Abrams Artists Agency chairman Adam Bold discusses why his company signed the WGA code of conduct that allowed his employees to resume representing writers, his broader observations on the standoff, and why he decided to get into the talent agency business just over a year ago.

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The megaphone of social media has brought dramatic changes to the business of public relations. Sean Cassidy, president of New York-based public relations and marketing firm DKC, discusses the new rules of engagement in image-making -- and image protecting -- for individuals and corporate brands. “This is not an industry for people who panic,” Cassidy says.

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Local broadcast TV stations are struggling to draw big audiences in daytime as fragmentation and an ever-growing number of programming options takes its toll. Frank Cicha, executive VP of programming for Fox Television Stations, discusses how one of the industry’s largest station groups adjusted its approach to program development in response to big shifts in the marketplace. Cicha also weighs in on the growth of the digital multicast network business and how life at Fox Corp. has changed since Disney’s acquisition of 21st Century Fox.

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Akamai CEO Tom Leighton illuminates the complexities of working with media companies to transmit their content to consumers as quickly as possible. While Akamai may be seeing record Internet traffic now, he notes that the future of digital transmission has barely begun.

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Bill Abbott, president and CEO of Hallmark Channel parent Crown Media Family Networks, has the difficult job of navigating the independent cable TV group through unprecedented upheaval in the pay TV marketplace. He speaks candidly about the competitive disadvantage that Crown Media faces against larger competitors who have greater sway with distributors. The business climate has only gotten tougher following the latest burst of mega media M&A deals. “If we have a difficult time seeing a path forward in this linear environment than there’s something wrong with the system,” he says.

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When the upcoming new streaming service Peacock launches next year, NBCUniversal will find itself with an opportunity to rethink how advertising works freed of the constraints of the legacy linear TV world. The company's ad czar is joined by Accenture's Mike Chapman for a conversation about how innovation is changing NBCU's approach from its CFlight initiative to next year's Summer Olympics.

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As a veteran of faded Internet giants like AOL and Yahoo, Erika Nardini knows all too well where the digital advertising business went wrong. And now that she's leading a brash content brand of her own, she's determined to steer Barstool away from the kind of bad practices she fears could rear their head again in the podcast space while also breaking new ground in other areas including merchandise and sports betting. 

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With the new NBA season scheduled to tip off Oct. 22, basketball fans have no shortage of options for how they take in the action on the court. But there's an expanding range of viewing experiences beyond linear TV that are evolving in fascinating ways under the oversight of Jeff Marsilio, senior VP of new media for the league, from social media to virtual reality.  

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Abigail Disney and Adrienne Becker joined forces to launch content studio Level Forward in early 2018. The pair have vowed to run Level Forward as a socially conscious, artist friendly banner that strives to open doors for women and people of color through storytelling. The partners discuss the philosophy that underlies the business and the reason why they think the time is right for their approach. Abigail Disney, who is the granddaughter of Walt Disney Co. co-founder Roy O. Disney, also addresses her recent criticism of the Disney company and what she sees as unreasonably high compensation packages for CEO Bob Iger and others.

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Jon Favreau has enjoyed a varied career as an actor, producer and writer of some of the most memorable films from the past few decades. But it's his work as a director that showcases his innovative side, particularly his usage of cutting-edge visual effects in films like 'The Lion King' and the upcoming Disney+ series 'The Mandalorian.' In this interview he discusses how he's pioneered new practices without disrupting traditional filmmaking jobs. 

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