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Toute l'année, la rédaction nationale de RCF vous tient informés de l'actualité de l'Église et des mouvements chrétiens.Hébergé par Audiomeans. Visitez <a href="https://www.audiomeans.fr/politique-de-confidentialite">audiomeans.fr/politique-de-confidentialite</a> pour plus d'informations.

Toute l'année, la rédaction nationale de RCF vous tient informés de l'actualité de l'Église et des mouvements chrétiens. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Toute l'année, la rédaction nationale de RCF vous tient informés de l'actualité de l'Église et des mouvements chrétiens.Hébergé par Audiomeans. Visitez <a href="https://www.audiomeans.fr/politique-de-confidentialite" rel="noopener noreferrer">audiomeans.fr/politique-de-confidentialite</a> pour plus d'informations.

L'actu chrétienne

Welcome to Indaba: The African Debate. An Indaba is a discussion, traditionally called by the Chief or King to discuss the issues affecting the village or state. An Indaba usually took place under a designated tree. This is a space where we will discuss all the various African issues, triumphs and lustre. The idea is, for this to be a platform for everyone globally; to learn and understand Africa. Sit down, grab a drink and let's have a chat.

Indaba: The African Debate

Emberi történetek a világ „egzotikus“ tájairól a külpolitikai újságírók és utazók szemével.

Rádió Bézs - Amazóna

Qui remportera le scrutin présidentiel du 5 novembre 2024? C’est la question existentielle qui obsède Martin Proulx et Thomas Leblanc dans La dernière élection, le podcast québécois pour les accros (un peu névrosés) de politique américaine.

La dernière élection avec Martin Proulx et Thomas Leblanc

A Goosebump Sports podcast hosted by Matt K. Maurer where there are no dumb questions.

A Goosebump Sports podcast hosted by Matt K. Maurer where there are no dumb questions.

Clown Questions

This is your Bird Flu SOS: Urgent H5N1 News &amp; Safety podcast. Bird Flu SOS: Urgent H5N1 News &amp; Safety is your go-to podcast for the latest and most critical updates on the bird flu epidemic. Each episode delivers a dynamic, three-minute emergency-focused briefing on the latest developments in the spread of H5N1. Stay informed with real-time breaking news, expert insights from leading health authorities, and essential safety tips tailored for those in affected areas. With a structured format, episodes feature an [ALERT] sound marker to underscore urgent situations, and [EMERGENCY EXPERT] sections where specialists explain the severity and actions needed. You'll hear immediate steps you can take to protect yourself and your loved ones, learn about warning signs that require emergency response, and discover resources for emergency assistance available in your area. Always presented with an urgent yet responsible tone, Bird Flu SOS aims to keep you informed and prepared without inciting panic. Stay ahead of the curve in global health safety by tuning in regularly to Bird Flu SOS: Urgent H5N1 News &amp; Safety. For more info go to <a href="https://www.quietplease.ai" target="_blank" rel="noreferrer noopener">https://www.quietplease.ai</a> Or these great deals and more <a href="https://amzn.to/4hSgB4r" target="_blank" rel="noreferrer noopener">https://amzn.to/4hSgB4r</a>

This is your Bird Flu SOS: Urgent H5N1 News & Safety podcast.Bird Flu SOS: Urgent H5N1 News & Safety is your go-to podcast for the latest and most critical updates on the bird flu epidemic. Each episode delivers a dynamic, three-minute emergency-focused briefing on the latest developments in the spread of H5N1. Stay informed with real-time breaking news, expert insights from leading health authorities, and essential safety tips tailored for those in affected areas. With a structured format, episodes feature an [ALERT] sound marker to underscore urgent situations, and [EMERGENCY EXPERT] sections where specialists explain the severity and actions needed. You'll hear immediate steps you can take to protect yourself and your loved ones, learn about warning signs that require emergency response, and discover resources for emergency assistance available in your area. Always presented with an urgent yet responsible tone, Bird Flu SOS aims to keep you informed and prepared without inciting panic. Stay ahead of the curve in global health safety by tuning in regularly to Bird Flu SOS: Urgent H5N1 News & Safety.For more info go to https://www.quietplease.aiOr these great deals and more https://amzn.to/4hSgB4r

This is your Bird Flu SOS: Urgent H5N1 News &amp; Safety podcast. Bird Flu SOS: Urgent H5N1 News &amp; Safety is your go-to podcast for the latest and most critical updates on the bird flu epidemic. Each episode delivers a dynamic, three-minute emergency-focused briefing on the latest developments in the spread of H5N1. Stay informed with real-time breaking news, expert insights from leading health authorities, and essential safety tips tailored for those in affected areas. With a structured format, episodes feature an [ALERT] sound marker to underscore urgent situations, and [EMERGENCY EXPERT] sections where specialists explain the severity and actions needed. You'll hear immediate steps you can take to protect yourself and your loved ones, learn about warning signs that require emergency response, and discover resources for emergency assistance available in your area. Always presented with an urgent yet responsible tone, Bird Flu SOS aims to keep you informed and prepared without inciting panic. Stay ahead of the curve in global health safety by tuning in regularly to Bird Flu SOS: Urgent H5N1 News &amp; Safety. For more info go to <a href="https://www.quietplease.ai" rel="noopener noreferrer">https://www.quietplease.ai</a> Or these great deals and more&nbsp;<a href="https://amzn.to/4hSgB4r" rel="noopener noreferrer">https://amzn.to/4hSgB4r</a>

Bird Flu SOS: Urgent H5N1 News & Safety

Przegląd najgorętszych wydarzeń minionego tygodnia wraz z komentarzem ekspertów, których gościliśmy na antenie Radia RMF24. Posłuchaj, czym żyła Polska i świat. Zaprasza Piotr Salak.

O tym się mówi w Radiu RMF24

Tutto può essere riciclato, figurarsi dei giornalisti. Questo podcast parla di tecnologia e innovazione, ed è lo spin off del programma settimanale condotto da Serena Coppetti (la vera dinosaura) e Marco Lombardo (il dinosauro digitale) su VisionAirRadio. Perché, alla fine, l'intelligenza non è poi così artificiale: scommettiamo? Questo podcast è prodotto da TMT Media S.A.S., per informazioni ufficiostampa@tmtmedia.info <a href="https://www.strameetech.it" target="_blank" rel="noreferrer noopener">www.trameetech.it</a> Diventa un supporter di questo podcast: <a href="https://www.spreaker.com/podcast/il-viaggio-dei-dinosauri--6180296/support?utm_source=rss&utm_medium=rss&utm_campaign=rss">https://www.spreaker.com/podcast/il-viaggio-dei-dinosauri--6180296/support</a>.

Tutto può essere riciclato, figurarsi dei giornalisti. Questo podcast parla di tecnologia e innovazione, ed è lo spin off del programma settimanale condotto da Serena Coppetti (la vera dinosaura) e Marco Lombardo (il dinosauro digitale) su VisionAirRadio. Perché, alla fine, l'intelligenza non è poi così artificiale: scommettiamo?Questo podcast è prodotto da TMT Media S.A.S., per informazioni ufficiostampa@tmtmedia.infowww.trameetech.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-viaggio-dei-dinosauri--6180296/support.

Tutto può essere riciclato, figurarsi dei giornalisti. Questo podcast parla di tecnologia e innovazione, ed è lo spin off del programma settimanale condotto da Serena Coppetti (la vera dinosaura) e Marco Lombardo (il dinosauro digitale) su VisionAirRadio. Perché, alla fine, l'intelligenza non è poi così artificiale: scommettiamo? Questo podcast è prodotto da TMT Media S.A.S., per informazioni ufficiostampa@tmtmedia.info <a href="https://www.strameetech.it" rel="noopener noreferrer">www.trameetech.it</a> Diventa un supporter di questo podcast: <a href="https://www.spreaker.com/podcast/il-viaggio-dei-dinosauri--6180296/support?utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=rss" rel="noopener noreferrer">https://www.spreaker.com/podcast/il-viaggio-dei-dinosauri--6180296/support</a>.

Il Viaggio dei Dinosauri

DailyFlip's mission is to provide insights into the state of our nation and the world to as many people as possible, by making news consumption easy and convenient.

DailyFlip

How is it that the U.S. still faces challenges around the adoption and accessibility of fast, reliable, affordable, and universally available broadband? How does broadband access - or the lack of it - impact the lives of those who live in underserved or untapped communities?

Hosts Curtis Dean and Jon Willow - co-founders of the Community Broadband Action Network - take on the issues faced by community broadband providers and advocates. With special guests from across the spectrum of broadband (no pun intended!), expect a lively, roundtable-style conversation in every episode.

How is it that the U.S. still faces challenges around the adoption and accessibility of fast, reliable, affordable, and universally available broadband? How does broadband access - or the lack of it - impact the lives of those who live in underserved or untapped communities? Hosts Curtis Dean and Jon Willow - co-founders of the Community Broadband Action Network - take on the issues faced by community broadband providers and advocates. With special guests from across the spectrum of broadband (no pun intended!), expect a lively, roundtable-style conversation in every episode.

Broadband Action

Neal Larson is an Associated Press Award-winning newspaper columnist and radio talk show host. He has a BA from Idaho State University in Media Studies and Political Science. Neal is happily married to his wife Esther with their five children in Idaho Falls. Julie Mason is a long-time resident of east Idaho with a degree in journalism from Ricks College. Julie enjoys reading, baking, and is an avid dog lover.&nbsp; When not on the air she enjoys spending time with her three children and husband of 26 years.Together these two are a powerhouse of knowledge with great banter that comes together in an entertaining and informative show.

Neal Larson is an Associated Press Award-winning newspaper columnist and radio talk show host. He has a BA from Idaho State University in Media Studies and Political Science. Neal is happily married to his wife Esther with their five children in Idaho Falls. Julie Mason is a long-time resident of east Idaho with a degree in journalism from Ricks College. Julie enjoys reading, baking, and is an avid dog lover.  When not on the air she enjoys spending time with her three children and husband of 26 years. Together these two are a powerhouse of knowledge with great banter that comes together in an entertaining and informative show.

The Neal Larson Show

Ungir sósíalistar ræða það sem skiptir þau máli.

Rauður Raunveruleiki

A podcast with a bold mission to explore this strange new world by discussing a range of topics of interest to us. We ask that you join us to ”listen with an open mind and look with your human eyes” to interact thoughtfully and share your thoughts. We seek life forms willing to engage in respectful discourse. Let’s put the “civil” back in civilization.

The Prime Directive

Dairy Delivery is a new podcast from the Dairy Star, a new way to hear dairy farmers' stories. Dairy Star covers a third of all dairy producers in the U.S. mailing free newspaper copies to farmers in the Upper Midwest. We are "All dairy, all the time™" Our content is presented from the perspective of the producer, from the 50 cow dairy, to the farm of 10,000 cows and everywhere in between.

New episodes are released Thursdays after the newspaper is published. 

We look forward to bringing you this brand new way to consume Dairy Star. This is Dairy Delivery, all dairy, all the time.

Dairy Delivery is a new podcast from the Dairy Star, a new way to hear dairy farmers' stories. Dairy Star covers a third of all dairy producers in the U.S. mailing free newspaper copies to farmers in the Upper Midwest. We are "All dairy, all the time™" Our content is presented from the perspective of the producer, from the 50 cow dairy, to the farm of 10,000 cows and everywhere in between. New episodes are released Thursdays after the newspaper is published. We look forward to bringing you this brand new way to consume Dairy Star. This is Dairy Delivery, all dairy, all the time.

Dairy Delivery

Aqui no canal PALPITE DO DIA você encontrará um conteúdo de ótima qualidade sobre Palpites de Futebo com uma ótima qualidade nas analises, Se inscreva! é de graça!

Aqui no canal PALPITE DO DIA você encontrará um conteúdo de ótima qualidade sobre Palpites de Futebo com uma ótima qualidade nas analises, Se inscreva! é de graça!

Aqui no canal PALPITE DO DIA você encontrará um conteúdo de ótima qualidade sobre Palpites de Futebo&nbsp;com uma ótima qualidade nas analises, Se inscreva! é de graça!

Palpite do Dia com Jonatan Damata

We're just two nerds who know way too much about comics, movies, video games, and all other nerd culture. Join us every week for news, reviews, opinions, and more!

New Wave Nerds

Pravidelný pořad předsedy Lepší vlády Karla Havlíčka. Bývalý ministr průmyslu a dopravy vysvětluje aktuální dění v souvislostech, vysvětluje, jaké dopady na lidi i Českou republiku budou mít kroky současné vlády nebo světové dění. Součástí pořadu jsou i jeho pohotové odpovědi na nejrůznější otázky posluchačů.

Na rovinu

Lincoln Décode est un podcast conçu par Lincoln, visant à vulgariser des concepts clés de la data. 

Chaque épisode explore un domaine spécifique, tels que la data science, les plateformes de données, la gouvernance des données ou encore l’analytics.

Lincoln Décode est un podcast conçu par Lincoln, visant à vulgariser des concepts clés de la data. Chaque épisode explore un domaine spécifique, tels que la data science, les plateformes de données, la gouvernance des données ou encore l’analytics.

Lincoln Décode

בפודקאסט נסקור את האירועים החשובים בשוק ההון שמשפיעים על הכסף שלנו, ולמידע נוסף ניתן לפנות לאתר:
https://guyd.co.il/

בפודקאסט נסקור את האירועים החשובים בשוק ההון שמשפיעים על הכסף שלנו, ולמידע נוסף ניתן לפנות לאתר: https://guyd.co.il/

המפענח עם גיא דובז'ינסקי

Jornalistas comentam a produção de suas reportagens na Gazeta do Povo

Notícias - Gazeta do Povo

True story telling, Music, Trends, Education, Marketing, Latest News & Gist.

True story telling, Music, Trends, Education, Marketing, Latest News &amp; Gist.

Afro-RadioTV's Podcast

La santé démocratique d’un pays peut se mesurer à deux indicateurs complémentaires, liés à l’égalité hommes-femmes et au respect de liberté de la presse. Les invité.e.s, réuni.e.s le 25 février dernier au Conseil Économique Social et Environnemental, ont permis de dresser un état des lieux précis des attaques de l’extrême-droite dans ces deux domaines, et de tracer des pistes d’action pour réagir avant qu’il ne soit trop tard. Un moment important de réflexion, suivi par un hémicycle comble, diffusé sur 68 radios associatives à travers la France, et désormais disponible en podcast !
Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations.

La santé démocratique d’un pays peut se mesurer à deux indicateurs complémentaires, liés à l’égalité hommes-femmes et au respect de liberté de la presse. Les invité.e.s, réuni.e.s le 25 février dernier au Conseil Économique Social et Environnemental, ont permis de dresser un état des lieux précis des attaques de l’extrême-droite dans ces deux domaines, et de tracer des pistes d’action pour réagir avant qu’il ne soit trop tard. Un moment important de réflexion, suivi par un hémicycle comble, diffusé sur 68 radios associatives à travers la France, et désormais disponible en podcast ! Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations.

Femmes et médias

Hameln 99.3 - Bad Pyrmont 94.8 - Bad Münder 107.2

Wirtschaft im Weserbergland

Election Year is a new podcast dedicated to discussing global elections in 2024 - the biggest year for democracy in history. With over half the planet's population heading to the polls, we will be discussing elections from across the globe and considering where the future of democracy might turn next.

Election Year is a new podcast dedicated to discussing global elections in 2024 - the biggest year for democracy in history. With over half the planet's population heading to the polls, we will be discussing elections from across the globe and considering where the future of democracy might turn next.

Election Year is a new podcast dedicated to discussing&nbsp;global elections in 2024 - the biggest year&nbsp;for democracy in history. With over half the&nbsp;planet's population heading to the polls, we will be discussing elections from across the globe and considering where the future of democracy might turn next.

Election Year

Unsere Welt ist gespalten! Meinungen klaffen auseinander! Nirgends gibt’s Konsens! Nichts darf man mehr sagen und trotzdem äußern sich alle! Erstens stimmt das so nicht. Und zweitens beweisen wir mit Versus, dass eine Navigation durch den Meinungsdschungel gelingen kann.&nbsp; Nicole Diekmann und Stephan Anpalagan zeigen, wie wir debattieren können und warum sich streiten lohnt. Jede Folge von Versus verhandelt ein brennendes Thema unserer Zeit. Kleiderordnung an Schulen, eine flächendeckende 4-Tage-Woche, die Vorteile und Gefahren von KI, wie viel Privatsphäre steht Prominenten im öffentlichen Raum zu…&nbsp; Die Debatten in Versus sind so divers wie relevant – gesellschaftlich, politisch und kulturell. Am Ende kennen wir als Hörer:innen die stärksten Argumente beider Positionen und machen uns selbst ein Bild, wo wir stehen. Ganz im Sinne der Meinungsfreiheit. Jeden Mittwoch debattieren Nicole Diekmann und Stephan Anpalagan ein Thema. Dabei positionieren sie sich am jeweils entgegengesetzten Ende des Spektrums.&nbsp; Der Clou: Ihre Positionen werden gelost. So nehmen beide mal die Pro- und mal die Contra-Seite ein. Journalistische Differenzierung garantiert. Dabei sind sie oft hartnäckig, manchmal persönlich, immer auf dem neuesten Stand der Dinge und bereit, im Zweifel gegen die eigene Überzeugung zu argumentieren. Denn das ist das größte Ziel von Versus: zu beweisen, dass sich streiten lohnt und dass es für die meisten Themen gute Argumente auf beiden Seiten gibt. <hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Unsere Welt ist gespalten! Meinungen klaffen auseinander! Nirgends gibt’s Konsens! Nichts darf man mehr sagen und trotzdem äußern sich alle! Erstens stimmt das so nicht. Und zweitens beweisen wir mit Versus, dass eine Navigation durch den Meinungsdschungel gelingen kann.  Nicole Diekmann und Stephan Anpalagan zeigen, wie wir debattieren können und warum sich streiten lohnt. Jede Folge von Versus verhandelt ein brennendes Thema unserer Zeit. Kleiderordnung an Schulen, eine flächendeckende 4-Tage-Woche, die Vorteile und Gefahren von KI, wie viel Privatsphäre steht Prominenten im öffentlichen Raum zu…  Die Debatten in Versus sind so divers wie relevant – gesellschaftlich, politisch und kulturell. Am Ende kennen wir als Hörer:innen die stärksten Argumente beider Positionen und machen uns selbst ein Bild, wo wir stehen. Ganz im Sinne der Meinungsfreiheit. Jeden Mittwoch debattieren Nicole Diekmann und Stephan Anpalagan ein Thema. Dabei positionieren sie sich am jeweils entgegengesetzten Ende des Spektrums.  Der Clou: Ihre Positionen werden gelost. So nehmen beide mal die Pro- und mal die Contra-Seite ein. Journalistische Differenzierung garantiert. Dabei sind sie oft hartnäckig, manchmal persönlich, immer auf dem neuesten Stand der Dinge und bereit, im Zweifel gegen die eigene Überzeugung zu argumentieren. Denn das ist das größte Ziel von Versus: zu beweisen, dass sich streiten lohnt und dass es für die meisten Themen gute Argumente auf beiden Seiten gibt. Hosted on Acast. See acast.com/privacy for more information.

Unsere Welt ist gespalten! Meinungen klaffen auseinander! Nirgends gibt’s Konsens! Nichts darf man mehr sagen und trotzdem äußern sich alle! Erstens stimmt das so nicht. Und zweitens beweisen wir mit Versus, dass eine Navigation durch den Meinungsdschungel gelingen kann.&nbsp; Nicole Diekmann und Stephan Anpalagan zeigen, wie wir debattieren können und warum sich streiten lohnt. Jede Folge von Versus verhandelt ein brennendes Thema unserer Zeit. Kleiderordnung an Schulen, eine flächendeckende 4-Tage-Woche, die Vorteile und Gefahren von KI, wie viel Privatsphäre steht Prominenten im öffentlichen Raum zu…&nbsp; Die Debatten in Versus sind so divers wie relevant – gesellschaftlich, politisch und kulturell. Am Ende kennen wir als Hörer:innen die stärksten Argumente beider Positionen und machen uns selbst ein Bild, wo wir stehen. Ganz im Sinne der Meinungsfreiheit. Jeden Mittwoch debattieren Nicole Diekmann und Stephan Anpalagan ein Thema. Dabei positionieren sie sich am jeweils entgegengesetzten Ende des Spektrums.&nbsp; Der Clou: Ihre Positionen werden gelost. So nehmen beide mal die Pro- und mal die Contra-Seite ein. Journalistische Differenzierung garantiert. Dabei sind sie oft hartnäckig, manchmal persönlich, immer auf dem neuesten Stand der Dinge und bereit, im Zweifel gegen die eigene Überzeugung zu argumentieren. Denn das ist das größte Ziel von Versus: zu beweisen, dass sich streiten lohnt und dass es für die meisten Themen gute Argumente auf beiden Seiten gibt. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

VERSUS mit Nicole Diekmann und Stephan Anpalagan

¿Te volviste a ilusionar? Viví toda la Copa América USA 2024 junto a Ariel Senosiain con las historias y análisis más destacados en el camino a una nueva estrella. Todas las semanas un nuevo episodio acompañando a la Selección Argentina en la búsqueda de un otro título. Lo que deje cada presentación de la Scaloneta, la información de los rivales y los mejores momentos de la Copa América.

Nos volvimos a ilusionar

Real woman. Real values. Fighting for freedom, not feelings.

Real woman. Real values. Fighting for freedom, not feelings.

Cancel 38

El recién aprobado presupuesto 2022 dejará en abandono áreas naturales protegidas en todo México.

Tony Quintero/AudioColumna/Áreas Naturales Desprotegidas

Award-winning journalist Michael Williams brings his wit and insight to golf and the golf lifestyle, including travel, fashion, food, mixology and more. Featuring a range of fascinating guests who play the game and make the game, the 19th Hole is the "must listen" podcast for golf.

The 19th Hole with Michael Williams

Richard Serra, born on November 2, 1938, in San Francisco, California, is an American artist known for his monumental, site-specific sculptures made of industrial materials, particularly Cor-Ten steel. His work has redefined the boundaries of sculpture and has had a profound impact on the art world, making him one of the most influential and celebrated artists of the postwar era. Early Life and Education Serra grew up in a working-class family in San Francisco. His father, Tony Serra, was a Spanish-native who worked as a pipe-fitter in the shipyards, while his mother, Gladys Feinberg, was a Russian Jewish immigrant. From an early age, Serra showed an interest in art and was encouraged by his parents to pursue his passion. After graduating from Lowell High School in 1957, Serra attended the University of California, Berkeley, where he studied English literature. He also took art classes and was introduced to the work of Abstract Expressionist painters such as Willem de Kooning and Jackson Pollock, which would greatly influence his artistic development. In 1961, Serra graduated from Berkeley with a Bachelor of Arts degree in English literature. He then traveled to Europe, where he spent a year studying at the Accademia di Belle Arti in Florence, Italy. During this time, he was exposed to the works of Italian Renaissance artists, as well as the avant-garde art scene in Europe. Upon returning to the United States, Serra enrolled in the Master of Fine Arts program at Yale University. There, he studied under the influential art theorist and critic, Josef Albers, who had a profound impact on his artistic philosophy. Serra graduated from Yale in 1964 with an MFA in painting. Early Career and Artistic Development After completing his studies, Serra moved to New York City, where he became involved in the vibrant art scene of the 1960s. He worked as a painter and a sculptor, experimenting with various materials and techniques. In 1966, he began creating sculptures using non-traditional materials such as rubber, neon, and lead, which he often installed directly on the floor or wall of the gallery space. Serra's early sculptures were influenced by the minimalist and conceptual art movements of the time. He was interested in the inherent properties of materials and the ways in which they could be manipulated to create new forms and experiences. His work often challenged traditional notions of sculpture as a static, object-based medium and instead emphasized the viewer's physical and perceptual experience of the work. In 1968, Serra created his first large-scale outdoor sculpture, "To Encircle Base Plate Hexagram, Right Angles Inverted," which consisted of a steel plate measuring 26 feet in diameter, with a hexagonal hole cut into the center. The sculpture was installed on a beach in Long Island, New York, and was designed to be experienced by walking around and through it. Throughout the late 1960s and early 1970s, Serra continued to explore the possibilities of large-scale sculpture using industrial materials such as steel, lead, and concrete. He began to create works that were site-specific, meaning that they were designed to respond to and engage with the unique characteristics of the location in which they were installed. One of Serra's most famous site-specific works from this period is "Shift," which he created in 1970-72. The sculpture consists of six large concrete walls, each measuring 60 feet long and 10 feet high, that are arranged in a zigzag pattern across a field in King City, Ontario, Canada. The walls create a sense of movement and rhythm as the viewer walks through the work, and the shifting perspectives and sight lines create a dynamic and immersive experience. International Recognition and Public Commissions In the mid-1970s, Serra began to receive international recognition for his work. He was invited to create large-scale public sculptures in cities around the world, including Barcelona, Berlin, and Tokyo. These commissions allowed him to work on an even larger scale and to engage with the unique social, political, and historical contexts of each location. One of Serra's most famous public sculptures is "Tilted Arc," which he created in 1981 for the Federal Plaza in New York City. The sculpture consisted of a single, curved steel plate that measured 120 feet long and 12 feet high, and was installed in the center of the plaza. The sculpture was controversial from the start, with many people complaining that it disrupted the flow of pedestrian traffic and created a sense of unease and disorientation. In 1985, the U.S. General Services Administration held a public hearing to decide the fate of "Tilted Arc." Despite Serra's arguments that the sculpture was an integral part of the site and could not be removed without destroying its meaning and integrity, the hearing ultimately resulted in a decision to remove the sculpture. The controversy surrounding "Tilted Arc" sparked a national debate about the role of public art and the relationship between artists, audiences, and the government. Despite the controversy, Serra continued to receive commissions for large-scale public sculptures throughout the 1980s and 1990s. Some of his most notable works from this period include "The Matter of Time" (1994-2005), a series of eight massive steel sculptures installed in the Guggenheim Museum Bilbao in Spain, and "Snake" (1994-1997), a 180-foot-long steel sculpture installed in the Guggenheim Museum in Bilbao. In addition to his public commissions, Serra also continued to create smaller-scale sculptures and works on paper throughout his career. His drawings and prints often explore similar themes and ideas as his sculptures, such as the relationship between form, space, and the viewer's perception. Later Career and Legacy In the 2000s and 2010s, Serra continued to create monumental sculptures and installations that pushed the boundaries of what was possible with industrial materials. Some of his most notable works from this period include "7" (2011), a series of seven massive steel sculptures installed in Doha, Qatar, and "East-West/West-East" (2014), four steel plates installed in the Qatari desert that measure up to 55 feet tall and span over a kilometer in length. Serra's work has been widely exhibited and collected by major museums and institutions around the world, including the Museum of Modern Art in New York, the Tate Modern in London, and the Pompidou Center in Paris. He has received numerous awards and honors throughout his career, including the Leone d'Oro for lifetime achievement at the Venice Biennale in 2001 and the Presidential Medal of Arts in 2010. In addition to his artistic practice, Serra has also been an influential teacher and mentor to generations of younger artists. He has taught at Yale University, the California Institute of the Arts, and the School of Visual Arts in New York, among other institutions. Serra's legacy as an artist is one of innovation, experimentation, and a deep commitment to the physical and perceptual experience of art. His work has had a profound impact on the development of contemporary sculpture and has challenged traditional notions of what art can be and how it can engage with the world around us. In interviews and writings throughout his career, Serra has emphasized the importance of the viewer's direct experience of his work. He has argued that sculpture should not be seen as a static object to be looked at from a distance, but rather as a dynamic and immersive environment that the viewer can enter into and engage with on a physical and perceptual level. Serra's emphasis on the viewer's experience has had a profound influence on the development of installation art and site-specific sculpture in the late 20th and early 21st centuries. His work has inspired generations of artists to think beyond the traditional boundaries of sculpture and to explore new ways of engaging with space, materials, and the human body. In recent years, Serra has continued to push the boundaries of what is possible with industrial materials and large-scale sculpture. In 2015, he completed "East-West/West-East," his largest and most ambitious work to date. The sculpture consists of four massive steel plates, each measuring up to 55 feet tall and weighing up to 220 tons, installed in the Qatari desert over a distance of more than a kilometer. The sculpture is a testament to Serra's ongoing fascination with the relationship between art, landscape, and the human experience. By placing these monumental forms in the vast expanse of the desert, Serra invites viewers to reflect on their own place in the world and to consider the ways in which art can transform our understanding of space and time. Despite his age, Serra shows no signs of slowing down. In interviews, he has expressed his ongoing commitment to his artistic practice and his desire to continue exploring new ideas and possibilities. "I'm still learning," he has said. "I'm still trying to figure out what I'm doing. And I hope I never stop." As Serra enters his ninth decade, his legacy as one of the most important and influential artists of the postwar era seems secure. His work has challenged and inspired generations of artists and viewers, and his contributions to the development of contemporary sculpture will continue to be felt for years to come. At the same time, Serra's work remains as relevant and urgent as ever in a world that is increasingly shaped by technology, globalization, and environmental crisis. His emphasis on the physical and perceptual experience of art, his engagement with the social and political dimensions of public space, and his commitment to pushing the boundaries of what is possible with industrial materials all speak to the ongoing importance of art in shaping our under

Richard Serra, born on November 2, 1938, in San Francisco, California, is an American artist known for his monumental, site-specific sculptures made of industrial materials, particularly Cor-Ten steel. His work has redefined the boundaries of sculpture and has had a profound impact on the art world, making him one of the most influential and celebrated artists of the postwar era. Early Life and Education Serra grew up in a working-class family in San Francisco. His father, Tony Serra, was a Spanish-native who worked as a pipe-fitter in the shipyards, while his mother, Gladys Feinberg, was a Russian Jewish immigrant. From an early age, Serra showed an interest in art and was encouraged by his parents to pursue his passion. After graduating from Lowell High School in 1957, Serra attended the University of California, Berkeley, where he studied English literature. He also took art classes and was introduced to the work of Abstract Expressionist painters such as Willem de Kooning and Jackson Pollock, which would greatly influence his artistic development. In 1961, Serra graduated from Berkeley with a Bachelor of Arts degree in English literature. He then traveled to Europe, where he spent a year studying at the Accademia di Belle Arti in Florence, Italy. During this time, he was exposed to the works of Italian Renaissance artists, as well as the avant-garde art scene in Europe. Upon returning to the United States, Serra enrolled in the Master of Fine Arts program at Yale University. There, he studied under the influential art theorist and critic, Josef Albers, who had a profound impact on his artistic philosophy. Serra graduated from Yale in 1964 with an MFA in painting. Early Career and Artistic Development After completing his studies, Serra moved to New York City, where he became involved in the vibrant art scene of the 1960s. He worked as a painter and a sculptor, experimenting with various materials and techniques. In 1966, he began creating sculptures using non-traditional materials such as rubber, neon, and lead, which he often installed directly on the floor or wall of the gallery space. Serra's early sculptures were influenced by the minimalist and conceptual art movements of the time. He was interested in the inherent properties of materials and the ways in which they could be manipulated to create new forms and experiences. His work often challenged traditional notions of sculpture as a static, object-based medium and instead emphasized the viewer's physical and perceptual experience of the work. In 1968, Serra created his first large-scale outdoor sculpture, "To Encircle Base Plate Hexagram, Right Angles Inverted," which consisted of a steel plate measuring 26 feet in diameter, with a hexagonal hole cut into the center. The sculpture was installed on a beach in Long Island, New York, and was designed to be experienced by walking around and through it. Throughout the late 1960s and early 1970s, Serra continued to explore the possibilities of large-scale sculpture using industrial materials such as steel, lead, and concrete. He began to create works that were site-specific, meaning that they were designed to respond to and engage with the unique characteristics of the location in which they were installed. One of Serra's most famous site-specific works from this period is "Shift," which he created in 1970-72. The sculpture consists of six large concrete walls, each measuring 60 feet long and 10 feet high, that are arranged in a zigzag pattern across a field in King City, Ontario, Canada. The walls create a sense of movement and rhythm as the viewer walks through the work, and the shifting perspectives and sight lines create a dynamic and immersive experience. International Recognition and Public Commissions In the mid-1970s, Serra began to receive international recognition for his work. He was invited to create large-scale public sculptures in cities around the world, including Barcelona, Berlin, and Tokyo. These commissions allowed him to work on an even larger scale and to engage with the unique social, political, and historical contexts of each location. One of Serra's most famous public sculptures is "Tilted Arc," which he created in 1981 for the Federal Plaza in New York City. The sculpture consisted of a single, curved steel plate that measured 120 feet long and 12 feet high, and was installed in the center of the plaza. The sculpture was controversial from the start, with many people complaining that it disrupted the flow of pedestrian traffic and created a sense of unease and disorientation. In 1985, the U.S. General Services Administration held a public hearing to decide the fate of "Tilted Arc." Despite Serra's arguments that the sculpture was an integral part of the site and could not be removed without destroying its meaning and integrity, the hearing ultimately resulted in a decision to remove the sculpture. The controversy surrounding "Tilted Arc" sparked a national debate about the role of public art and the relationship between artists, audiences, and the government. Despite the controversy, Serra continued to receive commissions for large-scale public sculptures throughout the 1980s and 1990s. Some of his most notable works from this period include "The Matter of Time" (1994-2005), a series of eight massive steel sculptures installed in the Guggenheim Museum Bilbao in Spain, and "Snake" (1994-1997), a 180-foot-long steel sculpture installed in the Guggenheim Museum in Bilbao. In addition to his public commissions, Serra also continued to create smaller-scale sculptures and works on paper throughout his career. His drawings and prints often explore similar themes and ideas as his sculptures, such as the relationship between form, space, and the viewer's perception. Later Career and Legacy In the 2000s and 2010s, Serra continued to create monumental sculptures and installations that pushed the boundaries of what was possible with industrial materials. Some of his most notable works from this period include "7" (2011), a series of seven massive steel sculptures installed in Doha, Qatar, and "East-West/West-East" (2014), four steel plates installed in the Qatari desert that measure up to 55 feet tall and span over a kilometer in length. Serra's work has been widely exhibited and collected by major museums and institutions around the world, including the Museum of Modern Art in New York, the Tate Modern in London, and the Pompidou Center in Paris. He has received numerous awards and honors throughout his career, including the Leone d'Oro for lifetime achievement at the Venice Biennale in 2001 and the Presidential Medal of Arts in 2010. In addition to his artistic practice, Serra has also been an influential teacher and mentor to generations of younger artists. He has taught at Yale University, the California Institute of the Arts, and the School of Visual Arts in New York, among other institutions. Serra's legacy as an artist is one of innovation, experimentation, and a deep commitment to the physical and perceptual experience of art. His work has had a profound impact on the development of contemporary sculpture and has challenged traditional notions of what art can be and how it can engage with the world around us. In interviews and writings throughout his career, Serra has emphasized the importance of the viewer's direct experience of his work. He has argued that sculpture should not be seen as a static object to be looked at from a distance, but rather as a dynamic and immersive environment that the viewer can enter into and engage with on a physical and perceptual level. Serra's emphasis on the viewer's experience has had a profound influence on the development of installation art and site-specific sculpture in the late 20th and early 21st centuries. His work has inspired generations of artists to think beyond the traditional boundaries of sculpture and to explore new ways of engaging with space, materials, and the human body. In recent years, Serra has continued to push the boundaries of what is possible with industrial materials and large-scale sculpture. In 2015, he completed "East-West/West-East," his largest and most ambitious work to date. The sculpture consists of four massive steel plates, each measuring up to 55 feet tall and weighing up to 220 tons, installed in the Qatari desert over a distance of more than a kilometer. The sculpture is a testament to Serra's ongoing fascination with the relationship between art, landscape, and the human experience. By placing these monumental forms in the vast expanse of the desert, Serra invites viewers to reflect on their own place in the world and to consider the ways in which art can transform our understanding of space and time. Despite his age, Serra shows no signs of slowing down. In interviews, he has expressed his ongoing commitment to his artistic practice and his desire to continue exploring new ideas and possibilities. "I'm still learning," he has said. "I'm still trying to figure out what I'm doing. And I hope I never stop." As Serra enters his ninth decade, his legacy as one of the most important and influential artists of the postwar era seems secure. His work has challenged and inspired generations of artists and viewers, and his contributions to the development of contemporary sculpture will continue to be felt for years to come. At the same time, Serra's work remains as relevant and urgent as ever in a world that is increasingly shaped by technology, globalization, and environmental crisis. His emphasis on the physical and perceptual experience of art, his engagement with the social and political dimensions of public space, and his commitment to pushing the boundaries of what is possible with industrial materials all speak to the ongoing importance of art in shaping our under

Richard Serra, born on November 2, 1938, in San Francisco, California, is an American artist known for his monumental, site-specific sculptures made of industrial materials, particularly Cor-Ten steel. His work has redefined the boundaries of sculpture and has had a profound impact on the art world, making him one of the most influential and celebrated artists of the postwar era. Early Life and Education Serra grew up in a working-class family in San Francisco. His father, Tony Serra, was a Spanish-native who worked as a pipe-fitter in the shipyards, while his mother, Gladys Feinberg, was a Russian Jewish immigrant. From an early age, Serra showed an interest in art and was encouraged by his parents to pursue his passion. After graduating from Lowell High School in 1957, Serra attended the University of California, Berkeley, where he studied English literature. He also took art classes and was introduced to the work of Abstract Expressionist painters such as Willem de Kooning and Jackson Pollock, which would greatly influence his artistic development. In 1961, Serra graduated from Berkeley with a Bachelor of Arts degree in English literature. He then traveled to Europe, where he spent a year studying at the Accademia di Belle Arti in Florence, Italy. During this time, he was exposed to the works of Italian Renaissance artists, as well as the avant-garde art scene in Europe. Upon returning to the United States, Serra enrolled in the Master of Fine Arts program at Yale University. There, he studied under the influential art theorist and critic, Josef Albers, who had a profound impact on his artistic philosophy. Serra graduated from Yale in 1964 with an MFA in painting. Early Career and Artistic Development After completing his studies, Serra moved to New York City, where he became involved in the vibrant art scene of the 1960s. He worked as a painter and a sculptor, experimenting with various materials and techniques. In 1966, he began creating sculptures using non-traditional materials such as rubber, neon, and lead, which he often installed directly on the floor or wall of the gallery space. Serra's early sculptures were influenced by the minimalist and conceptual art movements of the time. He was interested in the inherent properties of materials and the ways in which they could be manipulated to create new forms and experiences. His work often challenged traditional notions of sculpture as a static, object-based medium and instead emphasized the viewer's physical and perceptual experience of the work. In 1968, Serra created his first large-scale outdoor sculpture, "To Encircle Base Plate Hexagram, Right Angles Inverted," which consisted of a steel plate measuring 26 feet in diameter, with a hexagonal hole cut into the center. The sculpture was installed on a beach in Long Island, New York, and was designed to be experienced by walking around and through it. Throughout the late 1960s and early 1970s, Serra continued to explore the possibilities of large-scale sculpture using industrial materials such as steel, lead, and concrete. He began to create works that were site-specific, meaning that they were designed to respond to and engage with the unique characteristics of the location in which they were installed. One of Serra's most famous site-specific works from this period is "Shift," which he created in 1970-72. The sculpture consists of six large concrete walls, each measuring 60 feet long and 10 feet high, that are arranged in a zigzag pattern across a field in King City, Ontario, Canada. The walls create a sense of movement and rhythm as the viewer walks through the work, and the shifting perspectives and sight lines create a dynamic and immersive experience. International Recognition and Public Commissions In the mid-1970s, Serra began to receive international recognition for his work. He was invited to create large-scale public sculptures in cities around the world, including Barcelona, Berlin, and Tokyo. These commissions allowed him to work on an even larger scale and to engage with the unique social, political, and historical contexts of each location. One of Serra's most famous public sculptures is "Tilted Arc," which he created in 1981 for the Federal Plaza in New York City. The sculpture consisted of a single, curved steel plate that measured 120 feet long and 12 feet high, and was installed in the center of the plaza. The sculpture was controversial from the start, with many people complaining that it disrupted the flow of pedestrian traffic and created a sense of unease and disorientation. In 1985, the U.S. General Services Administration held a public hearing to decide the fate of "Tilted Arc." Despite Serra's arguments that the sculpture was an integral part of the site and could not be removed without destroying its meaning and integrity, the hearing ultimately resulted in a decision to remove the sculpture. The controversy surrounding "Tilted Arc" sparked a national debate about the role of public art and the relationship between artists, audiences, and the government. Despite the controversy, Serra continued to receive commissions for large-scale public sculptures throughout the 1980s and 1990s. Some of his most notable works from this period include "The Matter of Time" (1994-2005), a series of eight massive steel sculptures installed in the Guggenheim Museum Bilbao in Spain, and "Snake" (1994-1997), a 180-foot-long steel sculpture installed in the Guggenheim Museum in Bilbao. In addition to his public commissions, Serra also continued to create smaller-scale sculptures and works on paper throughout his career. His drawings and prints often explore similar themes and ideas as his sculptures, such as the relationship between form, space, and the viewer's perception. Later Career and Legacy In the 2000s and 2010s, Serra continued to create monumental sculptures and installations that pushed the boundaries of what was possible with industrial materials. Some of his most notable works from this period include "7" (2011), a series of seven massive steel sculptures installed in Doha, Qatar, and "East-West/West-East" (2014), four steel plates installed in the Qatari desert that measure up to 55 feet tall and span over a kilometer in length. Serra's work has been widely exhibited and collected by major museums and institutions around the world, including the Museum of Modern Art in New York, the Tate Modern in London, and the Pompidou Center in Paris. He has received numerous awards and honors throughout his career, including the Leone d'Oro for lifetime achievement at the Venice Biennale in 2001 and the Presidential Medal of Arts in 2010. In addition to his artistic practice, Serra has also been an influential teacher and mentor to generations of younger artists. He has taught at Yale University, the California Institute of the Arts, and the School of Visual Arts in New York, among other institutions. Serra's legacy as an artist is one of innovation, experimentation, and a deep commitment to the physical and perceptual experience of art. His work has had a profound impact on the development of contemporary sculpture and has challenged traditional notions of what art can be and how it can engage with the world around us. In interviews and writings throughout his career, Serra has emphasized the importance of the viewer's direct experience of his work. He has argued that sculpture should not be seen as a static object to be looked at from a distance, but rather as a dynamic and immersive environment that the viewer can enter into and engage with on a physical and perceptual level. Serra's emphasis on the viewer's experience has had a profound influence on the development of installation art and site-specific sculpture in the late 20th and early 21st centuries. His work has inspired generations of artists to think beyond the traditional boundaries of sculpture and to explore new ways of engaging with space, materials, and the human body. In recent years, Serra has continued to push the boundaries of what is possible with industrial materials and large-scale sculpture. In 2015, he completed "East-West/West-East," his largest and most ambitious work to date. The sculpture consists of four massive steel plates, each measuring up to 55 feet tall and weighing up to 220 tons, installed in the Qatari desert over a distance of more than a kilometer. The sculpture is a testament to Serra's ongoing fascination with the relationship between art, landscape, and the human experience. By placing these monumental forms in the vast expanse of the desert, Serra invites viewers to reflect on their own place in the world and to consider the ways in which art can transform our understanding of space and time. Despite his age, Serra shows no signs of slowing down. In interviews, he has expressed his ongoing commitment to his artistic practice and his desire to continue exploring new ideas and possibilities. "I'm still learning," he has said. "I'm still trying to figure out what I'm doing. And I hope I never stop." As Serra enters his ninth decade, his legacy as one of the most important and influential artists of the postwar era seems secure. His work has challenged and inspired generations of artists and viewers, and his contributions to the development of contemporary sculpture will continue to be felt for years to come. At the same time, Serra's work remains as relevant and urgent as ever in a world that is increasingly shaped by technology, globalization, and environmental crisis. His emphasis on the physical and perceptual experience of art, his engagement with the social and political dimensions of public space, and his commitment to pushing the boundaries of what is possible with industrial materials all speak to the ongoing importance of art in shaping our under

Richard Serra - Audio Biography

The purpose of the Free Burma Rangers is to share the love of Jesus and to be His Ambassadors wherever we go. People of different faiths are welcome to be part of the Free Burma Rangers but the leadership of FBR are followers of Jesus. Our mission is to give help, hope and love and to put a light on the situation in conflict areas where we are invited. We work to free the oppressed and stand for justice and reconciliation wherever we go. Men and women of different ethnicities and beliefs make up the FBR humanitarian relief effort and all are called to serve for love. For me as the Director of the Free Burma Rangers,  my family and I serve compelled by the love, forgiveness and redemption of Jesus and want to share this with all I meet. We are thankful for all those that serve with us and all who support us. We thank God we can do this together.

The purpose of the Free Burma Rangers is to share the love of Jesus and to be His Ambassadors wherever we go. People of different faiths are welcome to be part of the Free Burma Rangers but the leadership of FBR are followers of Jesus. Our mission is to give help, hope and love and to put a light on the situation in conflict areas where we are invited. We work to free the oppressed and stand for justice and reconciliation wherever we go. Men and women of different ethnicities and beliefs make up the FBR humanitarian relief effort and all are called to serve for love. For me as the Director of the Free Burma Rangers, my family and I serve compelled by the love, forgiveness and redemption of Jesus and want to share this with all I meet. We are thankful for all those that serve with us and all who support us. We thank God we can do this together.

Free Burma Rangers Podcast

Mysteries of Life Solved from the Toilet.

The Flushed Podcast

8 settembre 1943-25 aprile 1945: sono i venti mesi della Resistenza, quelli in cui tanti italiani e italiane decidono di combattere per la loro libertà. Il ruolo delle donne, la scelta dei giovani, le torture, la deportazione dei militari che non vogliono combattere con i tedeschi: tante facce di una stessa lotta raccontata grazie alle testimonianze raccolte da Laura Gnocchi e Gad Lerner per l’Anpi, Associazione nazionale partigiani d'Italia, nel Memoriale della Resistenza Italiana.

Memoriale della Resistenza Italiana

Orangeball Juice is a weekly podcast hosted by Brooks Gray, who enlists his Gen Z sons, "Marc E Mann" and "Spency G", as his own personal NBA analysts. Every show, the boys sound off on the previous week in the NBA, make predictions for the upcoming week, talk a little Raptors (we're Canadians after all), basketball trivia, and the odd special guest! Always fresh, never toxic! Get in touch orangeballjuice@gmail.com !!! insta: @orangeballjuice Brooks Gray is a Canadian writer, director and producer who struggles to understand basketball and many, many other topics.<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Orangeball Juice is a weekly podcast hosted by Brooks Gray, who enlists his Gen Z sons, "Marc E Mann" and "Spency G", as his own personal NBA analysts. Every show, the boys sound off on the previous week in the NBA, make predictions for the upcoming week, talk a little Raptors (we're Canadians after all), basketball trivia, and the odd special guest! Always fresh, never toxic! Get in touch orangeballjuice@gmail.com !!! insta: @orangeballjuice Brooks Gray is a Canadian writer, director and producer who struggles to understand basketball and many, many other topics. Hosted on Acast. See acast.com/privacy for more information.

Orangeball Juice is a weekly podcast hosted by Brooks Gray, who enlists his Gen Z sons, "Marc E Mann" and "Spency G", as his own personal NBA analysts. Every show, the boys sound off on the previous week in the NBA, make predictions for the upcoming week, talk a little Raptors (we're Canadians after all), basketball trivia, and the odd special guest! Always fresh, never toxic! Get in touch orangeballjuice@gmail.com !!! insta: @orangeballjuice Brooks Gray is a Canadian writer, director and producer who struggles to understand basketball and many, many other topics. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

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