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How much time passes between Page 1 and “The End” - and where, exactly, do you begin and finish? In this episode of Master Fiction Writing, we pair Step 12 (Story Timeline) and Step 13 (Opening & Closing) to shape your novel’s container and its proof of change. You’ll learn how to define your story present (the “now” of your narrative), pick a time span that supports tension, and design opening/closing scenes that mirror each other to reveal transformation.
In this episode, you’ll learn:
What “story present” is—and why tense and chronology aren’t the same thing
How different time containers (day, season, year, decades) change pacing and stakes
The “mirror technique” for opening/closing scenes that land emotionally
Common pitfalls (timeline mush, flashback overload, soft starts) and quick fixes
Mini exercises to name your container and draft before/after snapshots
Leave with a clear time frame, a purposeful opening, and a closing image that proves how your protagonist changes.
By Stuart Wakefield4.6
2121 ratings
How much time passes between Page 1 and “The End” - and where, exactly, do you begin and finish? In this episode of Master Fiction Writing, we pair Step 12 (Story Timeline) and Step 13 (Opening & Closing) to shape your novel’s container and its proof of change. You’ll learn how to define your story present (the “now” of your narrative), pick a time span that supports tension, and design opening/closing scenes that mirror each other to reveal transformation.
In this episode, you’ll learn:
What “story present” is—and why tense and chronology aren’t the same thing
How different time containers (day, season, year, decades) change pacing and stakes
The “mirror technique” for opening/closing scenes that land emotionally
Common pitfalls (timeline mush, flashback overload, soft starts) and quick fixes
Mini exercises to name your container and draft before/after snapshots
Leave with a clear time frame, a purposeful opening, and a closing image that proves how your protagonist changes.

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