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Thanks in large part to top seller Bad Bunny, Latin music saw
explosive growth in 2022, exceeding $1 billion in U.S. revenues for
the first time, and up nearly 25% from 2021. Amazon Music is on a
similar path as it relates to Latin music and its many subgenres.
Leading the charge: Rocío Guerrero, a veteran of Spotify and Warner
Music Group whose role as Amazon’s Global Head of Latin Music runs
across multiple digital and physical offerings at the retail giant.
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The co-founder and co-chairman of the private equity giant shares his observations on the changing nature of Hollywood and how that moniker became synonymous with the global entertainment business. In discussing the motivation behind his new PBS series “Iconic America: Our Symbols and Stories,” which premieres April 26, Rubenstein describes the world of studio smoke and mirrors “a uniquely American enterprise” that has become part and parcel of the American dream.
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Daniel Rausch, VP of entertainment devices and services at Amazon, provides an update on expansion plans for the Fire TV business, which aims to be a hub for the smart-home experience, as well as a status check on the company's cloud-gaming offering, Luna.
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The Magnolia Network series "Restored" has returned for a seventh season with host Brett Waterman, who isn't doing just another cable-TV house-flipping show; this series is a serious look at the historic preservation of houses from a wide range of architectural styles.
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The Netflix sequel featuring Adam Sandler and Jennifer Aniston represents the highest-profile gig yet for this veteran helmer. But it's more like an extracurricular activity outside of the Syracuse school building he bought to shoot a teen-film franchise for Hulu.
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SXSW 2023 participants and Austin locals talk about the annual gathering that brings together the worlds of film, TV, music, digital media, marketing and more to the Lone Star state’s capital city. “It’s like you meet one year's worth of people in this short, compressed timeline. And everyone's open-minded,” says RJ, who is chief executive of streaming media tech startup Zync.
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Evan Bogart is a first-class multitasker who's written hit songs for Beyonce and Rihanna, owns a publishing company that recently acquired the Christopher Cross catalog, is the chair of the Grammy Songwriters Wing and was executive music producer for "Spinning Gold," the biopic of his father Neil, who founded Casablanca Records, the label that brought the world Kiss, Donna Summer, Parliament-Funkadelic and the Village People. He talks about all of the above and more here.
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TV distribution executive Scott Koondel details the launch of his Sox Entertainment banner and why it is well-positioned to take advantage of massive disruption across the media landscape. He offers insights on the evolution of the streaming marketplace, having orchestrated important early Netflix and Hulu licensing pacts for the CBS and the CW. And he explains how a phone call from Judith Sheindlin led to the creation of Freevee’s “Judy Justice.”
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Ray Nutt, CEO of Fathom Events, explains how the Denver-based firm has managed to buck the box office downtrend with a roster of special events, classic Hollywood titles, the spectacle of the Metropolitan Opera and indies such as “Winnie the Pooh: Blood and Honey.” Nutt details the business models and market-timing strategies that allow Fathom releases to complement the multiplex menu offered by the distributor’s three parent companies, exhibition chains AMC Entertainment, Regal Cinemas and Cinemark.
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Jamie Krents, a 25-year veteran of Universal Music Group, runs the Verve, Impulse! and Verve Forecast imprints, original home to Ella Fitzgerald, then Louis Armstrong, Billie Holiday, Velvet Underground and Frank Zappa. Today, jazz remains a core genre of the company with Grammy winner Samara Joy finding a new (read: younger) audience.
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