3:07 – Started with the Choir
6:55 – Converting to the Church of Jesus Christ of Latter-day Saints
13:51 – Why Serve a mission as a late teen convert
15:33 – I heard the pipes!
17:49 – Why not the Trumpet?!
22:20 – “Go Tell it on the Mountain”
27:26 – Follow your passions NO MATTER WHAT
32:00 Organ Recitals
33:42 – Notable Performing Experiences
41:02 – “Hot Pipes”
43:03 – Where is the off switch?
50:18 – Genesis of the Christmas Organ Solo
53:24 – So your telling me 2020 has been different eh?
56:59 – Most Memorable Music Experience
59:13 – Three Questions
Transcript
Richie T. Steadman
Podcast Host: The Cultural Hall
Interview: Richard Elliott, Organist
Tabernacle Choir at Temple Square
Steadman: It’s time for another episode of The Cultural Hall and you know Richard Elliott is here and by here I mean technologically here. He is somewhere else, I’m keeping him safe he’s keeping me safe. But I wonder if it is a move on your behalf, Richard Elliott organist for the Tabernacle Choir at Temple Square, that you have those gold records in the background. That is pretty intimidating to even start out with this whole thing.
Elliott: Yeah, no, this happens to be the conference room for the Tabernacle Choir which is about the quietest spot here right now with all the construction going on so it was not intentional but I’m glad you are a little bit intimidated.
Steadman: And you probably have counted them and certainly someone has counted them but it is countless almost the number of gold records that the choir and subsequently your work has been a part of.
Elliott: There are so many that we can’t keep track of them all and almost every time they release a recording it goes to the top of the charts and we are just glad to have a following and I’m just glad to be along for the ride.
Steadman: So we’ll get to know you a little bit but I am curious how that ride started. You have been with the choir almost 30 years so take us back to I’m assuming right around 30 years ago when they said hey, who don’t you come play this organ for us.
Elliott: Yeah, well at the time I was teaching organ at BYU. I went there in 1988 when I was wrapping up my doctorate from Eastman School of Music in Rochester, New York. I had been there teaching there for two years at BYU working mainly with our group organ instruction program which was designed to crank out as many organists as we could, taking people who had piano skills and then giving them the tools become decent church organists and then also teach others how to do that. It was really a fulfilling job and I enjoyed it thoroughly. But after two years there I got a phone call from the Tabernacle Choir offices saying that Robert Cundick would be retiring in the next year or so and asking if I would be interested in being considered for the job and of course I was just thrilled and honored by that. It was a hard decision because I enjoyed teaching so much. So it took a little while just to decide that I wanted to throw my hat in the ring and then the auditions came a few months after that. And then I was interviewed by President Hinckley and he basically told me that I wouldn’t start working for over six months from the date of our interview. And so I had to keep it quiet from everybody except for my immediate family and then join the choir organization in May of 1991 and I’ve been here ever since.
Steadman: I have to wonder and maybe some of it is sacred and not to be shared, but I do have to wonder what does an interview for being the organist for the choir sound like?
Elliott: It was a great great experience talking...