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Dein Herz schlägt lila-weiss? Dann bist du bei diesem Podcast zum VfL Osnabrück genau richtig! Im „Brückengeflüster“ sprechen die Sportredakteure der Neuen Osnabrücker Zeitung wöchentlich über alle aktuellen Ereignisse rund um den VfL. Gemeinsam mit ihren Gesprächspartnern, manchmal auch Überraschungsgästen, nehmen die Moderatoren das Geschehen beim VfL Osnabrück auf und abseits des grünen Rasens unter die Lupe – hintergründig, informativ und unterhaltsam.

Hier gehts zur Podcast-Merch-Umfrage: https://de.research.net/r/39J9GBG?referral=shownotes

Dein Herz schlägt lila-weiss? Dann bist du bei diesem Podcast zum VfL Osnabrück genau richtig! Im „Brückengeflüster“ sprechen die Sportredakteure der Neuen Osnabrücker Zeitung wöchentlich über alle aktuellen Ereignisse rund um den VfL. Gemeinsam mit ihren Gesprächspartnern, manchmal auch Überraschungsgästen, nehmen die Moderatoren das Geschehen beim VfL Osnabrück auf und abseits des grünen Rasens unter die Lupe – hintergründig, informativ und unterhaltsam. Hier gehts zur Podcast-Merch-Umfrage: https://de.research.net/r/39J9GBG?referral=shownotes

Brückengeflüster

First video of the Scandal Panel, stay updated on latest gossips, hot topics involving Drag Race, Blockbuster Movies, Netflix Series, Food Spots, etc... We got it covered. Please like, comment and subscribe. Thanks for your support.

https://www.instagram.com/stevenangopera 

https://www.instagram.com/butterseah 

https://www.instagram.com/apollolancer  

https://www.instagram.com/jonthesgyellowfellow

First video of the Scandal Panel, stay updated on latest gossips, hot topics involving Drag Race, Blockbuster Movies, Netflix Series, Food Spots, etc... We got it covered. Please like, comment and subscribe. Thanks for your support. https://www.instagram.com/stevenangopera https://www.instagram.com/butterseah https://www.instagram.com/apollolancer https://www.instagram.com/jonthesgyellowfellow

Scandal Panel

Seu podcast quinzenal sobre meios de pagamento. A cada episódio, conversamos com uma pessoa especialista e te atualizamos sobre as tendências do setor. Ao final, você também fica por dentro dos bastidores das notícias que movimentaram o ecossistema de tecnologia e de finanças nos últimos dias. O PodTransferir é uma iniciativa da Transfeera, fintech open banking, e do Finsiders, portal de notícias do segmento de fintech. Visite transfeera.com.

PODTRANSFERIR

Découvrez les éditos de Denis Robert au format podcast.

Bienvenue sur les podcasts de Blast, le souffle de l’info. Un média indépendant créé pour redonner du souffle à l'information. Blast vous propose un autre regard sur l'actualité à travers des reportages, des décryptages, des enquêtes et des entretiens que nous avons décidé de convertir ici en podcast. Notre ambition, devenir votre média de référence et ainsi peser dans la bataille de l’information qui s'annonce et qui sera décisive.

BLAST est financé exclusivement par ses abonnés et donateurs. 
Nous avons besoin de VOUS pour continuer : https://www.blast-info.fr/soutenir

Découvrez les éditos de Denis Robert au format podcast. Bienvenue sur les podcasts de Blast, le souffle de l’info. Un média indépendant créé pour redonner du souffle à l'information. Blast vous propose un autre regard sur l'actualité à travers des reportages, des décryptages, des enquêtes et des entretiens que nous avons décidé de convertir ici en podcast. Notre ambition, devenir votre média de référence et ainsi peser dans la bataille de l’information qui s'annonce et qui sera décisive. BLAST est financé exclusivement par ses abonnés et donateurs. Nous avons besoin de VOUS pour continuer : https://www.blast-info.fr/soutenir

Blast - L’édito de Denis Robert

د سپینې خبرې په خپرونه کې په افغانستان، سیمه او نړۍ کې د ورځنیو پیښو په اړه د نظر د خاوندانو او څیړونکو تاوده بحثونه تعقیب کړئ. دا خپرونه په ګډه په پښتو او دري ژبو هره شپه د افغانستان په وخت د ۸:۰۰ تر ۹:۰۰ پورې په رادیو اشنا او د امریکاغږ په سپوږمکۍ او ډی

سپېنې خبرې  - Voice of America

1回10分以内、週3回くらい配信予定。
自分の考えを押し付けようとか世の中を変えていきたいとか微塵も思っていません。
ただただ、おっさんが日ごろの政治的ニュースを中心にぼやくだけのチャンネルです。
政治思想は中道右派で穏健な方だと自認しています。
ボクの考えが間違っていることも多々あります。
間違えに気づいたら修正しますが、ご容赦ください。

1回10分以内、週3回くらい配信予定。 自分の考えを押し付けようとか世の中を変えていきたいとか微塵も思っていません。 ただただ、おっさんが日ごろの政治的ニュースを中心にぼやくだけのチャンネルです。 政治思想は中道右派で穏健な方だと自認しています。 ボクの考えが間違っていることも多々あります。 間違えに気づいたら修正しますが、ご容赦ください。

ぼやきチャンネル

Local News

Physician - Medical Writing  Consultancy - Author

Physician - Medical Writing Consultancy - Author

Randy Bock MD PC

A raw, insightful, and unapologetic look at trending topics in culture, sports, and the complexities of modern relationships. Hosted by T.O., with Donavan, J Cuzz, and Dolo behind the soundboard, The 8793 Podcast delivers a mix of humor, real talk, and deep dives The name itself is a play on the art of debate—“87” represents the mid or wild yet entertaining takes, while “93” stands for the premium, strong, and well-thought-out perspectives. Every episode is a high-octane blend of both, fueling conversations that engage, entertain, and challenge the status quo. New episodes every week. Fueled by Awkward Geniuses Network

A raw, insightful, and unapologetic look at trending topics in culture, sports, and the complexities of modern relationships. Hosted by T.O., with Donavan, J Cuzz, and Dolo behind the soundboard, The 8793 Podcast delivers a mix of humor, real talk, and deep dives The name itself is a play on the art of debate—“87” represents the mid or wild yet entertaining takes, while “93” stands for the premium, strong, and well-thought-out perspectives. Every episode is a high-octane blend of both, fueling conversations that engage, entertain, and challenge the status quo. New episodes every week.Fueled by Awkward Geniuses Network

A raw, insightful, and unapologetic look at trending topics in culture, sports, and the complexities of modern relationships. Hosted by T.O., with Donavan, J Cuzz, and Dolo behind the soundboard, The 8793 Podcast delivers a mix of humor, real talk, and deep dives The name itself is a play on the art of debate—“87” represents the mid or wild yet entertaining takes, while “93” stands for the premium, strong, and well-thought-out perspectives. Every episode is a high-octane blend of both, fueling conversations that engage, entertain, and challenge the status quo. New episodes every week. Fueled by Awkward Geniuses Network

8793 Podcast

One Minute U.S. delivers the top U.S. news headlines in just 60 seconds, every hour. Stay informed with bite-sized, AI-powered news updates covering politics, economy, culture, and breaking stories. No fluff, just facts—straight to your ears!

One Minute U.S.

LÁ EM BRASÍLIA, um podcast que traduz a política do dia a dia.
Prazer! Eu sou a Lara e falo lá de Brasília, ou daqui, depende do ponto de vista.

LÁ EM BRASÍLIA, um podcast que traduz a política do dia a dia. Prazer! Eu sou a Lara e falo lá de Brasília, ou daqui, depende do ponto de vista.

LÁ EM BRASÍLIA

Pravidelný pořad předsedy Lepší vlády Karla Havlíčka. Bývalý ministr průmyslu a dopravy vysvětluje aktuální dění v souvislostech, vysvětluje, jaké dopady na lidi i Českou republiku budou mít kroky současné vlády nebo světové dění. Součástí pořadu jsou i jeho pohotové odpovědi na nejrůznější otázky posluchačů.

Na rovinu

The Madden Curse: Exploring the NFL's Most Famous Superstition Is the Madden Curse real or just a coincidence? Dive into the NFL's most intriguing superstition, its origins, notable cases, and the debate surrounding its impact on players.

The Madden Curse: Exploring the NFL's Most Famous SuperstitionIs the Madden Curse real or just a coincidence? Dive into the NFL's most intriguing superstition, its origins, notable cases, and the debate surrounding its impact on players.

The Madden Curse: Exploring the NFL's Most Famous Superstition Is the Madden Curse real or just a coincidence? Dive into the NFL's most intriguing superstition, its origins, notable cases, and the debate surrounding its impact on players.

Madden Curse - Sports Conspiracies

Political Heat is here to make sense of climate politics. We know the science tells us to phase out fossil fuels. But it’s politics that will determine how we do that, whose voices matter in decision-making, who will benefit - and who might lose out.

Host Amy Mount brings two decades’ experience of environmental politics, policy and organising. She interviews a different guest each episode. You’ll hear from seasoned Westminster operators, savvy campaigners, business representatives, opinion pollsters, and more. 

To get in touch, email PoliticalHeatPod@gmail.com. You can also subscribe to the free newsletter that accompanies this podcast at https://politicalheat.substack.com/ 

Edited by Sarah Eldridge.
Music by AudioCoffee: https://www.audiocoffee.net/

Political Heat is here to make sense of climate politics. We know the science tells us to phase out fossil fuels. But it’s politics that will determine how we do that, whose voices matter in decision-making, who will benefit - and who might lose out. Host Amy Mount brings two decades’ experience of environmental politics, policy and organising. She interviews a different guest each episode. You’ll hear from seasoned Westminster operators, savvy campaigners, business representatives, opinion pollsters, and more. To get in touch, email PoliticalHeatPod@gmail.com. You can also subscribe to the free newsletter that accompanies this podcast at https://politicalheat.substack.com/ Edited by Sarah Eldridge. Music by AudioCoffee: https://www.audiocoffee.net/

Political Heat

Somewhere in Movement is a dispatch from the spaces where we are sewing revolution. We are speaking as and with people who center the struggle for liberation in their lives, who believe that things must change and who try to find the ways to do it. Our political home and common denominator is the Palestine solidarity movement in the Netherlands.

Somewhere in Movement is a dispatch from the spaces where we are sewing revolution. We are speaking as and with people who center the struggle for liberation in their lives, who believe that things must change and who try to find the ways to do it.Our political home and common denominator is the Palestine solidarity movement in the Netherlands.

Somewhere in Movement is a dispatch from the spaces where we are sewing revolution. We are speaking as and with people who center the struggle for liberation in their lives, who believe that things must change and who try to find the ways to do it. Our political home and common denominator is the Palestine solidarity movement in the Netherlands.

Somewhere in Movement

Rikeza is your portal to the thrilling worlds of aviation, aerospace, and defense. Our series include "Space Race 2.0", where nations compete for cosmic supremacy, to the innovative "NextGen Skies" revolutionizing aviation, and the classified corners of "Defense Declassified, we explore the latest trends and breakthroughs shaping our world. Join us as we dissect the technology and uncover the stories behind the headlines.Perfect for aerospace engineers, aviation pros, defense analysts, policymakers, tech enthusiasts, and anyone intrigued by human ingenuity’s potential.

Rikeza G.

The Free State of Florida has become the Center of Democracy. Throughout much of the rest of America &amp; much of the World, Democracy is being twisted, manipulated &amp; polluted so badly that real choice no longer exists. Freedom itself is threatened. Florida stands as the modern Beacon of Hope. Join us on Democracy Road as we examine the state of affairs and seek answers as to how a World seemingly going mad can return to normalcy. And we'll talk a lot about life and living it.

The Free State of Florida has become the Center of Democracy. Throughout much of the rest of America & much of the World, Democracy is being twisted, manipulated & polluted so badly that real choice no longer exists. Freedom itself is threatened. Florida stands as the modern Beacon of Hope. Join us on Democracy Road as we examine the state of affairs and seek answers as to how a World seemingly going mad can return to normalcy. And we'll talk a lot about life and living it.

The Free State of Florida has become the Center of Democracy. Throughout much of the rest of America &amp; much of the World, Democracy is being twisted, manipulated &amp; polluted so badly that real choice no longer exists. Freedom itself is threatened. Florida stands as the modern Beacon of Hope. Join us on Democracy Road as we examine the state of affairs and seek answers as to how a World seemingly going mad can return to normalcy. And we'll talk a lot about life and living it.

Democracy Road

A podcast for all things English futsal! England Internationals Richard Ward and Stuart Cook, are here to give a unique viewpoint and explore the comings and goings in English futsal, with the help of a few friends along the way.<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

A podcast for all things English futsal! England Internationals Richard Ward and Stuart Cook, are here to give a unique viewpoint and explore the comings and goings in English futsal, with the help of a few friends along the way. Hosted on Acast. See acast.com/privacy for more information.

A podcast for all things English futsal! England Internationals Richard Ward and Stuart Cook, are here to give a unique viewpoint and explore the comings and goings in English futsal, with the help of a few friends along the way. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

The English Futsal Podcast

Richard Serra, born on November 2, 1938, in San Francisco, California, is an American artist known for his monumental, site-specific sculptures made of industrial materials, particularly Cor-Ten steel. His work has redefined the boundaries of sculpture and has had a profound impact on the art world, making him one of the most influential and celebrated artists of the postwar era. Early Life and Education Serra grew up in a working-class family in San Francisco. His father, Tony Serra, was a Spanish-native who worked as a pipe-fitter in the shipyards, while his mother, Gladys Feinberg, was a Russian Jewish immigrant. From an early age, Serra showed an interest in art and was encouraged by his parents to pursue his passion. After graduating from Lowell High School in 1957, Serra attended the University of California, Berkeley, where he studied English literature. He also took art classes and was introduced to the work of Abstract Expressionist painters such as Willem de Kooning and Jackson Pollock, which would greatly influence his artistic development. In 1961, Serra graduated from Berkeley with a Bachelor of Arts degree in English literature. He then traveled to Europe, where he spent a year studying at the Accademia di Belle Arti in Florence, Italy. During this time, he was exposed to the works of Italian Renaissance artists, as well as the avant-garde art scene in Europe. Upon returning to the United States, Serra enrolled in the Master of Fine Arts program at Yale University. There, he studied under the influential art theorist and critic, Josef Albers, who had a profound impact on his artistic philosophy. Serra graduated from Yale in 1964 with an MFA in painting. Early Career and Artistic Development After completing his studies, Serra moved to New York City, where he became involved in the vibrant art scene of the 1960s. He worked as a painter and a sculptor, experimenting with various materials and techniques. In 1966, he began creating sculptures using non-traditional materials such as rubber, neon, and lead, which he often installed directly on the floor or wall of the gallery space. Serra's early sculptures were influenced by the minimalist and conceptual art movements of the time. He was interested in the inherent properties of materials and the ways in which they could be manipulated to create new forms and experiences. His work often challenged traditional notions of sculpture as a static, object-based medium and instead emphasized the viewer's physical and perceptual experience of the work. In 1968, Serra created his first large-scale outdoor sculpture, "To Encircle Base Plate Hexagram, Right Angles Inverted," which consisted of a steel plate measuring 26 feet in diameter, with a hexagonal hole cut into the center. The sculpture was installed on a beach in Long Island, New York, and was designed to be experienced by walking around and through it. Throughout the late 1960s and early 1970s, Serra continued to explore the possibilities of large-scale sculpture using industrial materials such as steel, lead, and concrete. He began to create works that were site-specific, meaning that they were designed to respond to and engage with the unique characteristics of the location in which they were installed. One of Serra's most famous site-specific works from this period is "Shift," which he created in 1970-72. The sculpture consists of six large concrete walls, each measuring 60 feet long and 10 feet high, that are arranged in a zigzag pattern across a field in King City, Ontario, Canada. The walls create a sense of movement and rhythm as the viewer walks through the work, and the shifting perspectives and sight lines create a dynamic and immersive experience. International Recognition and Public Commissions In the mid-1970s, Serra began to receive international recognition for his work. He was invited to create large-scale public sculptures in cities around the world, including Barcelona, Berlin, and Tokyo. These commissions allowed him to work on an even larger scale and to engage with the unique social, political, and historical contexts of each location. One of Serra's most famous public sculptures is "Tilted Arc," which he created in 1981 for the Federal Plaza in New York City. The sculpture consisted of a single, curved steel plate that measured 120 feet long and 12 feet high, and was installed in the center of the plaza. The sculpture was controversial from the start, with many people complaining that it disrupted the flow of pedestrian traffic and created a sense of unease and disorientation. In 1985, the U.S. General Services Administration held a public hearing to decide the fate of "Tilted Arc." Despite Serra's arguments that the sculpture was an integral part of the site and could not be removed without destroying its meaning and integrity, the hearing ultimately resulted in a decision to remove the sculpture. The controversy surrounding "Tilted Arc" sparked a national debate about the role of public art and the relationship between artists, audiences, and the government. Despite the controversy, Serra continued to receive commissions for large-scale public sculptures throughout the 1980s and 1990s. Some of his most notable works from this period include "The Matter of Time" (1994-2005), a series of eight massive steel sculptures installed in the Guggenheim Museum Bilbao in Spain, and "Snake" (1994-1997), a 180-foot-long steel sculpture installed in the Guggenheim Museum in Bilbao. In addition to his public commissions, Serra also continued to create smaller-scale sculptures and works on paper throughout his career. His drawings and prints often explore similar themes and ideas as his sculptures, such as the relationship between form, space, and the viewer's perception. Later Career and Legacy In the 2000s and 2010s, Serra continued to create monumental sculptures and installations that pushed the boundaries of what was possible with industrial materials. Some of his most notable works from this period include "7" (2011), a series of seven massive steel sculptures installed in Doha, Qatar, and "East-West/West-East" (2014), four steel plates installed in the Qatari desert that measure up to 55 feet tall and span over a kilometer in length. Serra's work has been widely exhibited and collected by major museums and institutions around the world, including the Museum of Modern Art in New York, the Tate Modern in London, and the Pompidou Center in Paris. He has received numerous awards and honors throughout his career, including the Leone d'Oro for lifetime achievement at the Venice Biennale in 2001 and the Presidential Medal of Arts in 2010. In addition to his artistic practice, Serra has also been an influential teacher and mentor to generations of younger artists. He has taught at Yale University, the California Institute of the Arts, and the School of Visual Arts in New York, among other institutions. Serra's legacy as an artist is one of innovation, experimentation, and a deep commitment to the physical and perceptual experience of art. His work has had a profound impact on the development of contemporary sculpture and has challenged traditional notions of what art can be and how it can engage with the world around us. In interviews and writings throughout his career, Serra has emphasized the importance of the viewer's direct experience of his work. He has argued that sculpture should not be seen as a static object to be looked at from a distance, but rather as a dynamic and immersive environment that the viewer can enter into and engage with on a physical and perceptual level. Serra's emphasis on the viewer's experience has had a profound influence on the development of installation art and site-specific sculpture in the late 20th and early 21st centuries. His work has inspired generations of artists to think beyond the traditional boundaries of sculpture and to explore new ways of engaging with space, materials, and the human body. In recent years, Serra has continued to push the boundaries of what is possible with industrial materials and large-scale sculpture. In 2015, he completed "East-West/West-East," his largest and most ambitious work to date. The sculpture consists of four massive steel plates, each measuring up to 55 feet tall and weighing up to 220 tons, installed in the Qatari desert over a distance of more than a kilometer. The sculpture is a testament to Serra's ongoing fascination with the relationship between art, landscape, and the human experience. By placing these monumental forms in the vast expanse of the desert, Serra invites viewers to reflect on their own place in the world and to consider the ways in which art can transform our understanding of space and time. Despite his age, Serra shows no signs of slowing down. In interviews, he has expressed his ongoing commitment to his artistic practice and his desire to continue exploring new ideas and possibilities. "I'm still learning," he has said. "I'm still trying to figure out what I'm doing. And I hope I never stop." As Serra enters his ninth decade, his legacy as one of the most important and influential artists of the postwar era seems secure. His work has challenged and inspired generations of artists and viewers, and his contributions to the development of contemporary sculpture will continue to be felt for years to come. At the same time, Serra's work remains as relevant and urgent as ever in a world that is increasingly shaped by technology, globalization, and environmental crisis. His emphasis on the physical and perceptual experience of art, his engagement with the social and political dimensions of public space, and his commitment to pushing the boundaries of what is possible with industrial materials all speak to the ongoing importance of art in shaping our under

Richard Serra, born on November 2, 1938, in San Francisco, California, is an American artist known for his monumental, site-specific sculptures made of industrial materials, particularly Cor-Ten steel. His work has redefined the boundaries of sculpture and has had a profound impact on the art world, making him one of the most influential and celebrated artists of the postwar era. Early Life and Education Serra grew up in a working-class family in San Francisco. His father, Tony Serra, was a Spanish-native who worked as a pipe-fitter in the shipyards, while his mother, Gladys Feinberg, was a Russian Jewish immigrant. From an early age, Serra showed an interest in art and was encouraged by his parents to pursue his passion. After graduating from Lowell High School in 1957, Serra attended the University of California, Berkeley, where he studied English literature. He also took art classes and was introduced to the work of Abstract Expressionist painters such as Willem de Kooning and Jackson Pollock, which would greatly influence his artistic development. In 1961, Serra graduated from Berkeley with a Bachelor of Arts degree in English literature. He then traveled to Europe, where he spent a year studying at the Accademia di Belle Arti in Florence, Italy. During this time, he was exposed to the works of Italian Renaissance artists, as well as the avant-garde art scene in Europe. Upon returning to the United States, Serra enrolled in the Master of Fine Arts program at Yale University. There, he studied under the influential art theorist and critic, Josef Albers, who had a profound impact on his artistic philosophy. Serra graduated from Yale in 1964 with an MFA in painting. Early Career and Artistic Development After completing his studies, Serra moved to New York City, where he became involved in the vibrant art scene of the 1960s. He worked as a painter and a sculptor, experimenting with various materials and techniques. In 1966, he began creating sculptures using non-traditional materials such as rubber, neon, and lead, which he often installed directly on the floor or wall of the gallery space. Serra's early sculptures were influenced by the minimalist and conceptual art movements of the time. He was interested in the inherent properties of materials and the ways in which they could be manipulated to create new forms and experiences. His work often challenged traditional notions of sculpture as a static, object-based medium and instead emphasized the viewer's physical and perceptual experience of the work. In 1968, Serra created his first large-scale outdoor sculpture, "To Encircle Base Plate Hexagram, Right Angles Inverted," which consisted of a steel plate measuring 26 feet in diameter, with a hexagonal hole cut into the center. The sculpture was installed on a beach in Long Island, New York, and was designed to be experienced by walking around and through it. Throughout the late 1960s and early 1970s, Serra continued to explore the possibilities of large-scale sculpture using industrial materials such as steel, lead, and concrete. He began to create works that were site-specific, meaning that they were designed to respond to and engage with the unique characteristics of the location in which they were installed. One of Serra's most famous site-specific works from this period is "Shift," which he created in 1970-72. The sculpture consists of six large concrete walls, each measuring 60 feet long and 10 feet high, that are arranged in a zigzag pattern across a field in King City, Ontario, Canada. The walls create a sense of movement and rhythm as the viewer walks through the work, and the shifting perspectives and sight lines create a dynamic and immersive experience. International Recognition and Public Commissions In the mid-1970s, Serra began to receive international recognition for his work. He was invited to create large-scale public sculptures in cities around the world, including Barcelona, Berlin, and Tokyo. These commissions allowed him to work on an even larger scale and to engage with the unique social, political, and historical contexts of each location. One of Serra's most famous public sculptures is "Tilted Arc," which he created in 1981 for the Federal Plaza in New York City. The sculpture consisted of a single, curved steel plate that measured 120 feet long and 12 feet high, and was installed in the center of the plaza. The sculpture was controversial from the start, with many people complaining that it disrupted the flow of pedestrian traffic and created a sense of unease and disorientation. In 1985, the U.S. General Services Administration held a public hearing to decide the fate of "Tilted Arc." Despite Serra's arguments that the sculpture was an integral part of the site and could not be removed without destroying its meaning and integrity, the hearing ultimately resulted in a decision to remove the sculpture. The controversy surrounding "Tilted Arc" sparked a national debate about the role of public art and the relationship between artists, audiences, and the government. Despite the controversy, Serra continued to receive commissions for large-scale public sculptures throughout the 1980s and 1990s. Some of his most notable works from this period include "The Matter of Time" (1994-2005), a series of eight massive steel sculptures installed in the Guggenheim Museum Bilbao in Spain, and "Snake" (1994-1997), a 180-foot-long steel sculpture installed in the Guggenheim Museum in Bilbao. In addition to his public commissions, Serra also continued to create smaller-scale sculptures and works on paper throughout his career. His drawings and prints often explore similar themes and ideas as his sculptures, such as the relationship between form, space, and the viewer's perception. Later Career and Legacy In the 2000s and 2010s, Serra continued to create monumental sculptures and installations that pushed the boundaries of what was possible with industrial materials. Some of his most notable works from this period include "7" (2011), a series of seven massive steel sculptures installed in Doha, Qatar, and "East-West/West-East" (2014), four steel plates installed in the Qatari desert that measure up to 55 feet tall and span over a kilometer in length. Serra's work has been widely exhibited and collected by major museums and institutions around the world, including the Museum of Modern Art in New York, the Tate Modern in London, and the Pompidou Center in Paris. He has received numerous awards and honors throughout his career, including the Leone d'Oro for lifetime achievement at the Venice Biennale in 2001 and the Presidential Medal of Arts in 2010. In addition to his artistic practice, Serra has also been an influential teacher and mentor to generations of younger artists. He has taught at Yale University, the California Institute of the Arts, and the School of Visual Arts in New York, among other institutions. Serra's legacy as an artist is one of innovation, experimentation, and a deep commitment to the physical and perceptual experience of art. His work has had a profound impact on the development of contemporary sculpture and has challenged traditional notions of what art can be and how it can engage with the world around us. In interviews and writings throughout his career, Serra has emphasized the importance of the viewer's direct experience of his work. He has argued that sculpture should not be seen as a static object to be looked at from a distance, but rather as a dynamic and immersive environment that the viewer can enter into and engage with on a physical and perceptual level. Serra's emphasis on the viewer's experience has had a profound influence on the development of installation art and site-specific sculpture in the late 20th and early 21st centuries. His work has inspired generations of artists to think beyond the traditional boundaries of sculpture and to explore new ways of engaging with space, materials, and the human body. In recent years, Serra has continued to push the boundaries of what is possible with industrial materials and large-scale sculpture. In 2015, he completed "East-West/West-East," his largest and most ambitious work to date. The sculpture consists of four massive steel plates, each measuring up to 55 feet tall and weighing up to 220 tons, installed in the Qatari desert over a distance of more than a kilometer. The sculpture is a testament to Serra's ongoing fascination with the relationship between art, landscape, and the human experience. By placing these monumental forms in the vast expanse of the desert, Serra invites viewers to reflect on their own place in the world and to consider the ways in which art can transform our understanding of space and time. Despite his age, Serra shows no signs of slowing down. In interviews, he has expressed his ongoing commitment to his artistic practice and his desire to continue exploring new ideas and possibilities. "I'm still learning," he has said. "I'm still trying to figure out what I'm doing. And I hope I never stop." As Serra enters his ninth decade, his legacy as one of the most important and influential artists of the postwar era seems secure. His work has challenged and inspired generations of artists and viewers, and his contributions to the development of contemporary sculpture will continue to be felt for years to come. At the same time, Serra's work remains as relevant and urgent as ever in a world that is increasingly shaped by technology, globalization, and environmental crisis. His emphasis on the physical and perceptual experience of art, his engagement with the social and political dimensions of public space, and his commitment to pushing the boundaries of what is possible with industrial materials all speak to the ongoing importance of art in shaping our under

Richard Serra, born on November 2, 1938, in San Francisco, California, is an American artist known for his monumental, site-specific sculptures made of industrial materials, particularly Cor-Ten steel. His work has redefined the boundaries of sculpture and has had a profound impact on the art world, making him one of the most influential and celebrated artists of the postwar era. Early Life and Education Serra grew up in a working-class family in San Francisco. His father, Tony Serra, was a Spanish-native who worked as a pipe-fitter in the shipyards, while his mother, Gladys Feinberg, was a Russian Jewish immigrant. From an early age, Serra showed an interest in art and was encouraged by his parents to pursue his passion. After graduating from Lowell High School in 1957, Serra attended the University of California, Berkeley, where he studied English literature. He also took art classes and was introduced to the work of Abstract Expressionist painters such as Willem de Kooning and Jackson Pollock, which would greatly influence his artistic development. In 1961, Serra graduated from Berkeley with a Bachelor of Arts degree in English literature. He then traveled to Europe, where he spent a year studying at the Accademia di Belle Arti in Florence, Italy. During this time, he was exposed to the works of Italian Renaissance artists, as well as the avant-garde art scene in Europe. Upon returning to the United States, Serra enrolled in the Master of Fine Arts program at Yale University. There, he studied under the influential art theorist and critic, Josef Albers, who had a profound impact on his artistic philosophy. Serra graduated from Yale in 1964 with an MFA in painting. Early Career and Artistic Development After completing his studies, Serra moved to New York City, where he became involved in the vibrant art scene of the 1960s. He worked as a painter and a sculptor, experimenting with various materials and techniques. In 1966, he began creating sculptures using non-traditional materials such as rubber, neon, and lead, which he often installed directly on the floor or wall of the gallery space. Serra's early sculptures were influenced by the minimalist and conceptual art movements of the time. He was interested in the inherent properties of materials and the ways in which they could be manipulated to create new forms and experiences. His work often challenged traditional notions of sculpture as a static, object-based medium and instead emphasized the viewer's physical and perceptual experience of the work. In 1968, Serra created his first large-scale outdoor sculpture, "To Encircle Base Plate Hexagram, Right Angles Inverted," which consisted of a steel plate measuring 26 feet in diameter, with a hexagonal hole cut into the center. The sculpture was installed on a beach in Long Island, New York, and was designed to be experienced by walking around and through it. Throughout the late 1960s and early 1970s, Serra continued to explore the possibilities of large-scale sculpture using industrial materials such as steel, lead, and concrete. He began to create works that were site-specific, meaning that they were designed to respond to and engage with the unique characteristics of the location in which they were installed. One of Serra's most famous site-specific works from this period is "Shift," which he created in 1970-72. The sculpture consists of six large concrete walls, each measuring 60 feet long and 10 feet high, that are arranged in a zigzag pattern across a field in King City, Ontario, Canada. The walls create a sense of movement and rhythm as the viewer walks through the work, and the shifting perspectives and sight lines create a dynamic and immersive experience. International Recognition and Public Commissions In the mid-1970s, Serra began to receive international recognition for his work. He was invited to create large-scale public sculptures in cities around the world, including Barcelona, Berlin, and Tokyo. These commissions allowed him to work on an even larger scale and to engage with the unique social, political, and historical contexts of each location. One of Serra's most famous public sculptures is "Tilted Arc," which he created in 1981 for the Federal Plaza in New York City. The sculpture consisted of a single, curved steel plate that measured 120 feet long and 12 feet high, and was installed in the center of the plaza. The sculpture was controversial from the start, with many people complaining that it disrupted the flow of pedestrian traffic and created a sense of unease and disorientation. In 1985, the U.S. General Services Administration held a public hearing to decide the fate of "Tilted Arc." Despite Serra's arguments that the sculpture was an integral part of the site and could not be removed without destroying its meaning and integrity, the hearing ultimately resulted in a decision to remove the sculpture. The controversy surrounding "Tilted Arc" sparked a national debate about the role of public art and the relationship between artists, audiences, and the government. Despite the controversy, Serra continued to receive commissions for large-scale public sculptures throughout the 1980s and 1990s. Some of his most notable works from this period include "The Matter of Time" (1994-2005), a series of eight massive steel sculptures installed in the Guggenheim Museum Bilbao in Spain, and "Snake" (1994-1997), a 180-foot-long steel sculpture installed in the Guggenheim Museum in Bilbao. In addition to his public commissions, Serra also continued to create smaller-scale sculptures and works on paper throughout his career. His drawings and prints often explore similar themes and ideas as his sculptures, such as the relationship between form, space, and the viewer's perception. Later Career and Legacy In the 2000s and 2010s, Serra continued to create monumental sculptures and installations that pushed the boundaries of what was possible with industrial materials. Some of his most notable works from this period include "7" (2011), a series of seven massive steel sculptures installed in Doha, Qatar, and "East-West/West-East" (2014), four steel plates installed in the Qatari desert that measure up to 55 feet tall and span over a kilometer in length. Serra's work has been widely exhibited and collected by major museums and institutions around the world, including the Museum of Modern Art in New York, the Tate Modern in London, and the Pompidou Center in Paris. He has received numerous awards and honors throughout his career, including the Leone d'Oro for lifetime achievement at the Venice Biennale in 2001 and the Presidential Medal of Arts in 2010. In addition to his artistic practice, Serra has also been an influential teacher and mentor to generations of younger artists. He has taught at Yale University, the California Institute of the Arts, and the School of Visual Arts in New York, among other institutions. Serra's legacy as an artist is one of innovation, experimentation, and a deep commitment to the physical and perceptual experience of art. His work has had a profound impact on the development of contemporary sculpture and has challenged traditional notions of what art can be and how it can engage with the world around us. In interviews and writings throughout his career, Serra has emphasized the importance of the viewer's direct experience of his work. He has argued that sculpture should not be seen as a static object to be looked at from a distance, but rather as a dynamic and immersive environment that the viewer can enter into and engage with on a physical and perceptual level. Serra's emphasis on the viewer's experience has had a profound influence on the development of installation art and site-specific sculpture in the late 20th and early 21st centuries. His work has inspired generations of artists to think beyond the traditional boundaries of sculpture and to explore new ways of engaging with space, materials, and the human body. In recent years, Serra has continued to push the boundaries of what is possible with industrial materials and large-scale sculpture. In 2015, he completed "East-West/West-East," his largest and most ambitious work to date. The sculpture consists of four massive steel plates, each measuring up to 55 feet tall and weighing up to 220 tons, installed in the Qatari desert over a distance of more than a kilometer. The sculpture is a testament to Serra's ongoing fascination with the relationship between art, landscape, and the human experience. By placing these monumental forms in the vast expanse of the desert, Serra invites viewers to reflect on their own place in the world and to consider the ways in which art can transform our understanding of space and time. Despite his age, Serra shows no signs of slowing down. In interviews, he has expressed his ongoing commitment to his artistic practice and his desire to continue exploring new ideas and possibilities. "I'm still learning," he has said. "I'm still trying to figure out what I'm doing. And I hope I never stop." As Serra enters his ninth decade, his legacy as one of the most important and influential artists of the postwar era seems secure. His work has challenged and inspired generations of artists and viewers, and his contributions to the development of contemporary sculpture will continue to be felt for years to come. At the same time, Serra's work remains as relevant and urgent as ever in a world that is increasingly shaped by technology, globalization, and environmental crisis. His emphasis on the physical and perceptual experience of art, his engagement with the social and political dimensions of public space, and his commitment to pushing the boundaries of what is possible with industrial materials all speak to the ongoing importance of art in shaping our under

Richard Serra - Audio Biography

The official podcast of the The Bethel Collegian. Learn more about The Collegian’s staff, hear exclusive interviews with Bethel College personnel (including students, faculty, staff, and alumni), and receive up-to-date news, sports and entertainment updates, and more related to Bethel. Hosted by Editor-in-Chief Brett Esch. New episodes every other Thursday during the academic year. Brought to you exclusively by The Breadbasket. <a href="https://collegian.bethelks.edu?utm_medium=podcast">collegian.bethelks.edu</a>

The official podcast of the The Bethel Collegian. Learn more about The Collegian’s staff, hear exclusive interviews with Bethel College personnel (including students, faculty, staff, and alumni), and receive up-to-date news, sports and entertainment updates, and more related to Bethel. Hosted by Editor-in-Chief Brett Esch. New episodes every other Thursday during the academic year. Brought to you exclusively by The Breadbasket. collegian.bethelks.edu

The official podcast of the The Bethel Collegian. Learn more about The Collegian’s staff, hear exclusive interviews with Bethel College personnel (including students, faculty, staff, and alumni), and receive up-to-date news, sports and entertainment updates, and more related to Bethel. Hosted by Editor-in-Chief Brett Esch. New episodes every other Thursday during the academic year. Brought to you exclusively by The Breadbasket. <a href="https://collegian.bethelks.edu?utm_medium=podcast" rel="noopener noreferrer">collegian.bethelks.edu</a>

TBC Podcast

Diálogos políticos entre los analistas Martín Rodríguez y Tomás Di Pietro vía audios de WhatsApp.

Voy x Audio

Fan Love Uncovered is a dynamic sports podcast that offers a unique and captivating perspective on the world of sports and entertainment. Hosted by sports enthusiasts with a passion for both the on-field action and the off-field drama, this show delves into the exciting intersection where sports and entertainment collide.

Fan Love Uncovered takes you on an engaging journey, exploring the stories, personalities, and events that make sports more than just a game. With a blend of insightful analysis, lively discussions, and intriguing interviews, the podcast covers a wide range of topics.

Fan Love Uncovered is a dynamic sports podcast that offers a unique and captivating perspective on the world of sports and entertainment. Hosted by sports enthusiasts with a passion for both the on-field action and the off-field drama, this show delves into the exciting intersection where sports and entertainment collide. Fan Love Uncovered takes you on an engaging journey, exploring the stories, personalities, and events that make sports more than just a game. With a blend of insightful analysis, lively discussions, and intriguing interviews, the podcast covers a wide range of topics.

Fan Love Uncovered

Dosis diaria de actualidad tech, ciencia y vida digital en M&eacute;xico, llevada a ti en formato podcast. 

En este programa de Xataka M&eacute;xico te resumimos lo m&aacute;s importante de tecnolog&iacute;a, cripto, gaming, computadoras, smartphones, redes, autos el&eacute;ctricos y m&aacute;s. Todo, en un formato compacto para que puedas escuchar, sin complicaciones. Conduce Steve.

Dosis diaria de actualidad tech, ciencia y vida digital en México, llevada a ti en formato podcast. En este programa de Xataka México te resumimos lo más importante de tecnología, cripto, gaming, computadoras, smartphones, redes, autos eléctricos y más. Todo, en un formato compacto para que puedas escuchar, sin complicaciones. Conduce Steve.

Dosis diaria de actualidad tech, ciencia y vida digital en México, llevada a ti en formato podcast. 

En este programa de Xataka México te resumimos lo más importante de tecnología, cripto, gaming, computadoras, smartphones, redes, autos eléctricos y más. Todo, en un formato compacto para que puedas escuchar, sin complicaciones. Conduce Steve.

Interfaz (by Xataka México)

By offering background knowledge, analytical insights, and detailed recaps, A Look at the Lions hopes to provide thoughtful commentary on sports at Columbia and serve as a way to promote the accessibility of sports. A Look at the Lions is a podcast of the Columbia Daily Spectator, the undergraduate newspaper at Columbia.

A Look at the Lions

Une musulmane paranormale ( Cyber Hater, troll /meme spécialisée en magnetisme animal fit semblant de vouloir se convertir au Christianisme , se fit baptiser &#34; à portes closes &#34; au mois de Septembre 2017 à Casorate Primo , Italie auprès de la Paroisse &#34; San Vittore Martire &#34; : c est un alibi quasi parfait pour mieux agir en qualité d intégriste musulmane sous les vestes de &#34; bonne fille issue de la misère &#34; .

Une musulmane paranormale ( Cyber Hater, troll /meme spécialisée en magnetisme animal fit semblant de vouloir se convertir au Christianisme , se fit baptiser " à portes closes " au mois de Septembre 2017 à Casorate Primo , Italie auprès de la Paroisse " San Vittore Martire " : c est un alibi quasi parfait pour mieux agir en qualité d intégriste musulmane sous les vestes de " bonne fille issue de la misère " .

Une musulmane paranormale ( Cyber Hater, troll /meme spécialisée en magnetisme animal fit semblant de vouloir se convertir au Christianisme , se fit baptiser " à portes closes " au mois de Septembre 2017 à Casorate Primo , Italie auprès de la Paroisse " San Vittore Martire " : c est un alibi quasi parfait pour mieux agir en qualité d intégriste musulmane sous les vestes de " bonne fille issue de la misère " .

True Crime  dans le Cyber Space

The Unpromised Twenties podcast, hosted by Alexis, Angelina, and Brianna, was started on the idea of how confusing life can be in your 20’s. As time goes on the pressure to have your life figured out gets much harder. This podcast highlights just how much they don’t have figured out yet and the reality of failing. Join The Unpromised Twenties on “the most important years of your life”. The authenticity of these three best friends is not only super relatable but also completely hilarious. This season there are new careers, new memories and a new little addition to this podcast. Join us every Monday for a brand new episode &amp; a great start to your week! Go to @theunpromisedtwenties on Instagram if you wanna follow us through our journey.

The Unpromised Twenties podcast, hosted by Alexis, Angelina, and Brianna, was started on the idea of how confusing life can be in your 20’s. As time goes on the pressure to have your life figured out gets much harder. This podcast highlights just how much they don’t have figured out yet and the reality of failing. Join The Unpromised Twenties on “the most important years of your life”. The authenticity of these three best friends is not only super relatable but also completely hilarious. This season there are new careers, new memories and a new little addition to this podcast. Join us every Monday for a brand new episode & a great start to your week! Go to @theunpromisedtwenties on Instagram if you wanna follow us through our journey.

The Unpromised Twenties

Two men come together to discuss anything that comes into their minds from the world of gaming and pop-culture. Tune in to hear what we like, dislike, and can&#39;t decide if we like. Hosted by TMTCoCo and Lickmysock117gaming

Two men come together to discuss anything that comes into their minds from the world of gaming and pop-culture. Tune in to hear what we like, dislike, and can't decide if we like. Hosted by TMTCoCo and Lickmysock117gaming

The Shameless Plug Podcast

بودكاست: خيوط الجريمة 
 
سلسلة حلقات بودكاست تستضيف خبراءَ ومختصين في مسرح الجريمة والأدلة الجنائية
 
ضمن مشروع Time to act المنفذ من قبل مؤسسة ACT لحل النزاعات بالشراكة مع الشرطة الفلسطينية
 
 
إعداد وتقديم: محمد رجوب
مونتاج: ميسم برغوثي
تنسيق: غادة عليان
إشراف: وليد نصار

بودكاست: خيوط الجريمة سلسلة حلقات بودكاست تستضيف خبراءَ ومختصين في مسرح الجريمة والأدلة الجنائية ضمن مشروع Time to act المنفذ من قبل مؤسسة ACT لحل النزاعات بالشراكة مع الشرطة الفلسطينية إعداد وتقديم: محمد رجوب مونتاج: ميسم برغوثي تنسيق: غادة عليان إشراف: وليد نصار

بودكاست: خيوط الجريمة&nbsp;
&nbsp;
سلسلة حلقات بودكاست تستضيف خبراءَ ومختصين في مسرح الجريمة والأدلة الجنائية
&nbsp;
ضمن مشروع Time to act المنفذ من قبل مؤسسة ACT لحل النزاعات بالشراكة مع الشرطة الفلسطينية
&nbsp;
&nbsp;
إعداد وتقديم: محمد رجوب
مونتاج: ميسم برغوثي
تنسيق: غادة عليان
إشراف: وليد نصار

خيوط الجريمة - أجيال

Local and national conversations around a bottomless array of topics. WYSO's Dave Barber curates a focused examination of a topic impacting our community or our world.

Think Twice

Avec Fréquence 1030, la Commune de Bussigny anime une plateforme sur laquelle sa population peut s’informer et écouter des podcasts sur différents sujets en lien avec l’actualité et les projets communaux.

Un petit journal d’environ six minutes est publié en moyenne deux fois par mois. On y présente l’actualité de la commune de Bussigny. Une attention particulière est portée aux projets en cours, à la programmation culturelle et aux événements organisés en collaboration avec les sociétés locales.

Fréquence 1030 met également régulièrement en ligne des « coq-casts » thématiques permettant de valoriser des projets développés par la Commune ou les personnes qui les portent.


Fréquence 1030 est le canal d’information numérique audio de la Commune de Bussigny. Il vient compléter les informations publiées sur son pilier public, sur son site internet, sur ses totems lumineux, sur ses réseaux sociaux, dans ses publications et dans les médias partenaires.


La Commune de Bussigny, sise au cœur du district de l’Ouest lausannois, dans le canton de Vaud, en Suisse, propose ainsi à sa population et à toutes ses parties prenantes de se retrouver sur la même fréquence le temps d’un flash info ou d’une immersion plus profonde dans une thématique particulière.


Fréquence 1030 est réalisé par Tatiana et Bertrand, membres de Cellule communication de la Commune de Bussigny, communication@bussigny.ch (mailto:communication@bussigny.ch) 
Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations.

Avec Fréquence 1030, la Commune de Bussigny anime une plateforme sur laquelle sa population peut s’informer et écouter des podcasts sur différents sujets en lien avec l’actualité et les projets communaux. Un petit journal d’environ six minutes est publié en moyenne deux fois par mois. On y présente l’actualité de la commune de Bussigny. Une attention particulière est portée aux projets en cours, à la programmation culturelle et aux événements organisés en collaboration avec les sociétés locales. Fréquence 1030 met également régulièrement en ligne des « coq-casts » thématiques permettant de valoriser des projets développés par la Commune ou les personnes qui les portent. Fréquence 1030 est le canal d’information numérique audio de la Commune de Bussigny. Il vient compléter les informations publiées sur son pilier public, sur son site internet, sur ses totems lumineux, sur ses réseaux sociaux, dans ses publications et dans les médias partenaires. La Commune de Bussigny, sise au cœur du district de l’Ouest lausannois, dans le canton de Vaud, en Suisse, propose ainsi à sa population et à toutes ses parties prenantes de se retrouver sur la même fréquence le temps d’un flash info ou d’une immersion plus profonde dans une thématique particulière. Fréquence 1030 est réalisé par Tatiana et Bertrand, membres de Cellule communication de la Commune de Bussigny, communication@bussigny.ch (mailto:communication@bussigny.ch) Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations.

Avec Fréquence 1030, la Commune de Bussigny anime une plateforme sur laquelle sa population peut s’informer et écouter des podcasts&nbsp;sur différents sujets en lien avec l’actualité et les projets communaux.

Un petit journal d’environ six minutes est publié en moyenne deux fois par mois. On y présente l’actualité de la commune de Bussigny. Une attention particulière est portée aux projets en cours, à la programmation culturelle et aux événements organisés en collaboration avec les sociétés locales.

Fréquence 1030 met également régulièrement en ligne des «&nbsp;coq-casts&nbsp;» thématiques permettant de valoriser des projets développés par la Commune ou les personnes qui les portent.


Fréquence 1030 est le canal d’information numérique audio de la Commune de Bussigny. Il vient compléter les informations publiées sur son pilier public, sur son site internet, sur ses totems lumineux, sur ses réseaux sociaux, dans ses publications et dans les médias partenaires.


La Commune de Bussigny, sise au cœur du district de l’Ouest lausannois, dans le canton de Vaud, en Suisse, propose ainsi à sa population et à toutes ses parties prenantes de se retrouver sur la même fréquence le temps d’un flash info ou d’une immersion plus profonde dans une thématique particulière.


Fréquence 1030 est réalisé par Tatiana et Bertrand, membres de Cellule communication de la Commune de Bussigny, communication@bussigny.ch (mailto:communication@bussigny.ch)&nbsp;
Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations.

News Podcasts / Page 2671

Brückengeflüster

Scandal Panel

PODTRANSFERIR

Blast - L’édito de Denis Robert

سپېنې خبرې - Voice of America

ぼやきチャンネル

Local News

Randy Bock MD PC

8793 Podcast

One Minute U.S.

LÁ EM BRASÍLIA

Na rovinu

Madden Curse - Sports Conspiracies

Political Heat

Somewhere in Movement

Rikeza G.

Democracy Road

The English Futsal Podcast

Richard Serra - Audio Biography

TBC Podcast

Voy x Audio

Fan Love Uncovered

Interfaz (by Xataka México)

A Look at the Lions

True Crime dans le Cyber Space

The Unpromised Twenties

The Shameless Plug Podcast

خيوط الجريمة - أجيال

Think Twice

Fréquence 1030

Il Tourista

On Assignment

PopScope

Agenda Culturel en France

Sunny Mornings San Francisco

Brunet sans filtre

The Vilest Rag

Virginia Consumer

MoCoDems Gateway

Brent Rivera - Biography Flash

aponet in 3 Minuten

North Carolina Tar Heels Football Today | 2 Min News | The Daily News Now!

Dijital Diplomasi

Wait...What?

Kirnel of Truth

Roman Triumvirates

Clinical Intelligence

Un Nouvel Élan - Le Podcast

BOURDIN - Les yeux dans les yeux

The Right Chamber podcast