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Welcome back. Our guest this week on the show is Wadada Leo Smith, trumpeter, music theorist, and composer. Over his many years, he’s pioneered his own musical notation system, helped popularize and contextualize Miles Davis’s electric period, and has played with a wide set of collaborators including Bill Frisell, Pauline Oliveros, John Zorn, Vijay Iyer, Anthony Braxton, and many more. In December, he’s turning 80, and TUM Records is celebrating with a year-long slate of releases. Up first, on May 21st, Sacred Ceremonies, a three volume set, featuring Wadada in a duo setting with Milford Graves, a duo setting with Bill Laswell, and a trio with the both of them. He joined us to discuss his long career, Miles Davis, sacred wanderings, Civil Rights, and much more.
We hope you enjoy this one. If you enjoy Transmissions, please rate, review, subscribe, and spread the word. If you want to take your support a step further, Aquarium Drunkard is on Patreon.
It’s an honor to have a legend of creative music with us—so let’s get into it. You’re listening to Aquarium Drunkard Transmissions. Here’s my conversation with Wadada Leo Smith.
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Learn more about your ad choices. Visit megaphone.fm/adchoices
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As we've noted here before, Durham-based songwriter al Riggs keeps very busy. Their new album is called I Got a Big Electric Fan to Keep Me Cool While I Sleep. Though they bounce around genre-wise, this LP is rooted in country rock traditions and it features contributions from cosmic pedal steel guitarist Chuck Johnson, Patrick Haggerty of Lavender Country, and others. Riggs joined us for a discursive chat, exploring their relationship with country music and, of course, Robert Altman's failed cult film Popeye. Remember to rate and review Transmissions, send to folks who might find it interesting, and check us out on Patreon to support our cultural reportage, podcasts, radio programs, and more.
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This week on the show, Chicago’s Angel Bat Dawid. A composer, clarinetist, poet, and vocalist, she’s one of the shining stars of the International Anthem label, where she’s issued some incredible records like Live, with her band Tha Brotherhood, as well as the Oracle and the Transition East single. She also plays with other groups, like Damon Locks Black Monument Ensemble—she’s featured prominently on their incredible new album, NOW, which blends free jazz and hypnotic R&B. Angel joined us to discuss record collecting, the influence of Sun Ra, her history with music and religion, her creative practice, race, and much more. We like to have fun on this podcast, but Angel took things to another level with this playful and deep reaching talk, and I’m very thankful for her doing so. Transmissions is brought to you by our Patreon supporters. If you want to get some cool stuff—our new print journal is well under way, plus bonus audio, radio shows, and much more—head over and check it out. If you want to support the show, remember you can rate and review wherever you listen to podcasts and please do click that share button.
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