The West Wing Weekly

We literally cannot wait for you to hear how much The West Wing influenced Parks and Recreation. We spoke to the co-creator of the show, Michael Schur, and two of the stars, Rob Lowe and Adam Scott, to learn about the parallels between the Bartlet White House and the Pawnee Parks Department. Stop pooping! Just listen.

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We're wrapping up Season 5 with screenwriter Josh Singer, whose first writing credit was "Memorial Day." We also look back at the past 22 episodes to ask: what kind of season has it been?

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We're joined by special guests Jason Isaacs and Janel Moloney to discuss the big, ambitious, penultimate episode of Season 5.

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We’re joined by three guests for our discussion of "No Exit." Former Senator Tom Daschle tells us about what it was like getting sent anthrax in the mail; Wilson Cruz tells us about playing Jack Sosa for his two episodes on The West Wing; and Eli Attie tells us about the writing of the episode, specifically the Will and Toby scenes, which he co-wrote with Peter Noah. But first, a poem that this episode inspired Hrishi to write:

Albert Camus

So Samuel Beckett

But Jean-Paul Sartre

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We're joined by Richard Schiff to discuss this episode, his television directing debut! Hear what it was like for him to step behind the camera for this story about power and labor and international trade.

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In "Access," we're given a behind-the-scenes look at what it's like to work inside the West Wing. …wait a second, what have all these other episodes been about? Let's discuss.

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We hereby appoint the Honorable Debora T. Cahn, West Wing writer, for the position of Chief Guestice of The Supremes episode.

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They tried to get us to renounce The West Wing, but Eppur Si Puodcaste! Josh and Hrishi investigate some of the real world mechanics behind NIH grants and the federal judiciary with help from cancer researcher Dr Muller Fabbri and political journalist Jason Zengerle.

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Full disclosure: you’re going to hear the words 'full disclosure' a lot in this episode, as we discuss "Full Disclosure." Lawrence O’Donnell joins us to discuss how he wrote this episode, how Richard Schiff changed its meaning without changing a word, and how Josh Lyman’s plot line landed him in Hillary Clinton’s crosshairs.

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In this episode, the past is laid bare like a nude portrait, or at the very least, like a photo of your ex in a bikini. Grab your copy of Latin Phrases for Awkward Situations, and parachute in with us.

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