"I think what we really wanted to do with this show with mental health, with self-harm, anxiety, depression, eating disorders, we wanted to show really grounded representations of a deaf family, like 'we are just are there.' It's just they do American Sign Language. They just sign to each other. We're just there. So that was always our goal is to try to be as grounded and as authentic as possible. And I think where teens and even adults are, it's through the lens. We're talking a lot more about mental health out, on social media, out in the world, how important it is. We've all just lived through a global pandemic, and I think it's really important to show grounded representations of people on screen. Diversity. These are all things that people really...it makes them feel a part of, and it's something that's so important. I think we showed that in season one with Abby with her parents going through a divorce. Everything seems great on the outside, but then when you open the door and get on the inside - struggling. Everyone's fighting a battle that you really can't see. It's like the theme always - you open the door, you pull back the curtain, and there's always something behind there. Always. And that's just the grounded representation that we really wanted to show with Ginny & Georgia."
"We really want to highlight - one of the things we talked about in season one - these systems, these establishments in place that, keep people down, things like that. What Georgia's had to go through and overcome with abuse, sexual abuse, things like that. So there is a gray area for people growing up in certain ways and capacities. "
Debra J. Fisher is a writer, producer, and director. She currently serves as the showrunner, writer, and executive producer of the Netflix series Ginny & Georgia. Season one of the hit series was watched by over 52 million subscribers in its first month on the platform, gathering a devoted fan base. The highly anticipated second season premiered on January 5th. Ginny & Georgia is Debra’s first time in the showrunner’s seat. Through her long and varied career, she has worked her way up the ladder on numerous beloved TV shows including Alias, The O.C., Charmed, and Criminal Minds, among others. With a wealth of experience from her own professional journey, she works to pay it forward by mentoring the next generation of creatives.
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