Thoughts on Illustration

Do you ever feel like everything takes YOU longer than everyone else? In this episode, talk about what it’s been like for me as a slow worker. What kinds of things have slowed me down, and how have I been able to thrive as a successful illustrator in spite of them. So if you’re a slowpoke trying to figure out why it just takes so long to get things done, this one is for you.

I’m going talk about why I think there are two kinds of slow — good slow and bad slow — and why we should embrace the former and try to change the latter. And of course, I’ll give you some ways to do both. How can you embrace the things about your work that you maybe wish would go faster, and how you can change some of the things that truly get in your creative way.

By the end of this episode, I hope that you’ll feel permitted to give yourself the time you need to do your best work — and to defend that time when it comes under question by yourself — or by others.

In this SPECIAL episode, I share an interview that Andres Palacios (BFA Illustration student at SCAD) did with me for a class project. I really enjoyed talking to him, and I think you'll enjoy our conversation. We'll be back next week with Episode 14!

Thanks to Andres Palacios for letting me share this interview! Check out his work at https://www.andrespalacios.me/

CAN THERE BE TOO MUCH CREATIVE FREEDOM? In this episode we're going to talk about why your creativity NEEDS constraints! Even though they seem like setbacks, if we can embrace them, they can actually push us forward in our work. In Chapter 1, I'll tell you the story of how a concert went totally wrong — and how that resulted one of the best-selling Jazz albums of all time. In Chapter 2, I'll give you the 4 types of constraints you'll encounter in your illustration work, and how to use each one to push you forward in your own creativity!

What's your point? So often struggle to know exactly what we want to say and do in our art. But once we find it, everything seems to come together smoothly. So how do we find our point? In this episode, I talk about how the power of focus helps us get there, and how we find this focus in the first place.

In this episode I explore the questions many of us have as illustrators, where it comes to composition: how do I know what to include in the art, and how do I know where to put it? In Chapter 1 we look into what composition might be, and then in Chapter 2, I offer 5 steps you can take to make more confident decisions in your compositions.

In this episode, I share the experience of showing up at the blank page and coming up with an idea. While this episode is much shorter than usual, it's packed with insights about how I face creative block head on, and how I find my way through it to find the right idea on the other side!

Today we’re going to talk about how to loosen up in our art. I know a lot of us struggle to have a sense of freshness and energy in our work, especially as we develop a piece from looser sketch to the more finished piece. What often happens is that a sketch starts off feeling loose and promises something better than what we end up with. It’s very common to find that we like our sketches more than the final illustration. Why is that? And how, if at all, can we achieve the same loose feeling of our sketches in our final art?

In this episode, I’m going to share my own story of how I wrestled with this question — of having a more spontaneous feeling to my work versus something more planned out — and why, over time, for ME my work has seemed to head more in the scripted, planned out direction — and why I’m okay with that. At the same time, I still try to build in as much looseness as I can, and at the end of the episode I’ll share some tips on how to do that.

I Now Offer 1-on-1 Illustration Coaching! Book your Coaching Session today at http://www.tomfroese.com/coaching

Here we continue our conversation about getting feedback on our work. The last episode was focused on getting positive feedback and how that can be important too, but the best way to grow is by getting CRITICAL feedback, or CRITIQUE. This opens us up to bruised egos and discouragement, but in the end, if we want to grow, we really need it. In this episode I share one experience in getting feedback on my work, and how it both stung and helped me grow. I then give some ways in which we can seek critical feedback on purpose — who can we reach out to for it, and how can we get the most out of it?

In this episode, we start looking into the topic of feedback, as in getting feedback on our illustrations or artwork. What kind of feedback should we be seeking, and where should we look? It all depends on what you are hoping to get from it. It turns out that we don't always need critique — sometimes we just need to know we're on the right track. Sometimes we don't want solutions, we want comfort. This episode begins with some reflections on what it means to seek comfort — that is, positive affirmation about our work.

In today’s episode we'll look at why making "good" work isn't the best goal to have. We'll look at more helpful ways to judge whether our work is WORKING or not. This will help you become better at critiquing your own work, and being more objective about it. Also: what self-taught illustrators miss out on by not going to art school; why open briefs are a nightmare for me, and what happened when a hamburger restaurant asked me to make "some wall art" for them.