When Clarence Thomas got nominated to the Supreme Court, his behavior during the 1980s would get put under a microscope. To understand who Thomas was then and who he is today, you need to hear how he treated the women he worked with. You also need to hear from the woman who knew him best during those critical years: his ex-girlfriend Lillian McEwen. 

Season 8 of Slow Burn is produced by Joel Anderson, Sophie Summergrad, Sam Kim, and Sofie Kodner.

Josh Levin is the editorial director of Slow Burn.

Derek John is Slate’s executive producer of narrative podcasts.

Susan Matthews is Slate’s executive editor.

This episode was edited by Josh Levin, Derek John, Sophie Summergrad, and Joel Meyer.

Merritt Jacob is our senior technical director.

Our theme music is composed by Alexis Cuadrado. Artwork by Ivylise Simones.

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On today’s episode of Hear Me Out… Racism Lite.

Racial politics is responsible for a lot of ugliness, in the United States and around the world. Humans want, and even need, to sort themselves into categories — and sometimes, that tribalism yields as much good as it can bad. So do we always need to be a melting pot? 

Writer Damon Young joins us to make the case that we’re all racist, and there’s no reason to pretend otherwise.

If you have thoughts you want to share, or an idea for a topic we should tackle, you can now email the show: [email protected]

Podcast production by Maura Currie

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If the Supreme Court rules against affirmative action for certain racial groups, as expected, how will colleges and other institutions create diverse student bodies and address racial disparities? 

Guest: Richard Kahlenberg, senior fellow at the Progressive Policy Institute and professorial lecturer at George Washington University

If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get benefits like zero ads on any Slate podcast, bonus episodes of shows like Slow Burn and Dear Prudence—and you’ll be supporting the work we do here on What Next. Sign up now at slate.com/whatnextplus to help support our work.

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Weeks into the Hollywood writers strike, and there’s no sign of a settlement. WGA members say that studio chiefs are using artificial intelligence, streaming, and other methods to undervalue their work. And a wealth of already produced content, along with the misconception that writers are well paid, could minimize sympathy from fans. On today’s episode of A Word, Jason Johnson is joined by Eric Haywood. He’s a board member of the Writers Guild of America, and a creative whose work has been seen on Law & Order, Empire, and Power. Haywood explains what’s at stake for striking writers, 

Guest: Screenwriter Eric Haywood, Writers Guild of America negotiator

Podcast production by Ahyiana Angel

You can skip all the ads in A Word by joining Slate Plus. Sign up now at slate.com/awordplus for $15 for your first three months.

This Pride Month, make an impact by helping Macy’s and The Trevor Project on their mission to fund life-saving suicide prevention services for LGBTQ youth. Go to macys.com/purpose to learn more. 

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This episode is a part of Opinionpalooza. Slate’s coverage of Supreme Court decisions. We consider this coverage so essential that we’re taking down the paywall for all of it. If you would like to help us continue to cover the courts aggressively, please consider joining Slate Plus. And sign up for the pop-up newsletter to see the latest every week in your inbox.

Dahlia Lithwick and Mark Joseph Stern join forces for this Opinionpalooza extra episode of Amicus discussing a seismic Supreme Court decision on voting rights. In his majority opinion in Allen v Milligan, Chief Justice John Roberts pushes back against his own long-standing stance on voting rights. Join Dahlia and Mark in this bonus episode to find out why. 

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Clarence Thomas went to Yale Law School because he thought it was a good fit for his left-wing politics. But when he got there, it seemed like all the white liberals thought he was only there because he was Black. The sting Thomas felt fueled a lifelong resentment of affirmative action. It also drew him to a group of conservatives who helped sharpen his political beliefs.

Season 8 of Slow Burn is produced by Joel Anderson, Sophie Summergrad, Sam Kim, and Sofie Kodner.  

Josh Levin is the editorial director of Slow Burn.

Derek John is Slate’s executive producer of narrative podcasts.

Susan Matthews is Slate’s executive editor.

This episode was edited by Josh Levin, Derek John, Sophie Summergrad and Joel Meyer.

Merritt Jacob is Slate’s senior technical director.

Our theme music is composed by Alexis Cuadrado. Artwork by Ivylise Simones.

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Every family has secrets. As a girl, Leta McCollough Seletzky learned that her father, Marrell McCollough– was on the scene of Martin Luther King Jr.’s assassination. But it would be years before she learned that he was there as a spy for the Memphis police, who wanted information on King’s local allies. On today’s episode of A Word, she speaks with Jason Johnson about her father’s story, captured in her new book, The Kneeling Man: My Father's Life as a Black Spy Who Witnessed the Assassination of Martin Luther King.

Guest: Leta McCollough Seletzky, author of The Kneeling Man: My Father's Life as a Black Spy Who Witnessed the Assassination of Martin Luther King

Podcast production by Ahyiana Angel

You can skip all the ads in A Word by joining Slate Plus. Sign up now at slate.com/awordplus for $15 for your first three months.

This Pride Month, make an impact by helping Macy’s and The Trevor Project on their mission to fund life-saving suicide prevention services for LGBTQ youth. Go to macys.com/purpose to learn more.

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On this week’s episode of The Waves, it’s all about the beauty industry. Senior writer and editor at New America, Julia Craven is joined by author and NPR host-at-large Elise Hu. They discuss Elise’s new book, Flawless - a remarkable investigation into the Korean beauty world. They also unpack the hustle culture inherent in beauty, how Eurocentric beauty trends are everywhere, and more. 

In Slate Plus: Is Shiv Roy from HBO’s Succession misunderstood? 

If you liked this episode, check out: Who’s Getting Rich Off Menopause?

Podcast production by Cheyna Roth with editorial oversight by Daisy Rosario and Alicia Montgomery.

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This Pride Month, make an impact by helping Macy’s and The Trevor Project on their mission to fund life-saving suicide prevention services for LGBTQ youth. Go to macys.com/purpose to learn more.

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Growing up in Georgia, Clarence Thomas wanted to make his mark. His goal was to become his hometown’s first Black Catholic priest. But in the 1960s, he abandoned that dream. Instead, he embraced campus activism and the teachings of Malcolm X.

Season 8 of Slow Burn is produced by Joel Anderson, Sophie Summergrad, Sam Kim, and Sofie Kodner.

Josh Levin is the editorial director of Slow Burn.

Derek John is Slate’s executive producer of narrative podcasts.

Susan Matthews is Slate’s executive editor.

Editorial direction by Josh Levin, Derek John, and Joel Meyer.

Merritt Jacob is Slate’s senior technical director.

Our theme music is composed by Alexis Cuadrado. Artwork by Ivylise Simones.

Learn more about your ad choices. Visit megaphone.fm/adchoices

The murder of George Floyd prompted a number of American colleges and universities to reckon with their historic roles in slavery. Three years later, many institutions have abandoned those efforts. One that’s still going strong is the Hard Histories Project at Johns Hopkins University in Baltimore. On today’s episode of A Word, Jason Johnson is joined by historian Martha Jones, the director of that effort. The scholars associated with the project have uncovered many challenging truths, including evidence that the founder of Johns Hopkins—widely hailed as an abolitionist—owned slaves.

Guest: Historian Martha Jones, Director of the Hard Histories Project at Johns Hopkins University

Podcast production by Kristie Taiwo-Makanjuola

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