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Chase Irvin is a Canadian American cinematographer making waves in the film industry. Chayse has received immense critical acclaim for his vision and style. He has worked on features, shorts, and visual albums, most notably in his collaboration with Director Kahlil Joseph on the film Beyoncé: Lemonade. He lensed Spike Lee’s BlacKkKlansman, which received 6 Academy Award nominations, winning for best adapted screenplay. Chayse’s first feature film Medeas won the prestigious Best Cinematography Debut at the Camerimage Film Festival in 2013. Hannah, starring Charlotte Rampling, won a Silver Hugo from the Chicago International Film Festival. Chase is a member of the Canadian Society of Cinematographers. His latest films are Netflix’s Blonde starring Ana de Armas and A24’s God's Creatures starring Emily Watson.
“Spike Lee is an auteur. He is expressing his sentiment and his culture and the things that he's learned in his life through his craft. Filming BlacKkKlansmen was a really confusing period for me because I felt very connected to Spike, and I just moved to New York at the time, and what a welcoming hand. You know, the King of Brooklyn sort of being like, 'Welcome to New York!' and I'd just moved there, so it was like such a gift. When I reflect on the material, to be honest with you, the reason that I took the film was actually much more about a need to feel connected to my father. And when I read the part of the script where the guys in the KKK blow up in a car bomb, I just saw my dad laughing in my mind and sitting in the theater laughing because he would've found that so funny and ironic. And that's why I took the film, it was so I could give him that gift of laughter because I found meaning in that. And the challenges in the pre-production period, Spike has its way of working and it's sort of fun and it's not as serious. It's like things just made sense to him in a way that with other directors I've worked with, not so much. And then Spike has his office at 40 acres. He puts in work down there. Other times he's like on CNN or he's hosting a party with his family, or he is at the Nicks or Yankees game. Like he has sort of this other life. And he's also a persona. So even just walking around with him, he's like one of the most recognizable figures in America.”
www.chayseirvin.com
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“I think history and tradition are super important, and this is the point because each generation is sort of translating to the next one. There is almost never a gap. So each generation is in a way interpreting and hopefully also adding something to what is transmitted and continued. And so this is why I think the younger generations now have tools that we didn't have at their age. They are probably able to interpret. And now we go back to the whole discussion about the necessity for sustainability and attention to social and environmental injustice. They probably have a vision or perspectives that we don't have. So in a way, in this transmission, we should be able to learn from them too.”
Manuela Lucá-Dazio is the newly appointed Executive Director of the Pritzker Architecture Prize. In this capacity, she works closely with the jury, however, she does not vote in the proceedings. She is the former Executive Director, Department of Visual Arts and Architecture of La Biennale di Venezia, where she managed exhibitions with distinguished curators, architects, artists, and critics to realize the International Art Exhibition and the International Architecture Exhibition, each edition since 2009. Preceding that, she was responsible for the technical organization and production of both Exhibitions, beginning in 1999. She holds a PhD in History of Architecture from the University of Roma-Chieti, Italy and lives in Paris, France.
www.pritzkerprize.com
www.pritzkerprize.com/jury#jury-node-2236
www.labiennale.org/en
Photo credits: Anselm Kiefer, Sylviane Sarfati
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Manuela Lucá-Dazio is the newly appointed Executive Director of the Pritzker Architecture Prize. In this capacity, she works closely with the jury, however, she does not vote in the proceedings. She is the former Executive Director, Department of Visual Arts and Architecture of La Biennale di Venezia, where she managed exhibitions with distinguished curators, architects, artists, and critics to realize the International Art Exhibition and the International Architecture Exhibition, each edition since 2009. Preceding that, she was responsible for the technical organization and production of both Exhibitions, beginning in 1999. She holds a PhD in History of Architecture from the University of Roma-Chieti, Italy and lives in Paris, France.
“I think history and tradition are super important, and this is the point because each generation is sort of translating to the next one. There is almost never a gap. So each generation is in a way interpreting and hopefully also adding something to what is transmitted and continued. And so this is why I think the younger generations now have tools that we didn't have at their age. They are probably able to interpret. And now we go back to the whole discussion about the necessity for sustainability and attention to social and environmental injustice. They probably have a vision or perspectives that we don't have. So in a way, in this transmission, we should be able to learn from them too.”
www.pritzkerprize.com
www.pritzkerprize.com/jury#jury-node-2236
www.labiennale.org/en
Photo credit: Anselm Kiefer
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
We’re pleased to introduce “Speaking Out of Place,” Professor David Palumbo-Liu’s new podcast, which carries on the spirit of his book of the same title, argues against the notion that we are voiceless and powerless, and that we need politicians and pundits and experts to speak for us.
In this episode, Palumbo-Liu is in conversation with scholar, activist, and poet Dr. Persis Karim, director of the Center for Iranian Diaspora Studies at San Francisco State University. Karim provides indispensable background information reaching back to 1979, explains the long history of gender apartheid in Iran and why today there has been an explosion of mass protests led by young women joined by tens of thousands of others, including rappers, educators, human rights workers, ethnic minorities, artists, children, and others. She also explains the tremendous gaps in Western media coverage and fills in missing information. She ends with a reading from her own poetry, and a plea to link these protests to all protests against authoritarian regimes.
Judith Butler on “Speaking Out of Place”: “In this work we see how every critical analysis of homelessness, displacement, internment, violence, and exploitation is countered by emergent and intensifying social movements that move beyond national borders to the ideal of a planetary alliance. As an activist and a scholar, Palumbo-Liu shows us what vigilance means in these times. This book takes us through the wretched landscape of our world to the ideals of social transformation, calling for a place, the planet, where collective passions can bring about a true and radical democracy.”
David Palumbo-Liu is the Louise Hewlett Nixon Professor and Professor of Comparative Literature at Stanford University. He has written widely on issues of literary criticism and theory, culture and society, race, ethnicity and indigeneity, human rights, and environmental justice. His books include The Deliverance of Others: Reading Literature in a Global Age, and Speaking Out of Place: Getting Our Political Voices Back. His writing has appeared in The Washington Post, The Guardian, The Nation, Al Jazeera, Jacobin, Truthout, and other venues.
www.palumbo-liu.com
Bluesky @palumboliu.bsky.social
http://persiskarim.com
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“There's no such thing as completely clean energy. We use that term a lot, but it's not really true. We have low carbon energy, and lower carbon energy, but any kind of industrial system has requirements for materials and processing, and nothing is completely natural in the industrial world. If we can electrify transportation, I think we can clean up the grid, and then I think we can deal with these life cycle issues in a way that's responsible, but it'll never be zero. That's impossible.
Today, there are hundreds of thousands, if not millions, just in the advocacy and policy space now. And then you look at all the people, the scientists and the engineers and the investors and the business people who are trying to create these new machines and bring down the cost. You're talking tens of millions maybe. And the annual spend on clean energy globally is somewhere in the range I believe of about 400 billion a year. We're getting up there in terms of social effort, and it's hard to believe that with all these options coming onto the scene that we won't solve or get very close to solving this problem during this century. And our philosophy, which makes us a little different from other environmental organizations that work on this, is we think you ought to be pursuing all of those options because you don't know which are going to work out.”
Armond Cohen is Executive Director of Clean Air Task Force, which he has led since its formation in 1996. In addition to leading CATF, Armond is directly involved in CATF research and advocacy on the topic of requirements to deeply decarbonize global energy systems. Prior to his work with CATF, Armond founded and led the Conservation Law Foundation’s Energy Project starting in 1983, focusing on energy efficiency, utility resource planning, and electric industry structure. Armond has published numerous articles on climate change, energy system transformation, and air pollution; he speaks, writes, and testifies frequently on these topics. He is a board member of the Nuclear Innovation Alliance and an honors graduate of Harvard Law School and Brown University.
www.catf.us
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Armond Cohen is Executive Director of Clean Air Task Force, which he has led since its formation in 1996. In addition to leading CATF, Armond is directly involved in CATF research and advocacy on the topic of requirements to deeply decarbonize global energy systems. Prior to his work with CATF, Armond founded and led the Conservation Law Foundation’s Energy Project starting in 1983, focusing on energy efficiency, utility resource planning, and electric industry structure. Armond has published numerous articles on climate change, energy system transformation, and air pollution; he speaks, writes, and testifies frequently on these topics. He is a board member of the Nuclear Innovation Alliance and an honors graduate of Harvard Law School and Brown University.
“There's no such thing as completely clean energy. We use that term a lot, but it's not really true. We have low carbon energy, and lower carbon energy, but any kind of industrial system has requirements for materials and processing, and nothing is completely natural in the industrial world. If we can electrify transportation, I think we can clean up the grid, and then I think we can deal with these life cycle issues in a way that's responsible, but it'll never be zero. That's impossible.
Today, there are hundreds of thousands, if not millions, just in the advocacy and policy space now. And then you look at all the people, the scientists and the engineers and the investors and the business people who are trying to create these new machines and bring down the cost. You're talking tens of millions maybe. And the annual spend on clean energy globally is somewhere in the range I believe of about 400 billion a year. We're getting up there in terms of social effort, and it's hard to believe that with all these options coming onto the scene that we won't solve or get very close to solving this problem during this century. And our philosophy, which makes us a little different from other environmental organizations that work on this, is we think you ought to be pursuing all of those options because you don't know which are going to work out.”
www.catf.us
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“So I do workshops on what in the industry called Diversity, Equity & Inclusion. Although I have a lot of issues about those terms, but essentially I do workshops that create spaces where folks can talk about issues of white supremacy and basically any oppression, homophobia, gender roles, things that we now call diversity, equity, and inclusion, but I like to think of as issues that are actually affecting us so much deeper than that.
I think a lot of times when people seek me out to book one of those workshops, it's because they think that they want to help their company become more diverse or help their company become more inclusive. And I guess what I'm realizing is that the issue with that framework is that it actually makes us only think about how we're helping others and not really thinking about the impact that these issues are actually having on ourselves. And what I have noticed in these workshops is that the people who do the deepest work on this and actually create the biggest changes and make the best impact are people that are wanting to learn about oppression and white supremacy and all these systems. Not just to help others and not just to make their company more diverse or more inclusive, but also because they're realizing that these systems are also making them feel less free, even at the same time that they might be benefiting from it, right? And at the same time they're noticing that even with that privilege, something about this system still does not feel good and does not feel right. That dismantling that system would not only help the people who are not benefiting from it but would also help themselves and would also free themselves. I try to teach people about how these systems work and how imbalanced power systems affect not only the people with the least amount of power but also the people with the most amount of power and how everybody is suffering under that system. And how dismantling the system, changing the system, and finding a different way to live without those imbalances in power ultimately makes everybody feel free.”
Amanda E. Machado is a writer, public speaker and facilitator whose work explores how race, gender, sexuality, and power affect the way we travel and experience the outdoors. She has written and facilitated on topics of social justice and adventure and lived in Cape Town, Havana, Mexico City, Berlin, Rio de Janeiro, and other cities. She has been published in The Atlantic, The Washington Post, The Guardian, New York Times, NPR, and other publications. She is also the founder of Reclaiming Nature Writing, a multi-week online workshop that expands how we tell stories about nature in a way that considers ancestry, colonization, migration trauma, and other issues.
www.amandaemachado.com
IG www.instagram.com/amandaemachado0
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Amanda E. Machado is a writer, public speaker and facilitator whose work explores how race, gender, sexuality, and power affect the way we travel and experience the outdoors. She has written and facilitated on topics of social justice and adventure and lived in Cape Town, Havana, Mexico City, Berlin, Rio de Janeiro, and other cities. She has been published in The Atlantic, The Washington Post, The Guardian, New York Times, NPR, and other publications. She is also the founder of Reclaiming Nature Writing, a multi-week online workshop that expands how we tell stories about nature in a way that considers ancestry, colonization, migration trauma, and other issues.
“So I do workshops on what in the industry called Diversity, Equity & Inclusion. Although I have a lot of issues about those terms, but essentially I do workshops that create spaces where folks can talk about issues of white supremacy and basically any oppression, homophobia, gender roles, things that we now call diversity, equity, and inclusion, but I like to think of as issues that are actually affecting us so much deeper than that.
I think a lot of times when people seek me out to book one of those workshops, it's because they think that they want to help their company become more diverse or help their company become more inclusive. And I guess what I'm realizing is that the issue with that framework is that it actually makes us only think about how we're helping others and not really thinking about the impact that these issues are actually having on ourselves. And what I have noticed in these workshops is that the people who do the deepest work on this and actually create the biggest changes and make the best impact are people that are wanting to learn about oppression and white supremacy and all these systems. Not just to help others and not just to make their company more diverse or more inclusive, but also because they're realizing that these systems are also making them feel less free, even at the same time that they might be benefiting from it, right? And at the same time they're noticing that even with that privilege, something about this system still does not feel good and does not feel right. That dismantling that system would not only help the people who are not benefiting from it but would also help themselves and would also free themselves. I try to teach people about how these systems work and how imbalanced power systems affect not only the people with the least amount of power but also the people with the most amount of power and how everybody is suffering under that system. And how dismantling the system, changing the system, and finding a different way to live without those imbalances in power ultimately makes everybody feel free.”
www.amandaemachado.com
IG www.instagram.com/amandaemachado0
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
“We're living between past and future. And we're kind of on a tightrope. And there are forces that are trying to knock us off our precarious balance. And we need to somehow see the future and remember the past in the same breath and hope that we can have the stability to chart a path that's going forward.”
Harold P. Sjursen is an educator and administrator having served on the faculty of both a liberal arts college and school of engineering. His background is in the history of philosophy, but since childhood has sustained an interest in science and technology. His current research interests focus on the philosophy of technology, global philosophy, and technological ethics. His engineering education projects address issues related to the internationalization of higher education, the integration of the liberal arts and engineering and ethics beyond the codes for engineers.
http://harold-sjursen.org
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Harold P. Sjursen is an educator and administrator having served on the faculty of both a liberal arts college and school of engineering. His background is in the history of philosophy, but since childhood has sustained an interest in science and technology. His current research interests focus on the philosophy of technology, global philosophy, and technological ethics. His engineering education projects address issues related to the internationalization of higher education, the integration of the liberal arts and engineering and ethics beyond the codes for engineers.
“We're living between past and future. And we're kind of on a tightrope. And there are forces that are trying to knock us off our precarious balance. And we need to somehow see the future and remember the past in the same breath and hope that we can have the stability to chart a path that's going forward.”
http://harold-sjursen.org
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
From the publisher's feed
Social Justice & Activism episodes of the popular The Creative Process podcast. We speak to activists, environmental organizations, indigenous groups, artists, writers & others who have devoted their life to making a difference.
Exploring the fascinating minds of creative people. Conversations with writers, artists & creative thinkers across the Arts & STEM. We discuss their life, work & artistic practice. Winners of Oscar, Emmy, Tony, Pulitzer, leaders & public figures share real experiences & offer valuable insights. Notable guests and participating museums and organizations include: Academy of Motion Picture Arts & Sciences, Neil Patrick Harris, Smithsonian, Roxane Gay, Musée Picasso, EARTHDAY.ORG, Neil Gaiman, UNESCO, Joyce Carol Oates, Mark Seliger, Acropolis Museum, Hilary Mantel, Songwriters Hall of Fame, George Saunders, The New Museum, Lemony Snicket, Pritzker Architecture Prize, Hans-Ulrich Obrist, Serpentine Galleries, Joe Mantegna, PETA, Greenpeace, EPA, Morgan Library & Museum, and many others.
The interviews are hosted by founder and creative educator Mia Funk with the participation of students, universities, and collaborators from around the world. These conversations are also part of our traveling exhibition.

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