Arax Mansourian is one of the superstars of the Armenian Opera and classical music. She started her career in her native Armenia and continued in Australia with Opera Australia. Her beautiful voice and unique timbre, as well as her iconic beauty and regal stage presence, are unforgettable.

Arax was born in Beirut, Lebanon in a family of survivors of the Armenian genocide. Her family moved to Armenia when Arax was still an infant. Growing up in Armenia, music was a very important part of her life and she knew early on that she wanted to sing. 

Arax studied at the Romanos Meliqyan College of Music and later graduated from the Yerevan State Komitas Conservatory, where she was the only performer of modern classical atonal music by young composers. During her studies she participated in festivals throughout Russia and The Soviet Union. After graduation, she started to sing at the Yerevan State Opera and became one of its biggest stars.

Her repertoire encompasses more than 30 roles which include Verdi's- Aida, Leonora in La Forza del Destino, Desdemona in Othello, Elizabeth Valois in Don Carlos, Amelia in Simon Boccanegra, Leonora in Il Trovatore, Amelia in Un Ballo Di Maschera , Liu in Puccini's Turandot, Mimi in La Boheme, Tosca in Tosca , Santuzza in Mascagni's Cavalleria Rusticana, Nedda in Leoncavallo's Pagliacci, Isolde in Wagner's Tristan und Isolde, Elizabeth in Tannhäuser, Kundri in Parsifal, Katya in Janacek's Katya Kabanova, Kostelnichka in Janacek's Jenufa, Fata Morgana in Prokofiev's Love for Three Oranges, Anoush in Tigranian's Anoush and Shoushan in Tigranian's David Bek.

Arax’s recordings of medieval Armenian chants are an important part of the treasure vault of Armenian music. In the1990's, during a liturgical festival, she toured 14 cities in France with an all male Armenian choir.

She has had recitals throughout the world singing the music of European Masters, such as Schubert, Schuman, Mahler, Mozart, Fauré, Tchaikovsky, Glinka, Rachmaninoff while always including Armenian classics by Komitas, Kanachian, Berberian and her brother, composer Tigran Mansurian, in her repertoire. Arax is the first performer to sing many never before performed songs by Komitas, as well as his unfinished opera Anoush. 

After moving to Australia in the mid-nineties, she started her work with Opera Australia. Her first role with OA was of Liu in Turandot, followed by Santuzza in Cavalleria Rusticana in Melbourne (OA), Sydney Opera House (OA) and Brisbane for Opera Queensland. She also performed Tosca in Tosca (Opera Queensland), Desdemona in Othello (Opera Australia), Elisabeth de Valois in Don Carlos, Katya in Katya Kabanova (OA Sydney), and Fata Morgana in Love for Three Oranges (OA Sydney).

Arax Mansourian has appeared in concerts with the Canberra Symphony Orchestra, "Beethoven's Ninth Symphony" at the Sydney Opera Concert Hall, Verdi "Requiem", Britten's "War Requiem", a series of concerts singing Hildegard von Bingen music, ABC "Swoon Concert" with Sydney Symphony Orchestra, John Haddock's "See My Children Fly" which the author wrote with Arax Mansourian in mind. As well as singing in Australia , Arax Mansourian has performed concerts in the USA, China, Egypt, Lebanon , Armenia and Japan. 

In 2015 she was awarded with the First Degree Medal of Armenia. In 2010 Arax was Awarded with the Medal of Komitas by the Ministry Of the Diaspora.

The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).

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Wendy-Lee Purdy’s performing career has been varied and exciting. After completing a Bachelor of Music Education degree at the Conservatorium of Music in Sydney, Australia in piano and voice, she then studied acting at the Australian Academy of Dramatic Arts. She is presently based in London.

Wendy's launch into professional theatre commenced with Chess at the Theatre Royal in Sydney, directed by Jim Sharman. She next performed with the Australian Opera encompassing 19 productions including Der Rosenkavalier, Adriana Lecouvreur, Le Nozze Di Figaro, Mer De Glace, Fiddler On The Roof, L’Italiana In Algeri, Peter Grimes, Romeo and Juliet, Maria Stuarda, Fidelio, Verdi’s Requiem Mass, Die Meistersinger Von Nurnberg and Turandot.

Further theatre credits include: Sister Mary Theresa and Understudy Mary Lazarus in Sister Act (UK Tour), Mama Morton - Chicago (Japan & International); Mother Abbess/Frau Schmidt - The Sound of Music (UK Tour & Gordon Craig); Fiddler on the Roof (Savoy Theatre, London – Fruma Sarah and Shaindel, understudy Golde, Yente and Grandma, assistant dance captain); Mamma Mia! (international tour – ensemble understudy Rosie, Tanya and Donna); Oliver! (Australia and Singapore – Mrs Sowerberry and understudy Widow Corney, Old Sally and Mrs Bedwin); The Wizard of Oz (GFO), The Phantom of the Opera (Australia and New Zealand – Confidante, understudy Carlotta, Wardrobe Mistress and Mme Firman); Turandot (Sydney Football Stadium) and Cats (Australia and South East Asian tour – understudy Jellylorum/ Griddlebone, Jennyanydots/Gumbie.)

Recent appearances in Australia saw Wendy perform at The Hayes Theatre in productions of Half Time as Fran and Aspects of Love as Elizabeth.

Wendy has recorded six CDs, including cast recordings of The Wizard of Oz, Fiddler on the Roof and nursery rhymes for the Department of Education. She has appeared in various television commercials, films and voiceovers.

Wendy has just completed a season in the West End theatre district of London alongside Imelda Staunton in Jerry Herman’s Hello Dolly!

The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).

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Bruce Spence is a cherished elder and pioneer of Australian theatre and cinema. He remains a vital presence on these platforms and was recently seen in the Sydney Theatre Company’s production of Angus Cerini’s Into the Shimmering World. The year also saw Bruce acknowledged as the recipient of the 2024 Equity Lifetime Achievement award.

Bruce began his acting career in Melbourne in the late 1960s as an inaugural member of the revolutionary Australian Performing Group while studying painting and printmaking at the National Gallery Art School.  The APG developed an Australian voice for the stage, allowing audiences to see their culture presented in vivid stories for the theatre. The group inhabited iconic venues such as The Pram Factory and La Mama, with Bruce contributing to seminal works such as David Williamson’s The Removalists and The Coming of Stork, Jack Hibberd’s Dimboola and Barry Oakley’s The Feet of Daniel Mannix.

His first MainStage production was The Alchemist, with the South Australian Theatre Company. A long and distinguished stage career includes numerous credits with the South Australian Theatre Company, the Melbourne Theatre Company, Griffin and Sydney Theatre Company in repertoire as diverse as Les Miserables, As You Like It, The White Devil, Under Milkwood, Cyrano de Bergerac and The Importance of Being Earnest.

Bruce made his film debut in the title role of Stork in1971, for which he won the AFI Award for Best Actor. Since then he has amassed over 100 film and television credits including The Cars That Ate Paris, Eliza Fraser, Mad Max 2, Dimboola, Narnia 3: The Voyage of the Dawn Treader, Peter Pan, The Year My Voice Broke, Cloudstreet, Finding Nemo, Newsfront, The Dry, The Drovers Wife, Mad Dog Morgan,  and Ten Pound Poms. Bruce is the only actor to have appeared in each of the Matrix, Star Wars and Lord of the Rings series of films. 

Bruce has been a proud Equity member since 1971, served as NSW State President, Federal Vice President and chaired the Actors Benevolent Fund of NSW from 2019 to 2023. 

The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).

www.stagespodcast.com.au

Bruce Spence is a cherished elder and pioneer of Australian theatre and cinema. He remains a vital presence on these platforms and was recently seen in the Sydney Theatre Company’s production of Angus Cerini’s Into the Shimmering World. The year also saw Bruce acknowledged as the recipient of the 2024 Equity Lifetime Achievement award.

Bruce began his acting career in Melbourne in the late 1960s as an inaugural member of the revolutionary Australian Performing Group while studying painting and printmaking at the National Gallery Art School.  The APG developed an Australian voice for the stage, allowing audiences to see their culture presented in vivid stories for the theatre. The group inhabited iconic venues such as The Pram Factory and La Mama, with Bruce contributing to seminal works such as David Williamson’s The Removalists and The Coming of Stork, Jack Hibberd’s Dimboola and Barry Oakley’s The Feet of Daniel Mannix.

His first MainStage production was The Alchemist, with the South Australian Theatre Company. A long and distinguished stage career includes numerous credits with the South Australian Theatre Company, the Melbourne Theatre Company, Griffin and Sydney Theatre Company in repertoire as diverse as Les Miserables, As You Like It, The White Devil, Under Milkwood, Cyrano de Bergerac and The Importance of Being Earnest.

Bruce made his film debut in the title role of Stork in1971, for which he won the AFI Award for Best Actor. Since then he has amassed over 100 film and television credits including The Cars That Ate Paris, Eliza Fraser, Mad Max 2, Dimboola, Narnia 3: The Voyage of the Dawn Treader, Peter Pan, The Year My Voice Broke, Cloudstreet, Finding Nemo, Newsfront, The Dry, The Drovers Wife, Mad Dog Morgan,  and Ten Pound Poms. Bruce is the only actor to have appeared in each of the Matrix, Star Wars and Lord of the Rings series of films. 

Bruce has been a proud Equity member since 1971, served as NSW State President, Federal Vice President and chaired the Actors Benevolent Fund of NSW from 2019 to 2023. 

The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).

www.stagespodcast.com.au

Julian Louis is a theatre maker and has been the Artistic Director of NORPA (Northern Rivers Performing Arts) based in Lismore, NSW since 2007. The company has developed a national profile as one of Australia’s most exciting regionally based theatre organisations. The company presents a contemporary theatre program, made up of original productions, national and international touring works and artistic development programs.

Julian has directed theatre, opera and circus as well as large-scale site-specific works. For NORPA Julian has created a number of highly successful place-based works including Love for One Night - set in and on a country pub, Railway Wonderland – set on a disused railway station, Dreamland – set in small village halls and Wildskin, staged in a warehouse in the Lismore showgrounds. Julian has also directed Engine, The Bloody Bride and Not Like Beckett. He was also part of the creative team that made Cockfight by The Farm in association with NORPA. 

Julian’s work as a theatre maker and artistic director focuses on original works that are created at the intersection of place, community and adventurous theatre making. These works combine forms including physical theatre, dance, text, and live music to convey the story. 

Prior to creating an extensive body of work at NORPA Julian has made works for Perth International Arts Festival, Sydney Festival, ATYP and Powerhouse Youth Theatre. He is a graduate of Charles Sturt University BA Theatre/ Media, NIDA’s Directors course and trained as a performer in London with Philippe Gaulier.

The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).

www.stagespodcast.com.au

Natalie Gamsu is a singer, actor and cabaret artist whose performances have been acclaimed in New York, Chicago, Los Angeles, London, Berlin, Amsterdam, Sydney and Johannesburg.

Born in Namibia, Natalie studied Drama at the University of Cape Town, South Africa. She established a strong following with her own solo cabaret shows, musical theatre, and the television series, The Big Time, for which she won, Best Actress in a TV series.

From 1992 until 2003, Natalie lived and worked in New York City. She made her Manhattan cabaret debut at the Greenwich Village cabaret room, Club 88, where she subsequently headlined six seasons with her own shows. She went on to perform at the famous Oak Room, Fez, and The Russian Tea Room. She won the Backstage Bistro Award for Outstanding Vocalist and a MAC Award for Outstanding Female Vocalist in 1997 and 2000. Her debut CD Weave also received a MAC nomination for Best New Recording.

Natalie featured in the documentary Showbiz Is My Life with the cabaret icon Julie Wilson and Baby Jane Dexter.

In 1996, she made her London debut at the ICA, in Gary Carter’s Acts And Revelations. They collaborated again in 2000 at The Birmingham Repertory Theatre with Anger Is Not A Place I Like To Be commissioned by the Fierce Festival. Masque Of Water, commissioned by Queer Up North was performed at The Royal Exchange in Manchester in 2005.

Since moving to Australia in 2003, Natalie has performed in clubs in Sydney, Melbourne, Perth, and at the Adelaide Cabaret Festival. She continues to create her own one-woman shows, recently producing her second CD, Misfit.

Natalie has been delighted to collaborate with the extraordinary artist and sculptor Ken Unsworth, singing with a 19-piece orchestra for his installation A Ringing Glass at Cockatoo Island, and at the Art Gallery of NSW in House of Blue Leaves.

Some of Gamsu’s theatre credits include Candide (Woman With One Buttock – Multiple Award Winner), Dr Zhivago (GFO), Mary Poppins, (Miss Andrew – Disney), Women Of Troy (directed by Barry Kosky for Sydney Theatre Company). Natalie originated the role of Abuela in Baz Luhrman’s Strictly Ballroom (Global Creatures).

Natalie also works on the large and small screens. Her credits include the on-going role of Jan Barton in the long running Australian soap Neighbours, and the role of Fatima in the Feature Film, Ali’s Wedding.

Her autobiographical theatrical work, Shrapnel takes to the stage at the Hayes theatre in Sydney from October 3rd to 6th. The show is an evening of storytelling, music, and a yearning to find the flamenco dancer inside.

The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).

www.stagespodcast.com.au

Carmel Dean is a Composer, Arranger, Musical Director and Pianist. Her first musical, Renascence, was produced Off-Broadway by the award-winning Transport Group, and was named Best New Musical at the 2018 Off-Broadway Alliance Awards. The Original Off-Broadway Cast album is available on Apple Music and Spotify.

Her song cycle Well-Behaved Women starring Broadway stars LaChanze, Bonnie Milligan, Liz Callaway, Barbara Walsh and Andrea Burns, among others, premiered to two sold-out performances at Joe’s Pub in New York City. 

As a Musical Supervisor and Arranger her recent projects included The Notebook with music by Ingrid Michaelson. Carmel was Musical Director for the Broadway musical If/Then, starring Idina Menzel, and was Music Supervisor of the subsequent National Tour.

Other Broadway credits include Hands on a Hardbody, American Idiot, and The 25th Annual Putnam County Spelling Bee. Off-Broadway credits include Everyday Rapture, Vanities and Elegies by William Finn. International credits include Chicago in Hong Kong and the 2000 Olympic Games Opening and Closing Ceremonies in Sydney. Carmel has also served as Chita Rivera’s Musical Director for many national and international appearances, and she performed with Green Day on the Grammy Awards in 2010.

Other compositions include the YouTube series Project: Song Blog; music for the Disney TV show Johnny & the Sprites; and Songs of Innocence & Experience (co-composed with William Finn, Deborah Abramson, Vadim Feichtner & Gi-hieh Lee.)

Carmel is a native of Perth, Western Australia, and received a B.Mus. from the Western Australian Academy of Performing Arts (WAAPA). In 2001 she was awarded a Fulbright Scholarship to study in the United States, and subsequently graduated from NYU’s Graduate Musical Theatre Writing Program with a MFA in Musical Theatre Writing. She is a member of the BMI Lehman Engel Musical Workshop.

Sydney audiences are readying for an enormous treat as Carmel is in town for the return Australian season of her delicious song-cycle Well-Behaved Women. This dynamic and empowering musical extravaganza celebrates extraordinary women throughout history.

Well-Behaved Women is a co-production between Belvoir Theatre and Michelle Guthrie Presents. It plays the Belvoir Theatre from September 28th to November 3rd.

The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).

www.stagespodcast.com.au

Old Friends Mark Trevorrow, Rupert Noffs and Bev Kennedy have much in common; great musicianship and their love of Stephen Sondheim’s extraordinary songbook. They have crafted an intimate evening of cabaret celebrating the late, great composer/lyricist’s vast cannon. OLD FRIENDS! features solos, duets, mashups and medleys, with light hearted banter and stories in between. It is a classy, superbly played and sung show with a cheeky queer bent.

Bev Kennedy is one of Australia’s leading musicians and Musical directors having worked on over 30 Professional music theatre productions including Billy Elliot, Mamma Mia!, The Producers, We Will Rock You, The Lion King, Priscilla Queen of the Desert, Chicago, Muriel’s Wedding, Heathers, Jersey Boys, Wicked & The Concert version of Sunset Boulevard with Judi Conelli. As Assistant Musical Director she has worked on Simon Gallaher’s Pirates of Penzance; the highest selling recording of a musical in Australian history & also won an Aria award for best soundtrack.  

Rupert Noffs is a singer and actor trained at NIDA and the Sydney Conservatorium of Music. As the grandson of the legendary Ted Noffs, founder of Kings Cross’ Wayside Chapel, he carries a significant artistic legacy. Rupert discovered his love for Stephen Sondheim at 16, performing “Being Alive” at the Sydney Opera House. Rupert has appeared on screen as Jacki Weaver’s son and played Bob Downe’s nephew, in both Sydney and San Francisco.

During his seven years living and working in Manhattan, Rupert collaborated with New York cabaret legend Amber Martin at Joe’s Pub and Parkside Lounge. He was a judge on Seven’s All Together Now hosted by Julia Zemiro, and performed sold-out one-man shows at Claire’s Kitchen on Oxford Street.”

Comedian, singer, actor, broadcaster and journalist, Mark Trevorrow’s 40+ year journey through Australian media and show business has taken him from the Melbourne Herald Sun, to cabaret group The Globos, to arts editor of Vogue Australia, to the creation of Bob Downe in 1984, to acting in Kath & Kim, singing as himself on Good News Week and broadcasting on ABC TV and local radio – then back to Bob again. His work has taken him from Australia to Edinburgh to London to New York, and it’s not over yet!

OLD FRIENDS! is touring through November with dates in Sydney, Newcastle, Brisbane, and Melbourne. Check out the team’s Instagram page - oldfriendssingsondheim

The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).

www.stagespodcast.com.au

Gregg Arthur is an original voice who has learned from and performed with music industry giants all over the world. His warm baritone and huge range allows him to embrace an audience with a tender ballad and thrill with outstanding vocal acuity, but most of all it’s his emphasis on rhythm and phrasing that has brought him admiration from legends and critics everywhere.

Gregg started singing and playing piano at an early age, always loving the jazz standards from his grandmothers sheet music and listening to his father’s record collection. He gained professional stage experience working for Australian Opera in productions of Aida, Marriage of Figaro, The Merry Widow and more, during a classic era of Dame Joan Sutherland and Rita Hunter and met legendary actor and teacher Hayes Gordon during Fiddler On The Roof. With stage and acting coaching by Gordon and vocal training teacher Don Graden he soon knew how to perform a song with originality, confidence and knew how to own the stage. 

He has always worked with and had great friendships with the very best musicians and orchestrators in the music industry. Performing with Don Burrows and George Golla, John Morrison and Swing City, Chair Of Jazz Studies at the Sydney Conservatorium of Music Craig Scott, Band leader and pianist Geoff Harvey, and Maestro Tommy Tycho with whom he recorded albums for ABC Music with a 50 piece orchestra.
In the USA Gregg Arthur has worked with and performed with Frank Sinatra’s pianist and conductor Vincent Falcone, Bobby Darin’s pianist and arranger Bob Rosario, and Sammy Davis Jr’s drummer Clayton Cameron. Over many years Gregg Arthur performed at Herb Alpert’s Bel Air venue Vibrato with bass legend Pat Senator of Herb Alpert’s Tijuana Brass, and pianist and arranger Tom Ranier.
Gregg Arthur has released 9 albums, 7 compilations and 2 EP’s. His latest album out now is Gregg Arthur In Concert The Great American Songbook.  His reworking of Australian classic My City Of Sydney was released in October 2020.

www.greggarthur.com

The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).

www.stagespodcast.com.au

Two of STAGES favourite Arts workers have recently returned from pilgrimages to London ….  and have inhaled the smorgasbord of musical and play offerings playing on West End stages. 

Publicist Ian Phipps and ‘Man-in-Chair’; Simon Parris, return to the STAGES podcast to share what they saw .. what they liked, what they didn’t …. and perhaps even to boast a little.

They provide first-hand insight of what we could expect, if finding ourselves in the Savoy, Dominion, National, Donmar, Old Vic or Barbican theatres over the coming months.

Simon Parris is a theatre reviewer based in Melbourne. His review blog ‘Man in Chair’ regularly reviews musicals, plays, opera and the arts. Access to these reviews can be found at simonparrismaninchair.com

Ian Phipps is one of Australia’s leading publicists, promoting theatre and its stars around Australia. If you know that a show is happening, no doubt it’s because Ian has communicated this to you via a myriad of masterful means.

The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).

www.stagespodcast.com.au