In today’s episode, we break down exactly what sales agents look for in a finished film at markets like the American Film Market. From professional artwork and strong trailers to realistic expectations, you’ll learn how to stand out — and avoid the common mistakes that turn buyers off instantly. If you’re planning to pitch a film this year, don’t miss this insider advice!

In this episode, we dive into the pros and cons of using a film aggregator versus signing with a distributor. You’ll learn why aggregators can flood platforms with content, how distributors actively champion your film, and when it does make sense to self-upload. Perfect for indie filmmakers deciding how to release their next movie.

In this episode, we break down what a completion bond is, what it guarantees, and whether indie filmmakers actually need one. Learn how to protect your investors, avoid wasting budget, and keep more money on screen.

🎧 Perfect for producers and investors who want to understand the business side of filmmaking — without the fluff.

When it comes to exporting your film, not all codecs are created equal. In this episode, I break down the difference between H.264 and ProRes 422 (and 4444)—which one to use for online, and which one distributors actually need. Learn about bitrates, file sizes, and color depth in simple terms that every filmmaker can understand.

Think you can be both Executive Producer and Producer on the same film? Think again. In this episode, Tom Malloy breaks down how the producer credit hierarchy really works — from “Produced by” to “Associate Producer” — and explains why doubling up credits is a rookie mistake. Perfect for filmmakers, investors, and anyone navigating film finance and production credits.

Most filmmakers assume film festivals are where the deals happen — but the truth is, only a select few festivals actually help you sell your movie. In this episode, I break down the handful of A+ festivals that carry real industry weight, how genre festivals fit into the mix, and why film markets are still where the real money is made. Perfect for any indie filmmaker navigating the festival circuit.

Every filmmaker thinks they’re great in meetings—until they lose a buyer’s attention.

In this episode, I break down the real film deliverables distributors and sales agents expect. Forget the outdated “wish list” and focus on the essentials: ProRes 422 masters, DME tracks, captions, stills, and trailers. If you’ve got a distribution deal or you’re aiming for one, this is the episode that will save you time, money, and stress.

Do filmmakers still need a Producer’s Rep?

Should you work for free as a PA? In this episode, I share why early set experience can be more valuable than the paycheck, how to approach those first jobs strategically, and when to start demanding proper pay. Perfect for anyone trying to break into the film industry.