A German rocket scientist with a secret mission and dark past. A science fiction editor under the watch of the FBI. In the third chapter of Moonrise, weapons of war lay the groundwork for space travel.

The Shapeshifter

“Truer, but also darker.” This is the real origin story behind America’s decision to go to the moon. The story we learn starts with Sputnik, then President Kennedy’s challenge, and ends with triumph: an American flag on the lunar surface. But in the 50 years that have passed since the moon landing, as presidential documents have been declassified and secret programs have been revealed, a wilder story has begun to emerge. “Moonrise,” a new Washington Post narrative mini-series, digs into the nuclear arms race of the Cold War, the transformation of American society and politics, and even the birth of science fiction, to unearth what really drove us to the moon. Join host Lillian Cunningham (of the Presidential and Constitutional podcasts) as she uncovers a story that has so much to reveal about America -- and about the dreams and nightmares of being human on this Earth.

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Documentary

Grenada’s revolutionary leader was executed in a coup in 1983, with seven others. The whereabouts of their remains are unknown. Now, The Washington Post’s Martine Powers uncovers new answers about how the U.S. fits into this 40-year-old Caribbean mystery.

Introducing “The Empty Grave of Comrade Bishop”

Lillian Cunningham begins her journey in the place that helped inspire the national parks. As wildfires threaten Yosemite’s giant sequoias, she asks how to ensure the survival of these ancient trees. Follow "Field Trip" to hear the whole series.

Listen to the first episode of “Field Trip”: Yosemite National Park

Journey through the messy past and uncertain future of America’s national parks. The Washington Post’s Lillian Cunningham ventures off the marked trail to better understand the most urgent stories playing out in five iconic landscapes today.

Introducing “Field Trip”

Apollo 11 lifts off from Earth, fulfilling but also waking us from a longtime science-fiction dream. In the finale of “Moonrise,” we find ourselves on the moon.

The Dark Moon

The United States confronts race riots and the Vietnam War. Science fiction wrestles with its purpose now that space travel has become real. And NASA investigates its own failings. In the 11th chapter of “Moonrise,” we look inward.

The Shapeshifter

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