Social Justice & Activism - The Creative Process - Activists, Environmental, Indigenous Groups, Artists and Writers Talk Diversity, Equity and inclusion

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Social Justice & Activism - The Creative Process - Activists, Environmental, Indigenous Groups, Artists and Writers Talk Diversity, Equity and inclusion episodes

April 12, 2023 Highlights - HENRY SHUE - Author of “The Pivotal Generation” - Snr. Research Fellow, Ctr. for International Studies, Oxford
“This distinction between subsistence emissions and luxury emissions was my main contribution to these debates. And it has recently been calculated that the richest 1% of people in the world produce more emissions than the bottom 50%. A whole lot more. And a lot of these emissions are by those of us who are in the richest 1%. And I'm probably one of those people. A lot of our emissions are from things we don't really need to do. We don't need to constantly fly for our vacations. We can walk in natural places near where we live, or at worst, we can drive in an electric car and so on. That of course means changing some of the things that we take for granted and noticing how great the emissions that they cause are and doing something to reduce our emissions.
One thing we can do and which I've tried to do is spell out the ways in which this is an ethical or moral problem. People don't need philosophers to tell them that they're facing problems. I first became interested in this problem by talking to delegates from India who said, 'You people in the rich countries keep saying we have a problem. And our question is, who are we? You industrialized countries, and it's mainly the greenhouse gas from your industrialization that's created climate change. We haven't done that much industrialization yet.' This was 25 years ago. Of course, now India is beginning to industrialize, but their point then was, and it's still largely true, that a lot of the problems are going to hit countries that haven't caused climate change. And so this strikes people just intuitively as unfair.
What a philosopher like me can do is just spell out exactly why it is unfair. It is unfair if one person causes a problem, and then someone else has to deal with it. That makes it as if the one who's dealing with it is the slave of the one who caused the problem. I make a mess. And then you have to clean it up. That's as if you worked for me. And that's really incompatible with equal respect for all human beings. And that's the sort of thing philosophers can spell out. And there is now a lot of good philosophical work being done spelling these things out.”
Henry Shue is Professor Emeritus of Politics and International Relations at University of Oxford’s Merton College. He's the author of Basic Rights, as well as The Pivotal Generation: Why We Have a Moral Responsibility to Slow Climate Change Right Now, among many other publications. In 1976, he co-founded the Institute for Philosophy and Public Policy at the University of Maryland. He was a supporter of the successful campaign by Virginia's Augusta County Alliance to stop the Atlantic Coast Pipeline, and now works primarily on explanations for the urgency of far more ambitious policies to eliminate fossil fuels in order to avoid irreversible damage for future generations.
www.merton.ox.ac.uk/people/professor-henry-shue
https://press.princeton.edu/books/paperback/9780691202280/basic-rights
https://press.princeton.edu/books/hardcover/9780691226248/the-pivotal-generation
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
16 min
April 12, 2023 HENRY SHUE - Author of “The Pivotal Generation” - Snr. Research Fellow, Centre for International Studies, Oxford
Henry Shue is Professor Emeritus of Politics and International Relations at University of Oxford’s Merton College. He's the author of Basic Rights, as well as The Pivotal Generation: Why We Have a Moral Responsibility to Slow Climate Change Right Now, among many other publications. In 1976, he co-founded the Institute for Philosophy and Public Policy at the University of Maryland. He was a supporter of the successful campaign by Virginia's Augusta County Alliance to stop the Atlantic Coast Pipeline, and now works primarily on explanations for the urgency of far more ambitious policies to eliminate fossil fuels in order to avoid irreversible damage for future generations.
“This distinction between subsistence emissions and luxury emissions was my main contribution to these debates. And it has recently been calculated that the richest 1% of people in the world produce more emissions than the bottom 50%. A whole lot more. And a lot of these emissions are by those of us who are in the richest 1%. And I'm probably one of those people. A lot of our emissions are from things we don't really need to do. We don't need to constantly fly for our vacations. We can walk in natural places near where we live, or at worst, we can drive in an electric car and so on. That of course means changing some of the things that we take for granted and noticing how great the emissions that they cause are and doing something to reduce our emissions.
One thing we can do and which I've tried to do is spell out the ways in which this is an ethical or moral problem. People don't need philosophers to tell them that they're facing problems. I first became interested in this problem by talking to delegates from India who said, 'You people in the rich countries keep saying we have a problem. And our question is, who are we? You industrialized countries, and it's mainly the greenhouse gas from your industrialization that's created climate change. We haven't done that much industrialization yet.' This was 25 years ago. Of course, now India is beginning to industrialize, but their point then was, and it's still largely true, that a lot of the problems are going to hit countries that haven't caused climate change. And so this strikes people just intuitively as unfair.
What a philosopher like me can do is just spell out exactly why it is unfair. It is unfair if one person causes a problem, and then someone else has to deal with it. That makes it as if the one who's dealing with it is the slave of the one who caused the problem. I make a mess. And then you have to clean it up. That's as if you worked for me. And that's really incompatible with equal respect for all human beings. And that's the sort of thing philosophers can spell out. And there is now a lot of good philosophical work being done spelling these things out.”
www.merton.ox.ac.uk/people/professor-henry-shue
https://press.princeton.edu/books/paperback/9780691202280/basic-rights
https://press.princeton.edu/books/hardcover/9780691226248/the-pivotal-generation
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
52 min
April 07, 2023 Highlights - CHRISTOPHER GERVAIS - Founder/CEO of Wildlife Conservation Film Festival - Cannes Lions Award-winning Producer
“There are hundreds of environmental film festivals, and that's not us. We are really the only pure Wildlife Conservation Film Festival. And we've elected to have these events in large urban areas simply because of the disconnect with nature. Whether we've had it in Beijing or San Paulo, or places in Europe, we find that the people living in these large urban areas are just not aware of the wildlife and the biodiversity around them.
Most people in New York City have never been to the Catskills or the Adirondacks, which is just a short drive from Manhattan. And there you can see wildlife year round, all four seasons. And that's one of the purposes of the festival. Our mission is very straightforward and simple: to inform, engage, and inspire wildlife conservation through the power of film and media.
And we continue to build our global partnerships worldwide. We'll be returning to Monterey, Mexico, probably in late May or June for our third annual event there. We'll be in Rome and Naples, Italy in late September. And we're in negotiation with the United Arab Emirates about doing a film festival there in the Middle East for very late 2023 or early 2024. And through these partnerships, we get the word out, and that is our message.
It gives me a purpose in what I do. I do not call it a job. I do not even call it a career. I call it life's mission. It's because of the hundreds of films that could be made annually, whether they're short or features from independent filmmakers that would certainly make an impact on saving a species and or an ecosystem. And when I am gone, there will be others that will run this in my place. I hope that's not for another 50 years, but we'll see. There are certain things I can and cannot control, but hopefully, it will keep me alive for a long time, and we can do quite a bit more.”
Christopher J. Gervais is an award winning producer. His animated film Dream won a 2017 Golden Lion for film and a Silver Lion for music at the 64th Annual International Festival of Creativity. He is environmental and marine scientist and has decades of experience in field work and research with multiple academic institutions and natural history museums. A former science and social studies teacher, later an administrator, he became the youngest principal of a public school in the state of Florida. While a graduate student, Christopher conducted fieldwork and research to study the Pleistocene Mega fauna and their fossils that were deposited over 10,000 years ago. His study of these extinct species informs his concerns for preserving biodiversity and was a significant factor in the founding of the WCFF. Christopher was one of the first scientists to conduct underwater vertebrate paleontology research. He is a professional, advanced scuba diver with NAUI, PADI, SSI and NASDS with over 2,500 logged dives. Christopher founded the WCFF in 2010 using his life savings to get the organization off the ground and has maintained the operations since then. He is a philanthropic supporter of conservation organizations across the globe. Christopher is President of the International Exploration Society, Fellow of the Royal Geographic Society, member of the Ocean Geographic Society, friend of American Philosophical Society.
www.wcff.org
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
11 min
April 07, 2023 CHRISTOPHER J. GERVAIS - Founder/CEO of Wildlife Conservation Film Festival - Cannes Lions Award-winning Producer
Christopher J. Gervais is an award winning producer. His animated film Dream won a 2017 Golden Lion for film and a Silver Lion for music at the 64th Annual International Festival of Creativity. He is environmental and marine scientist and has decades of experience in field work and research with multiple academic institutions and natural history museums. A former science and social studies teacher, later an administrator, he became the youngest principal of a public school in the state of Florida. While a graduate student, Christopher conducted fieldwork and research to study the Pleistocene Mega fauna and their fossils that were deposited over 10,000 years ago. His study of these extinct species informs his concerns for preserving biodiversity and was a significant factor in the founding of the WCFF. Christopher was one of the first scientists to conduct underwater vertebrate paleontology research. He is a professional, advanced scuba diver with NAUI, PADI, SSI and NASDS with over 2,500 logged dives. Christopher founded the WCFF in 2010 using his life savings to get the organization off the ground and has maintained the operations since then. He is a philanthropic supporter of conservation organizations across the globe. Christopher is President of the International Exploration Society, Fellow of the Royal Geographic Society, member of the Ocean Geographic Society, friend of American Philosophical Society.
“There are hundreds of environmental film festivals, and that's not us. We are really the only pure Wildlife Conservation Film Festival. And we've elected to have these events in large urban areas simply because of the disconnect with nature. Whether we've had it in Beijing or San Paulo, or places in Europe, we find that the people living in these large urban areas are just not aware of the wildlife and the biodiversity around them.
Most people in New York City have never been to the Catskills or the Adirondacks, which is just a short drive from Manhattan. And there you can see wildlife year round, all four seasons. And that's one of the purposes of the festival. Our mission is very straightforward and simple: to inform, engage, and inspire wildlife conservation through the power of film and media.
And we continue to build our global partnerships worldwide. We'll be returning to Monterey, Mexico, probably in late May or June for our third annual event there. We'll be in Rome and Naples, Italy in late September. And we're in negotiation with the United Arab Emirates about doing a film festival there in the Middle East for very late 2023 or early 2024. And through these partnerships, we get the word out, and that is our message.
It gives me a purpose in what I do. I do not call it a job. I do not even call it a career. I call it life's mission. It's because of the hundreds of films that could be made annually, whether they're short or features from independent filmmakers that would certainly make an impact on saving a species and or an ecosystem. And when I am gone, there will be others that will run this in my place. I hope that's not for another 50 years, but we'll see. There are certain things I can and cannot control, but hopefully, it will keep me alive for a long time, and we can do quite a bit more.”
www.wcff.org
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
52 min
April 06, 2023 Highlights - MICHAEL BEGLER - Showrunner of PERRY MASON starring Matthew Rhys, Juliet Rylance - THE KNICK starring Clive Owen, dir. Steven Soderbergh
“In the 1930s, there was this movement to rid the city and the country of the Mexican community. And what we see is really this forced deportation. I think they called it repatriation. It was taking not only people who were born in Mexico and came across the border and settled, but people who were born in the United States and, even if they didn't speak a word of Spanish, they sent them away because it was someone to blame. It was 'taking away jobs.’ And this was what they felt was the answer, which we see a lot in, again, the politics of today.”
Michael Begler is showrunner, writer, and executive producer of Perry Mason, which debuted as HBO’s most-watched series in nearly two years upon its premiere in June 2020. The critically-acclaimed show stars Emmy-winner Matthew Rhys, Juliet Rylance, Katherine Waterston, Hope Davis. In the second season of the Emmy-nominated series, the scion of a powerful oil family is brutally murdered. Power, social justice, immigration, LGBTQ rights, and what it truly means to be guilty, are among the issues raised by the series.
Begler’s previous series include the Peabody Award-winning The Knick, starring Clive Owen, directed by Steven Soderbergh, writing/producing credits also include comedy series The Tony Danza Show, The Jeff Foxworthy Show and the film Big Miracle starring Drew Barrymore and John Krasinski.
www.imdb.com/title/tt2077823
www.instagram.com/perrymasonhbo
www.imdb.com/name/nm0066764
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
12 min
April 06, 2023 MICHAEL BEGLER - Showrunner of PERRY MASON starring Matthew Rhys, Juliet Rylance, Shea Whigham, Hope Davis
Michael Begler is showrunner, writer, and executive producer of Perry Mason, which debuted as HBO’s most-watched series in nearly two years upon its premiere in June 2020. The critically-acclaimed show stars Emmy-winner Matthew Rhys, Juliet Rylance, Katherine Waterston, Hope Davis. In the second season of the Emmy-nominated series, the scion of a powerful oil family is brutally murdered. Power, social justice, immigration, LGBTQ rights, and what it truly means to be guilty, are among the issues raised by the series.
Begler’s previous series include the Peabody Award-winning The Knick, starring Clive Owen, directed by Steven Soderbergh, writing/producing credits also include comedy series The Tony Danza Show, The Jeff Foxworthy Show and the film Big Miracle starring Drew Barrymore and John Krasinski.
“In the 1930s, there was this movement to rid the city and the country of the Mexican community. And what we see is really this forced deportation. I think they called it repatriation. It was taking not only people who were born in Mexico and came across the border and settled, but people who were born in the United States and, even if they didn't speak a word of Spanish, they sent them away because it was someone to blame. It was 'taking away jobs.’ And this was what they felt was the answer, which we see a lot in, again, the politics of today.”
www.imdb.com/title/tt2077823
www.instagram.com/perrymasonhbo
www.imdb.com/name/nm0066764
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
38 min
April 05, 2023 Highlights - PIA MANCINI - Co-founder/CEO, Open Collective - Chair, DemocracyEarth Foundation - YGL World Economic Forum
“Well, it's difficult. At the height of our activism, like all of the democracy movements in the world that were happening altogether, there was this emerging moment where Tunisia, Egypt, Iran, Spain, and Chile...I think that we were kind of super in love at the time with the technology and the tools. Everything seemed very fresh and groundbreaking, but I think we were kind of naive in saying that a particular set of tools was really going to bring the change that we wanted to see without us really looking at the B side of it. All the tools that we were using are designed for virality. They're not designed for healthy public debate, not even generating consensus because that's not even the problem at this stage. We're so far away from that. They're not designed to bring out the best in us. They're designed to bring out the worst in us, and that's what pays off. So I think we missed that as a generation or as an activist group. We missed that. The tools that we were so smitten by were really producing this almost collateral damage to our civic tissue and our societies. And we are so far down that rabbit hole at the moment that I think there's so much we need to walk back in terms of the power platforms have lack of accountability these algorithms have.
So I guess as I grew older, I came to realize that most of the challenges that we face are not necessarily technological. They are in part, but they're also very human, right? They're very much human challenges. And we need to build these digital public spaces in a very different way than we have done.”
Pia Mancini is a democracy activist, political scientist, open source sustainer, co-founder & CEO at Open Collective and Chair of DemocracyEarth Foundation. She has worked in politics in Argentina as the Chief of Advisers and Deputy Secretary of Political Affairs, Government of the City of Buenos Aires and CIPPEC think tank. She has developed technology for democracy around the world and is a YC Alum, Young Global Leaders (World Economic Forum). She co-founded DemocracyOS & The Net Party (Partido de la Red).
www.piamancini.com
https://opencollective.com
https://democracy.earth
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
9 min
April 04, 2023 PIA MANCINI - Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation - YGL World Economic Forum
Pia Mancini is a democracy activist, political scientist, open source sustainer, co-founder & CEO at Open Collective and Chair of DemocracyEarth Foundation. She has worked in politics in Argentina as the Chief of Advisers and Deputy Secretary of Political Affairs, Government of the City of Buenos Aires and CIPPEC think tank. She has developed technology for democracy around the world and is a YC Alum, Young Global Leaders (World Economic Forum). She co-founded DemocracyOS & The Net Party (Partido de la Red).
“Well, it's difficult. At the height of our activism, like all of the democracy movements in the world that were happening altogether, there was this emerging moment where Tunisia, Egypt, Iran, Spain, and Chile...I think that we were kind of super in love at the time with the technology and the tools. Everything seemed very fresh and groundbreaking, but I think we were kind of naive in saying that a particular set of tools was really going to bring the change that we wanted to see without us really looking at the B side of it. All the tools that we were using are designed for virality. They're not designed for healthy public debate, not even generating consensus because that's not even the problem at this stage. We're so far away from that. They're not designed to bring out the best in us. They're designed to bring out the worst in us, and that's what pays off. So I think we missed that as a generation or as an activist group. We missed that. The tools that we were so smitten by were really producing this almost collateral damage to our civic tissue and our societies. And we are so far down that rabbit hole at the moment that I think there's so much we need to walk back in terms of the power platforms have lack of accountability these algorithms have.
So I guess as I grew older, I came to realize that most of the challenges that we face are not necessarily technological. They are in part, but they're also very human, right? They're very much human challenges. And we need to build these digital public spaces in a very different way than we have done.”
www.piamancini.com
https://opencollective.com
https://democracy.earth
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
40 min
April 01, 2023 LISA JACKSON PULVER - Deputy Vice-Chancellor, University of Sydney's Indigenous Strategy and Services
Professor Lisa Jackson Pulver is a proud Aboriginal woman with connections to communities in southwestern New South Wales, South Australia, and beyond. She is the Deputy Vice-Chancellor of Indigenous Strategy and Services for the University of Sydney and leads the institution's strategy to advance Indigenous participation, engagement, education, and research, including the university's One Sydney, Many People 2021-2024 strategy.
She is a recognized expert and tireless advocate for health and education. Her research focuses on capacity building for healthcare workers and improved health for Aboriginal and Torres Strait Islander people. She serves her country in the Royal Australian Air Force Specialist Reserve as a Group Captain and is a member of the Australian Statistical Advisory Committee, the Australian Medical Council, and the Health Performance Council of South Australia.
“We come from the land, and we go back to the land. Aboriginal people have been on this land for at least 60,000 years in some of the most extreme conditions on Earth and survived. And over the last 230 years, the most catastrophic events have occurred to this land because people didn't listen to ancient Aboriginal cultures and knowledge. So my question is, if people were able to look after this place for 60,000 years and thrive, what have we done to ensure that we have a healthy fit world for the next 60,000 years?”
www.sydney.edu.au
www.sydney.edu.au/content/dam/corporate/documents/about-us/values-and-visions/one-sydney-many-people-digital.pdf
Season 2 of Business & Society focuses on Leaders, Sustainability & Environmental Solutions
Business & Society is a limited series co-hosted by Bruce Piasecki & Mia Funk www.oneplanetpodcast.org
48 min
March 31, 2023 Highlights - CHAYSE IRVIN - Cinematographer of Spike Lee’s "BlacKkKlansman", “Blonde” starring Ana de Armas, “Beyonce: Lemonade”, Kahlil Joseph, The Weekend, Netflix, Charlotte Rampling
“Spike Lee is an auteur. He is expressing his sentiment and his culture and the things that he's learned in his life through his craft. Filming BlacKkKlansmen was a really confusing period for me because I felt very connected to Spike, and I just moved to New York at the time, and what a welcoming hand. You know, the King of Brooklyn sort of being like, 'Welcome to New York!' and I'd just moved there, so it was like such a gift. When I reflect on the material, to be honest with you, the reason that I took the film was actually much more about a need to feel connected to my father. And when I read the part of the script where the guys in the KKK blow up in a car bomb, I just saw my dad laughing in my mind and sitting in the theater laughing because he would've found that so funny and ironic. And that's why I took the film, it was so I could give him that gift of laughter because I found meaning in that. And the challenges in the pre-production period, Spike has its way of working and it's sort of fun and it's not as serious. It's like things just made sense to him in a way that with other directors I've worked with, not so much. And then Spike has his office at 40 acres. He puts in work down there. Other times he's like on CNN or he's hosting a party with his family, or he is at the Nicks or Yankees game. Like he has sort of this other life. And he's also a persona. So even just walking around with him, he's like one of the most recognizable figures in America.”
Chase Irvin is a Canadian American cinematographer making waves in the film industry. Chayse has received immense critical acclaim for his vision and style. He has worked on features, shorts, and visual albums, most notably in his collaboration with Director Kahlil Joseph on the film Beyoncé: Lemonade. He lensed Spike Lee’s BlacKkKlansman, which received 6 Academy Award nominations, winning for best adapted screenplay. Chayse’s first feature film Medeas won the prestigious Best Cinematography Debut at the Camerimage Film Festival in 2013. Hannah, starring Charlotte Rampling, won a Silver Hugo from the Chicago International Film Festival. Chase is a member of the Canadian Society of Cinematographers. His latest films are Netflix’s Blonde starring Ana de Armas and A24’s God's Creatures starring Emily Watson.
www.chayseirvin.com
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
16 min

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Social Justice & Activism - The Creative Process - Activists, Environmental, Indigenous Groups, Artists and Writers Talk Diversity, Equity and inclusion

Social Justice & Activism - The Creative Process - Activists, Environmental, Indigenous Groups, Artists and Writers Talk Diversity, Equity and inclusion episodes

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