The Essay

The Essay

By BBC Radio 3Society & CultureArts
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The Essay episodes

  • In the Bottom of the Well

    Margaret Heffernan explores how art can help us deal with uncertainty in our lives. How do artists tolerate the fear that uncertainty creates?

    Modern life feels increasingly uncertain, to the point of making us uncomfortable. Most people hate uncertainty. We feel calmer knowing something bad is definitely coming (say, an electric shock) than when there's a possibility we might escape it. New technology sometimes seems to have the goal of eliminating uncertainty, but is this really desirable? Margaret argues that an element of uncertainty is a necessary part of the creative process, a catalyst which can help us find ways of meeting the challenges of the future.

    Artists deal with uncertainty all the time: starting work nobody asked for, rarely sure where the work will go, when it’s finished or whether it will connect with a public. This can be deeply frightening: Tracey Emin sketches before having enough courage to paint; Sebastian Barry fears the next word won’t come. To the frequent dismay of fans, artists change direction before they have to. They have agency, independence, but they take a risk each time they begin.

    Margaret Heffernan is a writer and entrepreneur, author of the award-winning 'Uncharted: How to Map the Future'. Here, she takes inspiration from artists who embrace uncertainty.

    Producer: Mary Ward-Lowery

    14 min
  • Where am I?

    Margaret Heffernan explores how art can help us deal with uncertainty in our lives. How do artists begin a new project? The point is to be open to the world, and to have 'an eye that is always watching'.

    Modern life feels increasingly uncertain, to the point of making us uncomfortable. Most people hate uncertainty. We feel calmer knowing something bad is definitely coming (say, an electric shock) than when there's a possibility we might escape it. New technology sometimes seems to have the goal of eliminating uncertainty, but is this really desirable? Margaret argues that an element of uncertainty is a necessary part of the creative process, a catalyst which can help us find ways of meeting the challenges of the future.

    Artists deal with uncertainty all the time: starting work nobody asked for, rarely sure where the work will go, when it’s finished or whether it will connect with a public. This can be deeply frightening: Tracey Emin sketches before having enough courage to paint; Sebastian Barry fears the next word won’t come. To the frequent dismay of fans, artists change direction before they have to. They have agency, independence, but they take a risk each time they begin.

    Margaret Heffernan is a writer and entrepreneur, author of the award-winning 'Uncharted: How to Map the Future'. Here, she takes inspiration from artists who embrace uncertainty.

    Producer: Mary Ward-Lowery

    14 min
  • The Benefit of Doubt

    Margaret Heffernan explores how art can help us deal with uncertainty in our lives.

    Modern life feels increasingly uncertain, to the point of making us uncomfortable. Most people hate uncertainty. We feel calmer knowing something bad is definitely coming (say, an electric shock) than when there's a possibility we might escape it. New technology sometimes seems to have the goal of eliminating uncertainty, but is this really desirable? Margaret argues that an element of uncertainty is a necessary part of the creative process, a catalyst which can help us find ways of meeting the challenges of the future.

    Artists deal with uncertainty all the time: starting work nobody asked for, rarely sure where the work will go, when it’s finished or whether it will connect with a public. This can be deeply frightening: Tracey Emin sketches before having enough courage to paint; Sebastian Barry fears the next word won’t come. To the frequent dismay of fans, artists change direction before they have to. They have agency, independence, but they take a risk each time they begin.

    We love their work because it shows a truth we avoid. We want evidence for every decision, proof that our project will be successful before it starts, ratings, sales numbers and prizes to prove our worth. Data to promise certainty before we dare try anything. But maybe this craving for certainty constrains our imagination and leaves us passive, because there are no datasets from the future. Perhaps an addiction to certainty suppresses our capacity for exploration and discovery in ourselves and in the world.

    Margaret Heffernan is a writer and entrepreneur. Here, she takes inspiration from artists who embrace uncertainty.

    Producer: Mary Ward-Lowery

    14 min
  • Shinichi Sawada

    Perhaps above all, the artistic quality we prize most is imagination. Psychologist Professor Victoria Tischler explores the enigmatic work of ceramicist Shinichi Sawada.

    Shinichi's sculptures look like small demons or monsters. The organic forms are covered with clay studs that resemble spikes, some forming mask-like facial figures, like totem poles.

    As an artist with autism, Shinichi is largely non-verbal, so he can't explain the meaning of his work, allowing the viewers' imagination to run riot. The best way to experience any art.

    14 min
  • Minnie Evans

    In this essay on untrained and self-taught artists, psychologist Professor Victoria Tischler focuses on devotion and the important role of faith and belief and how it manifests artistically.

    Now considered one of the most important folk artists of the 20th century, Minnie Evans was born in 1892 in a cabin in North Carolina, the great-granddaughter of a slave from Trinidad.

    She attributed much of her inspiration to religious visions she began having as a child. “God has sent me an angel that stands by me. It stands with me and directs me what to do”. But from these humble beginnings, Evans work has gone on to grace the central pavilion at the Venice Biennale in the summer 2022.

    14 min
  • Cape Malay South African Cuisine

    Writer and broadcaster Lindsay Johns completes his exploration of South African food, as he discusses the national dish, and what it says about the Rainbow Nation.

    South African cuisine is as varied as South Africa itself, and in this set of Essays, Lindsay has delved into its different cuisines for five personal and lyrical ruminations on what these foods evoke for him. Each Essay - covering one of South Africa's racial groups - offers distinct memories of different aspects of his many experiences in South Africa. We'll sample the different cuisines, and experience these nuanced and complex communities through Lindsay's eyes, ears, and taste buds.

    In today's final Essay, Lindsay strolls through the picture postcard community of Bo-Kaap in Cape Town, on his way to eat a personal favourite - tomato bredie. His lunch companion, meanwhile, orders bobotie - a meal which originated in the country's Cape Malay community but has now become the national dish. And as he reflects on the series, Lindsay wonders what this development says about finding a balance between acknowledging South Africa's troubling past and making a future together.

    Producer: Giles Edwards

    14 min
  • South African Indian Food

    Writer and broadcaster Lindsay Johns explores the food of South Africa.

    South African cuisine is as varied as South Africa itself, and in this set of Essays, Lindsay will delve into the foods of the Rainbow Nation for five personal and lyrical ruminations on what these foods evoke for him. Each Essay - covering one of South Africa's racial groups - offers distinct memories of different aspects of his many experiences in South Africa. We'll sample the different cuisines, and experience these nuanced and complex communities through Lindsay's eyes, ears, and taste buds.

    In today's Essay, Lindsay introduces Bunny chow, a dish made from a hollowed-out loaf of bread filled with curry, which was created in Durban, and is today the most famous dish of Durban’s Indian community – one of the largest in the world outside India itself. Born at a time when Indian restaurateurs were prevented by law from serving food to black workers - the dish was served surreptitiously so that passing police forces would see only a loaf of bread - today it is a national staple.

    Producer: Giles Edwards.

    13 min
  • Coloured South African Food

    Writer and broadcaster Lindsay Johns explores the food of South Africa.

    South African cuisine is as varied as South Africa itself, and in this set of Essays, Lindsay will delve into the foods of the Rainbow Nation for five personal and lyrical ruminations on what these foods evoke for him. Each Essay - covering one of South Africa's racial groups - offers distinct memories of different aspects of his many experiences in South Africa. We'll sample the different cuisines, and experience these nuanced and complex communities through Lindsay's eyes, ears, and taste buds.

    For his third Essay, Lindsay will describe the cuisine he knows, and loves, the best: Cape Coloured cuisine. We'll learn about snoek (barracuda), pickled fish, mince and cabbage stew and the Gatsby steak sandwich. It is, he says, the quintessential poor man’s fusion cuisine - and the most under-rated and overlooked food in the whole country.

    Producer: Giles Edwards

    14 min
  • Black South African Cuisine

    Writer and broadcaster Lindsay Johns explores the food of South Africa.

    South African cuisine is as varied as South Africa itself, and in this set of Essays, Lindsay will delve into the foods of the Rainbow Nation for five personal and lyrical ruminations on what these foods evoke for him. Each Essay - covering one of South Africa's racial groups - offers distinct memories of different aspects of his many experiences in South Africa. We'll sample the different cuisines, and experience these nuanced and complex communities through Lindsay's eyes, ears, and taste buds.

    For his first Essay, Lindsay invites listeners to join him as he samples the cuisine of South Africa’s Xhosa and Zulu township communities – smiley (a boiled sheep’s head in a drum), amangina (chicken, cow, pig, lamb and sheep’s feet served with hot sauce), and pap – a cornmeal porridge so popular it appears on the menu at South African branches of KFC. Lindsay says it does what it ought to do - "placate the belly and nourish the soul."

    Producer: Giles Edwards

    14 min
  • Mary Barnes

    Few artists can rival Mary Barnes for the sheer honesty of experience conveyed in paintings she created while in the grips of psychosis. Her 'IT' series of paintings are a brutal depiction of severe mental illness, and some of the best visual examples of the pathos and terror of the experience.

    In later life when her mental health recovered she began to exhibit her work and to give lectures on mental health, psychotherapy, and the importance of creativity in her recovery.

    For psychologist Professor Victoria Tischler she's drawn to Mary’s work as it is more than an illustration of mental illness but also a story of the power of honesty to find truth, hope and salvation.

    14 min

About The Essay

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Leading writers on arts, history, philosophy, science, religion and beyond, themed across a week - insight, opinion and intellectual surprise.

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