Place" target="_blank" rel="noreferrer noopener">In a Lonely Place</a> (1950) are now considered among his best, although they were not recognized as such when the films were released.<a href="https://en.wikipedia.org/wiki/Humphrey_Bogart#cite_note-6" target="_blank" rel="noreferrer noopener">[6]</a> He reprised those unsettled, unstable characters as a World War II naval-vessel commander in <a href="https://en.wikipedia.org/wiki/The_Caine_Mutiny_(1954_film)" target="_blank" rel="noreferrer noopener">The Caine Mutiny</a> (1954), which was a critical and commercial hit and earned him another Best Actor nomination. He won the <a href="https://en.wikipedia.org/wiki/Academy_Award_for_Best_Actor" target="_blank" rel="noreferrer noopener">Academy Award for Best Actor</a> for his portrayal of a cantankerous river steam launch skipper opposite <a href="https://en.wikipedia.org/wiki/Katharine_Hepburn" target="_blank" rel="noreferrer noopener">Katharine Hepburn</a>'s missionary in the World War I African adventure <a href="https://en.wikipedia.org/wiki/The_African_Queen_(film)" target="_blank" rel="noreferrer noopener">The African Queen</a> (1951), another collaboration with Huston. Other significant roles in his later years included <a href="https://en.wikipedia.org/wiki/The_Barefoot_Contessa" target="_blank" rel="noreferrer noopener">The Barefoot Contessa</a> (1954) with <a href="https://en.wikipedia.org/wiki/Ava_Gardner" target="_blank" rel="noreferrer noopener">Ava Gardner</a> and his on-screen competition with <a href="https://en.wikipedia.org/wiki/William_Holden" target="_blank" rel="noreferrer noopener">William Holden</a> for <a href="https://en.wikipedia.org/wiki/Audrey_Hepburn" target="_blank" rel="noreferrer noopener">Audrey Hepburn</a> in <a href="https://en.wikipedia.org/wiki/Sabrina_(1954_film)" target="_blank" rel="noreferrer noopener">Sabrina</a> (1954).A heavy smoker and drinker, Bogart died from <a href="https://en.wikipedia.org/wiki/Esophageal_cancer" target="_blank" rel="noreferrer noopener">esophageal cancer</a> in January 1957. Four films he starred in, Casablanca, The Maltese Falcon, The Treasure of the Sierra Madre and The African Queen, made the American Film Institute's <a href="https://en.wikipedia.org/wiki/AFI%27s_100_Years...100_Movies" target="_blank" rel="noreferrer noopener">1998 list of the greatest American movies of all time</a>, with Casablanca ranked second. Regarding her husband's enduring popularity, Bacall later said, "There was something that made him able to be a man of his own, and it showed through his work. There was also a purity, which is amazing considering the parts he played. Something solid too. I think as time goes by, we all believe less and less. Here was someone who believed in something."

Bogart began acting in Broadway shows. Debuting in film in The Dancing Town (1928), he appeared in supporting roles for more than a decade, regularly portraying gangsters. He was praised for his work as Duke Mantee in The Petrified Forest (1936). Bogart also received positive reviews for his performance as gangster Hugh "Baby Face" Martin in William Wyler's Dead End (1937).His breakthrough came in High Sierra (1941), and he catapulted to stardom as the lead in John Huston's The Maltese Falcon (1941), considered one of the first great noir films.[4] Bogart's private detectives, Sam Spade (in The Maltese Falcon) and Philip Marlowe (in 1946's The Big Sleep), became the models for detectives in other noir films.In 1947, he played a war hero in another noir, Dead Reckoning, tangled in a dangerous web of brutality and violence as he investigates his friend's murder, co-starring Lizabeth Scott. His first romantic lead role was a memorable one, as Rick Blaine, paired with Ingrid Bergman as Ilsa Lund in Casablanca (1942). Blaine was ranked as the fourth greatest hero of American cinema by the American Film Institute, and Blaine and Lund's romance the greatest love story in American cinema, also by the American Film Institute. Raymond Chandler, in a 1946 letter, wrote that "Like Edward G. Robinson when he was younger, all he has to do to dominate a scene is to enter it."[5]44-year-old Bogart and 19-year-old Lauren Bacall fell in love during the filming of To Have and Have Not (1944).In 1945, a few months after principal photography for The Big Sleep, their second film together, he divorced his third wife and married Bacall. After their marriage, they played each other's love interest in the mystery thrillers Dark Passage (1947) and Key Largo (1948). Bogart's performances in Huston's The Treasure of the Sierra Madre (1948) and Nicholas Ray's In a Lonely Place (1950) are now considered among his best, although they were not recognized as such when the films were released.[6] He reprised those unsettled, unstable characters as a World War II naval-vessel commander in The Caine Mutiny (1954), which was a critical and commercial hit and earned him another Best Actor nomination. He won the Academy Award for Best Actor for his portrayal of a cantankerous river steam launch skipper opposite Katharine Hepburn's missionary in the World War I African adventure The African Queen (1951),another collaboration with Huston. Other significant roles in his later years included The Barefoot Contessa (1954) with Ava Gardner and his on-screen competition with William Holden for Audrey Hepburn in Sabrina (1954).A heavy smoker and drinker, Bogart died from esophageal cancer in January 1957. Four films he starred in, Casablanca, The Maltese Falcon, The Treasure of the Sierra Madre and The African Queen, made the American Film Institute's 1998 list of the greatest American movies of all time, with Casablanca ranked second. Regarding her husband's enduring popularity, Bacall later said, "There was something that made him able to be a man of his own, and it showed through his work. There was also a purity, which is amazing considering the parts he played. Something solid too. I think as time goes by, we all believe less and less. Here was someone who believed in something."

Bogart began acting in&nbsp;<a href="https://en.wikipedia.org/wiki/Broadway_shows" rel="noopener noreferrer">Broadway shows</a>. Debuting in film in&nbsp;<a href="https://en.wikipedia.org/wiki/The_Dancing_Town" rel="noopener noreferrer">The Dancing Town</a>&nbsp;(1928), he appeared in supporting roles for more than a decade, regularly portraying gangsters. He was praised for his work as Duke Mantee in&nbsp;<a href="https://en.wikipedia.org/wiki/The_Petrified_Forest" rel="noopener noreferrer">The Petrified Forest</a>&nbsp;(1936). Bogart also received positive reviews for his performance as gangster Hugh "Baby Face" Martin in&nbsp;<a href="https://en.wikipedia.org/wiki/William_Wyler" rel="noopener noreferrer">William Wyler</a>'s&nbsp;<a href="https://en.wikipedia.org/wiki/Dead_End_(1937_film)" rel="noopener noreferrer">Dead End</a>&nbsp;(1937).His breakthrough came in&nbsp;<a href="https://en.wikipedia.org/wiki/High_Sierra_(film)" rel="noopener noreferrer">High Sierra</a>&nbsp;(1941), and he catapulted to stardom as the lead in&nbsp;<a href="https://en.wikipedia.org/wiki/John_Huston" rel="noopener noreferrer">John Huston</a>'s&nbsp;<a href="https://en.wikipedia.org/wiki/The_Maltese_Falcon_(1941_film)" rel="noopener noreferrer">The Maltese Falcon</a>&nbsp;(1941), considered one of the first great&nbsp;<a href="https://en.wikipedia.org/wiki/Film_noir" rel="noopener noreferrer">noir</a>&nbsp;films.<a href="https://en.wikipedia.org/wiki/Humphrey_Bogart#cite_note-Sklar-4" rel="noopener noreferrer">[4]</a>&nbsp;Bogart's private detectives,&nbsp;<a href="https://en.wikipedia.org/wiki/Sam_Spade" rel="noopener noreferrer">Sam Spade</a>&nbsp;(in&nbsp;The Maltese Falcon) and&nbsp;<a href="https://en.wikipedia.org/wiki/Philip_Marlowe" rel="noopener noreferrer">Philip Marlowe</a>&nbsp;(in 1946's&nbsp;<a href="https://en.wikipedia.org/wiki/The_Big_Sleep_(1946_film)" rel="noopener noreferrer">The Big Sleep</a>), became the models for detectives in other&nbsp;noir&nbsp;films. In 1947, he played a war hero in another&nbsp;noir,&nbsp;<a href="https://en.wikipedia.org/wiki/Dead_Reckoning_(1947_film)" rel="noopener noreferrer">Dead Reckoning</a>, tangled in a dangerous web of brutality and violence as he investigates his friend's murder, co-starring&nbsp;<a href="https://en.wikipedia.org/wiki/Lizabeth_Scott" rel="noopener noreferrer">Lizabeth Scott</a>. His first romantic lead role was a memorable one, as Rick Blaine, paired with&nbsp;<a href="https://en.wikipedia.org/wiki/Ingrid_Bergman" rel="noopener noreferrer">Ingrid Bergman</a>&nbsp;as Ilsa Lund in&nbsp;<a href="https://en.wikipedia.org/wiki/Casablanca_(film)" rel="noopener noreferrer">Casablanca</a>&nbsp;(1942). Blaine was ranked as&nbsp;<a href="https://en.wikipedia.org/wiki/AFI%27s_100_Years...100_Heroes_%26_Villains" rel="noopener noreferrer">the fourth greatest hero of American cinema</a>&nbsp;by the American Film Institute, and Blaine and Lund's romance&nbsp;<a href="https://en.wikipedia.org/wiki/AFI%27s_100_Years...100_Passions" rel="noopener noreferrer">the greatest love story in American cinema</a>, also by the American Film Institute.&nbsp;<a href="https://en.wikipedia.org/wiki/Raymond_Chandler" rel="noopener noreferrer">Raymond Chandler</a>, in a 1946 letter, wrote that "Like&nbsp;<a href="https://en.wikipedia.org/wiki/Edward_G._Robinson" rel="noopener noreferrer">Edward G. Robinson</a>&nbsp;when he was younger, all he has to do to dominate a scene is to enter it."<a href="https://en.wikipedia.org/wiki/Humphrey_Bogart#cite_note-5" rel="noopener noreferrer">[5]</a>44-year-old Bogart and 19-year-old&nbsp;<a href="https://en.wikipedia.org/wiki/Lauren_Bacall" rel="noopener noreferrer">Lauren Bacall</a>&nbsp;fell in love during the filming of&nbsp;<a href="https://en.wikipedia.org/wiki/To_Have_and_Have_Not_(film)" rel="noopener noreferrer">To Have and Have Not</a>&nbsp;(1944). In 1945, a few months after principal photography for&nbsp;The Big Sleep, their second film together, he divorced his third wife and married Bacall. After their marriage, they played each other's love interest in the mystery thrillers&nbsp;<a href="https://en.wikipedia.org/wiki/Dark_Passage_(film)" rel="noopener noreferrer">Dark Passage</a>&nbsp;(1947) and&nbsp;<a href="https://en.wikipedia.org/wiki/Key_Largo_(film)" rel="noopener noreferrer">Key Largo</a>&nbsp;(1948). Bogart's performances in Huston's&nbsp;<a href="https://en.wikipedia.org/wiki/The_Treasure_of_the_Sierra_Madre_(film)" rel="noopener noreferrer">The Treasure of the Sierra Madre</a>&nbsp;(1948) and&nbsp;<a href="https://en.wikipedia.org/wiki/Nicholas_Ray" rel="noopener noreferrer">Nicholas Ray</a>'s&nbsp;<a href="https://en.wikipedia.org/wiki/In_a_Lonely_Place" rel="noopener noreferrer">In a Lonely Place</a>&nbsp;(1950) are now considered among his best, although they were not recognized as such when the films were released.<a href="https://en.wikipedia.org/wiki/Humphrey_Bogart#cite_note-6" rel="noopener noreferrer">[6]</a>&nbsp;He reprised those unsettled, unstable characters as a World War II naval-vessel commander in&nbsp;<a href="https://en.wikipedia.org/wiki/The_Caine_Mutiny_(1954_film)" rel="noopener noreferrer">The Caine Mutiny</a>&nbsp;(1954), which was a critical and commercial hit and earned him another Best Actor nomination. He won the&nbsp;<a href="https://en.wikipedia.org/wiki/Academy_Award_for_Best_Actor" rel="noopener noreferrer">Academy Award for Best Actor</a>&nbsp;for his portrayal of a cantankerous river steam launch skipper opposite&nbsp;<a href="https://en.wikipedia.org/wiki/Katharine_Hepburn" rel="noopener noreferrer">Katharine Hepburn</a>'s missionary in the World War I African adventure&nbsp;<a href="https://en.wikipedia.org/wiki/The_African_Queen_(film)" rel="noopener noreferrer">The African Queen</a>&nbsp;(1951), another collaboration with Huston. Other significant roles in his later years included&nbsp;<a href="https://en.wikipedia.org/wiki/The_Barefoot_Contessa" rel="noopener noreferrer">The Barefoot Contessa</a>&nbsp;(1954) with&nbsp;<a href="https://en.wikipedia.org/wiki/Ava_Gardner" rel="noopener noreferrer">Ava Gardner</a>&nbsp;and his on-screen competition with&nbsp;<a href="https://en.wikipedia.org/wiki/William_Holden" rel="noopener noreferrer">William Holden</a>&nbsp;for&nbsp;<a href="https://en.wikipedia.org/wiki/Audrey_Hepburn" rel="noopener noreferrer">Audrey Hepburn</a>&nbsp;in&nbsp;<a href="https://en.wikipedia.org/wiki/Sabrina_(1954_film)" rel="noopener noreferrer">Sabrina</a>&nbsp;(1954).A heavy smoker and drinker, Bogart died from&nbsp;<a href="https://en.wikipedia.org/wiki/Esophageal_cancer" rel="noopener noreferrer">esophageal cancer</a>&nbsp;in January 1957. Four films he starred in,&nbsp;Casablanca,&nbsp;The Maltese Falcon,&nbsp;The Treasure of the Sierra Madre&nbsp;and&nbsp;The African Queen, made the American Film Institute's&nbsp;<a href="https://en.wikipedia.org/wiki/AFI%27s_100_Years...100_Movies" rel="noopener noreferrer">1998 list of the greatest American movies of all time</a>, with&nbsp;Casablanca ranked second. Regarding her husband's enduring popularity, Bacall later said, "There was something that made him able to be a man of his own, and it showed through his work. There was also a purity, which is amazing considering the parts he played. Something solid too. I think as time goes by, we all believe less and less. Here was someone who believed in something."

Humphrey Bogart Collection

Early Life and Childhood Jamie Foxx, born Eric Marlon Bishop on December 13, 1967, in Terrell, Texas, was destined for greatness from the very beginning. The second of two children born to Louise Annette Talley Dixon and Darrell Bishop, Jamie's life was shaped by the absence of his parents. His mother, Louise, was a homemaker and nursery operator, while his father, Darrell, worked as a stockbroker. However, shortly after Jamie's birth, his parents' marriage ended in divorce, and he was adopted and raised by his maternal grandparents, Mark and Estelle Talley. Growing up in the small town of Terrell, Jamie found solace and support in the love and guidance of his grandparents. Mark Talley, a yard worker, and Estelle, a domestic worker, instilled in Jamie the values of hard work, perseverance, and the importance of family. Jamie's upbringing was rooted in the Baptist faith, and he grew up singing in the church choir, where he discovered his love for music and performance. Despite the challenges of growing up without his biological parents, Jamie found ways to excel and pursue his passions. He was a talented athlete, playing basketball and football in high school. However, it was his love for music and entertainment that truly set him apart. Jamie's grandmother, Estelle, recognized his talent and encouraged him to pursue his dreams, often telling him, "You've got a gift, Jamie. Use it to make people happy." Education and Early Career After graduating from Terrell High School in 1986, Jamie enrolled at United States International University (now known as Alliant International University) in San Diego, California, on a music scholarship. He studied classical music and composition, honing his skills as a pianist and singer. However, Jamie's true calling was in the world of comedy and acting. In 1989, Jamie took a leap of faith and began performing stand-up comedy at open mic nights in San Diego. He quickly gained a reputation for his quick wit, energetic stage presence, and uncanny ability to impersonate celebrities. It was during this time that Jamie adopted the stage name "Jamie Foxx," a tribute to the comedian Redd Foxx. Jamie's comedy career began to take off, and he soon caught the attention of Hollywood. In 1991, he joined the cast of the sketch comedy show "In Living Color," where he showcased his comedic talents alongside future stars like Jim Carrey and Damon Wayans. Jamie's performances on the show earned him critical acclaim and a devoted fan base. Rise to Fame After his breakout success on "In Living Color," Jamie's career began to soar. He made his film debut in the 1992 comedy "Toys," starring alongside Robin Williams and Joan Cusack. While the film received mixed reviews, Jamie's performance was praised by critics, and it opened the door for more opportunities in Hollywood. In the years that followed, Jamie appeared in a string of successful films, including "The Truth About Cats &amp; Dogs" (1996), "Booty Call" (1997), and "The Players Club" (1998). However, it was his role in the 1999 film "Any Given Sunday" that truly solidified his status as a rising star. Jamie played the role of Willie Beamen, a talented but troubled quarterback, opposite Al Pacino and Cameron Diaz. His performance earned him critical acclaim and established him as a serious dramatic actor. Alongside his burgeoning film career, Jamie also pursued his love for music. In 1994, he released his debut album, "Peep This," which showcased his talents as a singer and musician. The album received positive reviews and helped to establish Jamie as a multi-faceted entertainer. Television Success In 1996, Jamie landed his own television sitcom, "The Jamie Foxx Show," which aired on The WB network. The show, which Jamie co-created and starred in, followed the adventures of Jamie King, an aspiring actor and singer who works at his family's hotel in Los Angeles. The show was a ratings success and ran for five seasons, cementing Jamie's status as a television star. During his time on "The Jamie Foxx Show," Jamie continued to pursue his film career, appearing in movies like "Bait" (2000) and "Ali" (2001). However, it was his portrayal of Drew "Bundini" Brown in "Ali" that earned him critical acclaim and set the stage for his most iconic role to date. The Arrival of Ray Charles: A Career-Defining Performance In 2004, Jamie was cast as the legendary musician Ray Charles in the biographical film "Ray." The movie, directed by Taylor Hackford, chronicled the life and career of Charles, from his humble beginnings in Florida to his rise to fame as one of the most influential musicians of the 20th century. To prepare for the role, Jamie underwent a rigorous transformation, losing 30 pounds and studying Charles' mannerisms and musical style. He also worked closely with Charles himself, who served as a consultant on the film before his death in June 2004. Jamie's performance in "Ray" was nothing short of extraordinary. He captured the essence of Charles' musical genius, his struggles with addiction, and his enduring spirit. The film was a critical and commercial success, grossing over $75 million at the box office and earning Jamie widespread acclaim. At the 77th Academy Awards in February 2005, Jamie's portrayal of Ray Charles earned him the Academy Award for Best Actor, making him only the second African American actor to win the award in the Best Actor category, after Sidney Poitier in 1964. Jamie's emotional acceptance speech, in which he paid tribute to his grandmother and his journey from small-town Texas to Hollywood, was one of the highlights of the night. Continued Success and Versatility Following his triumph with "Ray," Jamie's career continued to flourish. He showcased his versatility as an actor in a wide range of roles, from the action thriller "Collateral" (2004) opposite Tom Cruise to the musical drama "Dreamgirls" (2006) alongside Beyoncé Knowles and Eddie Murphy. In "Collateral," Jamie played the role of Max, a cab driver who finds himself caught up in a deadly game of cat and mouse with a ruthless hitman played by Cruise. The film was a critical and commercial success, grossing over $200 million worldwide and earning Jamie a nomination for the Academy Award for Best Supporting Actor. In "Dreamgirls," Jamie portrayed Curtis Taylor Jr., a ruthless record executive who takes a talented girl group under his wing and leads them to stardom. The film, which was based on the Broadway musical of the same name, was a box office hit and earned Jamie a Golden Globe nomination for Best Actor in a Motion Picture Musical or Comedy. Throughout the 2000s and 2010s, Jamie continued to showcase his range as an actor, appearing in a diverse array of films. He starred opposite Robert Downey Jr. in the action-comedy "Due Date" (2010), played a slave-turned-bounty-hunter in Quentin Tarantino's "Django Unchained" (2012), and portrayed a Death Row inmate in the powerful drama "Just Mercy" (2019). Musical Pursuits and Grammy Success Alongside his thriving acting career, Jamie also continued to pursue his passion for music. In 2005, he collaborated with rapper Kanye West on the hit song "Gold Digger," which topped the Billboard Hot 100 chart and earned Jamie a Grammy Award for Best Rap Solo Performance. Jamie's success in the music industry continued with the release of his second studio album, "Unpredictable," in 2005. The album, which featured collaborations with artists like Ludacris, Mary J. Blige, and Snoop Dogg, debuted at number two on the Billboard 200 chart and was certified double platinum by the Recording Industry Association of America (RIAA). In the years that followed, Jamie released three more studio albums: "Intuition" (2008), "Best Night of My Life" (2010), and "Hollywood: A Story of a Dozen Roses" (2015). Each album showcased Jamie's talents as a singer and songwriter, blending elements of R&amp;B, soul, and pop music. Personal Life and Philanthropy Despite his busy career, Jamie has always made time for his family and philanthropic pursuits. He has two daughters, Corinne and Annalise, and has spoken openly about the joys and challenges of fatherhood. In addition to his work in entertainment, Jamie is also a dedicated philanthropist. He has supported a wide range of charitable causes, including education, disaster relief, and HIV/AIDS awareness. In 2008, he founded the Jamie Foxx Foundation, which provides scholarships and support for students from underserved communities. Jamie has also been an advocate for social justice and racial equality. In the wake of the 2020 killing of George Floyd and the subsequent protests against police brutality and systemic racism, Jamie used his platform to speak out and call for change. He participated in several protests and rallies, and used his social media accounts to amplify the voices of activists and organizers. A Legacy of Excellence Throughout his career, Jamie Foxx has proven himself to be one of the most talented and versatile entertainers of his generation. From his early days as a stand-up comedian to his Academy Award-winning performance in "Ray," Jamie has consistently pushed himself to new heights and challenged expectations. His impact on popular culture is undeniable. He has inspired countless artists and performers, and his work has touched the lives of millions of fans around the world. Whether he's making us laugh, cry, or think, Jamie Foxx has a rare ability to connect with audiences on a deep and meaningful level. As he enters his fourth decade in the entertainment industry, Jamie shows no signs of slowing down. He continues to take on challenging and diverse roles, and his passion for music and philanthropy remains as strong as ever. In many ways, Jamie Foxx'

Early Life and Childhood Jamie Foxx, born Eric Marlon Bishop on December 13, 1967, in Terrell, Texas, was destined for greatness from the very beginning. The second of two children born to Louise Annette Talley Dixon and Darrell Bishop, Jamie's life was shaped by the absence of his parents. His mother, Louise, was a homemaker and nursery operator, while his father, Darrell, worked as a stockbroker. However, shortly after Jamie's birth, his parents' marriage ended in divorce, and he was adopted and raised by his maternal grandparents, Mark and Estelle Talley. Growing up in the small town of Terrell, Jamie found solace and support in the love and guidance of his grandparents. Mark Talley, a yard worker, and Estelle, a domestic worker, instilled in Jamie the values of hard work, perseverance, and the importance of family. Jamie's upbringing was rooted in the Baptist faith, and he grew up singing in the church choir, where he discovered his love for music and performance. Despite the challenges of growing up without his biological parents, Jamie found ways to excel and pursue his passions. He was a talented athlete, playing basketball and football in high school. However, it was his love for music and entertainment that truly set him apart. Jamie's grandmother, Estelle, recognized his talent and encouraged him to pursue his dreams, often telling him, "You've got a gift, Jamie. Use it to make people happy." Education and Early Career After graduating from Terrell High School in 1986, Jamie enrolled at United States International University (now known as Alliant International University) in San Diego, California, on a music scholarship. He studied classical music and composition, honing his skills as a pianist and singer. However, Jamie's true calling was in the world of comedy and acting. In 1989, Jamie took a leap of faith and began performing stand-up comedy at open mic nights in San Diego. He quickly gained a reputation for his quick wit, energetic stage presence, and uncanny ability to impersonate celebrities. It was during this time that Jamie adopted the stage name "Jamie Foxx," a tribute to the comedian Redd Foxx. Jamie's comedy career began to take off, and he soon caught the attention of Hollywood. In 1991, he joined the cast of the sketch comedy show "In Living Color," where he showcased his comedic talents alongside future stars like Jim Carrey and Damon Wayans. Jamie's performances on the show earned him critical acclaim and a devoted fan base. Rise to Fame After his breakout success on "In Living Color," Jamie's career began to soar. He made his film debut in the 1992 comedy "Toys," starring alongside Robin Williams and Joan Cusack. While the film received mixed reviews, Jamie's performance was praised by critics, and it opened the door for more opportunities in Hollywood. In the years that followed, Jamie appeared in a string of successful films, including "The Truth About Cats & Dogs" (1996), "Booty Call" (1997), and "The Players Club" (1998). However, it was his role in the 1999 film "Any Given Sunday" that truly solidified his status as a rising star. Jamie played the role of Willie Beamen, a talented but troubled quarterback, opposite Al Pacino and Cameron Diaz. His performance earned him critical acclaim and established him as a serious dramatic actor. Alongside his burgeoning film career, Jamie also pursued his love for music. In 1994, he released his debut album, "Peep This," which showcased his talents as a singer and musician. The album received positive reviews and helped to establish Jamie as a multi-faceted entertainer. Television Success In 1996, Jamie landed his own television sitcom, "The Jamie Foxx Show," which aired on The WB network. The show, which Jamie co-created and starred in, followed the adventures of Jamie King, an aspiring actor and singer who works at his family's hotel in Los Angeles. The show was a ratings success and ran for five seasons, cementing Jamie's status as a television star. During his time on "The Jamie Foxx Show," Jamie continued to pursue his film career, appearing in movies like "Bait" (2000) and "Ali" (2001). However, it was his portrayal of Drew "Bundini" Brown in "Ali" that earned him critical acclaim and set the stage for his most iconic role to date. The Arrival of Ray Charles: A Career-Defining Performance In 2004, Jamie was cast as the legendary musician Ray Charles in the biographical film "Ray." The movie, directed by Taylor Hackford, chronicled the life and career of Charles, from his humble beginnings in Florida to his rise to fame as one of the most influential musicians of the 20th century. To prepare for the role, Jamie underwent a rigorous transformation, losing 30 pounds and studying Charles' mannerisms and musical style. He also worked closely with Charles himself, who served as a consultant on the film before his death in June 2004. Jamie's performance in "Ray" was nothing short of extraordinary. He captured the essence of Charles' musical genius, his struggles with addiction, and his enduring spirit. The film was a critical and commercial success, grossing over $75 million at the box office and earning Jamie widespread acclaim. At the 77th Academy Awards in February 2005, Jamie's portrayal of Ray Charles earned him the Academy Award for Best Actor, making him only the second African American actor to win the award in the Best Actor category, after Sidney Poitier in 1964. Jamie's emotional acceptance speech, in which he paid tribute to his grandmother and his journey from small-town Texas to Hollywood, was one of the highlights of the night. Continued Success and Versatility Following his triumph with "Ray," Jamie's career continued to flourish. He showcased his versatility as an actor in a wide range of roles, from the action thriller "Collateral" (2004) opposite Tom Cruise to the musical drama "Dreamgirls" (2006) alongside Beyoncé Knowles and Eddie Murphy. In "Collateral," Jamie played the role of Max, a cab driver who finds himself caught up in a deadly game of cat and mouse with a ruthless hitman played by Cruise. The film was a critical and commercial success, grossing over $200 million worldwide and earning Jamie a nomination for the Academy Award for Best Supporting Actor. In "Dreamgirls," Jamie portrayed Curtis Taylor Jr., a ruthless record executive who takes a talented girl group under his wing and leads them to stardom. The film, which was based on the Broadway musical of the same name, was a box office hit and earned Jamie a Golden Globe nomination for Best Actor in a Motion Picture Musical or Comedy. Throughout the 2000s and 2010s, Jamie continued to showcase his range as an actor, appearing in a diverse array of films. He starred opposite Robert Downey Jr. in the action-comedy "Due Date" (2010), played a slave-turned-bounty-hunter in Quentin Tarantino's "Django Unchained" (2012), and portrayed a Death Row inmate in the powerful drama "Just Mercy" (2019). Musical Pursuits and Grammy Success Alongside his thriving acting career, Jamie also continued to pursue his passion for music. In 2005, he collaborated with rapper Kanye West on the hit song "Gold Digger," which topped the Billboard Hot 100 chart and earned Jamie a Grammy Award for Best Rap Solo Performance. Jamie's success in the music industry continued with the release of his second studio album, "Unpredictable," in 2005. The album, which featured collaborations with artists like Ludacris, Mary J. Blige, and Snoop Dogg, debuted at number two on the Billboard 200 chart and was certified double platinum by the Recording Industry Association of America (RIAA). In the years that followed, Jamie released three more studio albums: "Intuition" (2008), "Best Night of My Life" (2010), and "Hollywood: A Story of a Dozen Roses" (2015). Each album showcased Jamie's talents as a singer and songwriter, blending elements of R&B, soul, and pop music. Personal Life and Philanthropy Despite his busy career, Jamie has always made time for his family and philanthropic pursuits. He has two daughters, Corinne and Annalise, and has spoken openly about the joys and challenges of fatherhood. In addition to his work in entertainment, Jamie is also a dedicated philanthropist. He has supported a wide range of charitable causes, including education, disaster relief, and HIV/AIDS awareness. In 2008, he founded the Jamie Foxx Foundation, which provides scholarships and support for students from underserved communities. Jamie has also been an advocate for social justice and racial equality. In the wake of the 2020 killing of George Floyd and the subsequent protests against police brutality and systemic racism, Jamie used his platform to speak out and call for change. He participated in several protests and rallies, and used his social media accounts to amplify the voices of activists and organizers. A Legacy of Excellence Throughout his career, Jamie Foxx has proven himself to be one of the most talented and versatile entertainers of his generation. From his early days as a stand-up comedian to his Academy Award-winning performance in "Ray," Jamie has consistently pushed himself to new heights and challenged expectations. His impact on popular culture is undeniable. He has inspired countless artists and performers, and his work has touched the lives of millions of fans around the world. Whether he's making us laugh, cry, or think, Jamie Foxx has a rare ability to connect with audiences on a deep and meaningful level. As he enters his fourth decade in the entertainment industry, Jamie shows no signs of slowing down. He continues to take on challenging and diverse roles, and his passion for music and philanthropy remains as strong as ever. In many ways, Jamie Foxx'

Early Life and Childhood Jamie Foxx, born Eric Marlon Bishop on December 13, 1967, in Terrell, Texas, was destined for greatness from the very beginning. The second of two children born to Louise Annette Talley Dixon and Darrell Bishop, Jamie's life was shaped by the absence of his parents. His mother, Louise, was a homemaker and nursery operator, while his father, Darrell, worked as a stockbroker. However, shortly after Jamie's birth, his parents' marriage ended in divorce, and he was adopted and raised by his maternal grandparents, Mark and Estelle Talley. Growing up in the small town of Terrell, Jamie found solace and support in the love and guidance of his grandparents. Mark Talley, a yard worker, and Estelle, a domestic worker, instilled in Jamie the values of hard work, perseverance, and the importance of family. Jamie's upbringing was rooted in the Baptist faith, and he grew up singing in the church choir, where he discovered his love for music and performance. Despite the challenges of growing up without his biological parents, Jamie found ways to excel and pursue his passions. He was a talented athlete, playing basketball and football in high school. However, it was his love for music and entertainment that truly set him apart. Jamie's grandmother, Estelle, recognized his talent and encouraged him to pursue his dreams, often telling him, "You've got a gift, Jamie. Use it to make people happy." Education and Early Career After graduating from Terrell High School in 1986, Jamie enrolled at United States International University (now known as Alliant International University) in San Diego, California, on a music scholarship. He studied classical music and composition, honing his skills as a pianist and singer. However, Jamie's true calling was in the world of comedy and acting. In 1989, Jamie took a leap of faith and began performing stand-up comedy at open mic nights in San Diego. He quickly gained a reputation for his quick wit, energetic stage presence, and uncanny ability to impersonate celebrities. It was during this time that Jamie adopted the stage name "Jamie Foxx," a tribute to the comedian Redd Foxx. Jamie's comedy career began to take off, and he soon caught the attention of Hollywood. In 1991, he joined the cast of the sketch comedy show "In Living Color," where he showcased his comedic talents alongside future stars like Jim Carrey and Damon Wayans. Jamie's performances on the show earned him critical acclaim and a devoted fan base. Rise to Fame After his breakout success on "In Living Color," Jamie's career began to soar. He made his film debut in the 1992 comedy "Toys," starring alongside Robin Williams and Joan Cusack. While the film received mixed reviews, Jamie's performance was praised by critics, and it opened the door for more opportunities in Hollywood. In the years that followed, Jamie appeared in a string of successful films, including "The Truth About Cats &amp; Dogs" (1996), "Booty Call" (1997), and "The Players Club" (1998). However, it was his role in the 1999 film "Any Given Sunday" that truly solidified his status as a rising star. Jamie played the role of Willie Beamen, a talented but troubled quarterback, opposite Al Pacino and Cameron Diaz. His performance earned him critical acclaim and established him as a serious dramatic actor. Alongside his burgeoning film career, Jamie also pursued his love for music. In 1994, he released his debut album, "Peep This," which showcased his talents as a singer and musician. The album received positive reviews and helped to establish Jamie as a multi-faceted entertainer. Television Success In 1996, Jamie landed his own television sitcom, "The Jamie Foxx Show," which aired on The WB network. The show, which Jamie co-created and starred in, followed the adventures of Jamie King, an aspiring actor and singer who works at his family's hotel in Los Angeles. The show was a ratings success and ran for five seasons, cementing Jamie's status as a television star. During his time on "The Jamie Foxx Show," Jamie continued to pursue his film career, appearing in movies like "Bait" (2000) and "Ali" (2001). However, it was his portrayal of Drew "Bundini" Brown in "Ali" that earned him critical acclaim and set the stage for his most iconic role to date. The Arrival of Ray Charles: A Career-Defining Performance In 2004, Jamie was cast as the legendary musician Ray Charles in the biographical film "Ray." The movie, directed by Taylor Hackford, chronicled the life and career of Charles, from his humble beginnings in Florida to his rise to fame as one of the most influential musicians of the 20th century. To prepare for the role, Jamie underwent a rigorous transformation, losing 30 pounds and studying Charles' mannerisms and musical style. He also worked closely with Charles himself, who served as a consultant on the film before his death in June 2004. Jamie's performance in "Ray" was nothing short of extraordinary. He captured the essence of Charles' musical genius, his struggles with addiction, and his enduring spirit. The film was a critical and commercial success, grossing over $75 million at the box office and earning Jamie widespread acclaim. At the 77th Academy Awards in February 2005, Jamie's portrayal of Ray Charles earned him the Academy Award for Best Actor, making him only the second African American actor to win the award in the Best Actor category, after Sidney Poitier in 1964. Jamie's emotional acceptance speech, in which he paid tribute to his grandmother and his journey from small-town Texas to Hollywood, was one of the highlights of the night. Continued Success and Versatility Following his triumph with "Ray," Jamie's career continued to flourish. He showcased his versatility as an actor in a wide range of roles, from the action thriller "Collateral" (2004) opposite Tom Cruise to the musical drama "Dreamgirls" (2006) alongside Beyoncé Knowles and Eddie Murphy. In "Collateral," Jamie played the role of Max, a cab driver who finds himself caught up in a deadly game of cat and mouse with a ruthless hitman played by Cruise. The film was a critical and commercial success, grossing over $200 million worldwide and earning Jamie a nomination for the Academy Award for Best Supporting Actor. In "Dreamgirls," Jamie portrayed Curtis Taylor Jr., a ruthless record executive who takes a talented girl group under his wing and leads them to stardom. The film, which was based on the Broadway musical of the same name, was a box office hit and earned Jamie a Golden Globe nomination for Best Actor in a Motion Picture Musical or Comedy. Throughout the 2000s and 2010s, Jamie continued to showcase his range as an actor, appearing in a diverse array of films. He starred opposite Robert Downey Jr. in the action-comedy "Due Date" (2010), played a slave-turned-bounty-hunter in Quentin Tarantino's "Django Unchained" (2012), and portrayed a Death Row inmate in the powerful drama "Just Mercy" (2019). Musical Pursuits and Grammy Success Alongside his thriving acting career, Jamie also continued to pursue his passion for music. In 2005, he collaborated with rapper Kanye West on the hit song "Gold Digger," which topped the Billboard Hot 100 chart and earned Jamie a Grammy Award for Best Rap Solo Performance. Jamie's success in the music industry continued with the release of his second studio album, "Unpredictable," in 2005. The album, which featured collaborations with artists like Ludacris, Mary J. Blige, and Snoop Dogg, debuted at number two on the Billboard 200 chart and was certified double platinum by the Recording Industry Association of America (RIAA). In the years that followed, Jamie released three more studio albums: "Intuition" (2008), "Best Night of My Life" (2010), and "Hollywood: A Story of a Dozen Roses" (2015). Each album showcased Jamie's talents as a singer and songwriter, blending elements of R&amp;B, soul, and pop music. Personal Life and Philanthropy Despite his busy career, Jamie has always made time for his family and philanthropic pursuits. He has two daughters, Corinne and Annalise, and has spoken openly about the joys and challenges of fatherhood. In addition to his work in entertainment, Jamie is also a dedicated philanthropist. He has supported a wide range of charitable causes, including education, disaster relief, and HIV/AIDS awareness. In 2008, he founded the Jamie Foxx Foundation, which provides scholarships and support for students from underserved communities. Jamie has also been an advocate for social justice and racial equality. In the wake of the 2020 killing of George Floyd and the subsequent protests against police brutality and systemic racism, Jamie used his platform to speak out and call for change. He participated in several protests and rallies, and used his social media accounts to amplify the voices of activists and organizers. A Legacy of Excellence Throughout his career, Jamie Foxx has proven himself to be one of the most talented and versatile entertainers of his generation. From his early days as a stand-up comedian to his Academy Award-winning performance in "Ray," Jamie has consistently pushed himself to new heights and challenged expectations. His impact on popular culture is undeniable. He has inspired countless artists and performers, and his work has touched the lives of millions of fans around the world. Whether he's making us laugh, cry, or think, Jamie Foxx has a rare ability to connect with audiences on a deep and meaningful level. As he enters his fourth decade in the entertainment industry, Jamie shows no signs of slowing down. He continues to take on challenging and diverse roles, and his passion for music and philanthropy remains as strong as ever. In many ways, Jamie Foxx'

Jamie Foxx - Biography Flash

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