
Sign up to save your podcasts
Or


Based on Podcast App listening data
Learn more about your ad choices. Visit megaphone.fm/adchoices
Learn more about your ad choices. Visit megaphone.fm/adchoices
Incoming transmission from...Joe Pera and James Wallace, who’s better known as Skyway Man. The two worked together on season two of Joe’s TV show, Joe Pera Talks With You on Adult Swim. Describing “what happens” on the show doesn’t really do it justice. Nothing too out of the ordinary occurs—characters go on hikes, they stay up late watching videos on the internet, they deal with the passing of loved ones. But it’s how the show unfolds—gently, unhurriedly—that makes it such remarkable viewing. It’s a very funny show that takes its time, offering up space and comfort to the viewer while also skewering its characters lovingly.
On The World Only Ends When You Die, Skyway Man also puts his characters through the ringer. It’s a psych-folk opera of spaced out country and sci-fi gospel and blues, laced with mythology and nods to George Van Tassel, legendary Ufologist. It’s due out this week on Mama Bird Recording Co, and while it certainly grapples with some heavy existential issues, it’s also a lot of fun to listen to. They joined us to discuss their work together, the paranormal, and mortality. If you enjoy our show, please spread the word. Leave a rating or a review, and tell your friends about the show. If you want to take your support a step further, checking out Aquarium Drunkard on Patreon.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Learn more about your ad choices. Visit megaphone.fm/adchoices
Incoming transmission from...Sam Prekop. For more than 25 years, he's released music with the Sea and Cake and on his own. With the band, he's responsible for guitarwork and providing signature vocals, cool, aloof, and melodically clear. But his last few solo albums have found him focusing less on pop song craft and more on analog synthesizers and ambient textures. His latest for Thrill Jockey records is called Comma and on it he blends serene soundscapes with twitching electronic rhythms. Transmissions host Jason P. Woodbury reached him in Chicago to talk about hunkering down, synths, and how he and his Sea and Cake bandmates continue their remarkable work together. If you enjoy this talk, please share it with a friend. They can listen wherever they get podcasts or head directly to Aquarium Drunkard, where they'll find all our shows, plus 15 years of great music writing, interviews, reviews, radio playlists, features, and more.
If you want to take your support a step further, check us out on Patreon. Transmissions is produced and written by Jason P. Woodbury. Andrew Horton edits our audio. Jonathan Mark Walls does video production. Executive producer, main man, and guru Justin Gage.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Our guest this week is legendary guitarist Bill Frisell. In the 1980s, he served as ECM Records’ in-house guitarist, and he’s been hard at it ever since: partnering with John Zorn for a long series of unclassifiable records, playing alongside Elvis Costello, Lucinda Williams, Allen Ginsberg, Ryuichi Sakamoto, Vic Chesnutt, and many more, all while making his own records, which blur the lines between jazz, avant-garde, country, surf, blues, and gospel. His latest is called Valentine. It’s out now on the Blue Note label, and it finds him in a trio setting, joined by Thomas Morgan on bass and Rudy Royston on drums. It features Malian folk, standards, and originals, and it’s as deft, nuanced, and emotive as you might expect. Bill joined me early on a Saturday morning to discuss the record, his friendship with the late Hal Wilner, his deep listening practices, and telepathy. If you enjoy, please share with your friends. They can hear Transmissions wherever they get podcasts. And if you want to take your support a little deeper, check us out on Patreon.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Our guest this week is Jerry David DeCicca. Perhaps you know him best from Black Swans, or maybe some of the great albums he's produced by so called "outsider" songwriters like Ed Askew, Larry Jon Wilson, and Chris Gantry, among others. Since 2014, he's been putting out great records under his own name. His latest is called The Unlikely Optimist And His Domestic Adventures. Jerry describes it as “an anti-Hallmark ode to positivity." Who couldn’t use some positivity this year? In advance of its release on October 16th, Aquarium Drunkard correspondent Chad DePasquale joined Jerry to discuss Texas, his pets and social services work, and of course, Bob Dylan’s Rough and Rowdy Ways, which JDD idiosyncratically reviewed for Aquarium Drunkard.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Our guest this week on Transmissions is Jerry Williams Jr., but if you know your musical cult heroes, you probably know him by the name Swamp Dogg. Since the early '50s, he's lived as a true record man—writing songs, producing artists, self-releasing music, and putting out major label flops that have gone on to achieve lost classic status. He’s always walked the line between R&B and country, making a joke of the music industry’s intentional segregating of white and black audiences. He managed Dr. Dre early on, and he's been sampled by Kid Rock and Talib Kweli. The country pop classic, Don’t Take Her (She’s All I’ve Got)?” He co-wrote it.
The line where Jerry ends and Swamp Dogg begins is transitory. In the early '70s, after a career of singing under his own name, Jerry needed Swamp Dogg to serve as an outlandish avatar who could satirically tackle societal mores. His provocative jokes about civil rights and politics earned him hangs with Jane Fonda and the anti-war crowd and put him afoul of J. Edgar Hoover and the Nixon administration.
These days he puts out records on Joyful Noise. His latest is called Sorry You Couldn’t Make It, and it pairs him with producer Ryan Olson, Bon Iver, Jenny Lewis, and the late John Prine, who sings “Memories” and the beautiful “Please Let Me Go Round Again.” Over the many years, Swamp Dogg has embraced auto-tune, twang, and ambient flourishes. He’s a world class adapter, a weirdo hero who refuses to yield to expectations, sometimes at the expense of good taste, but remember: it’s never Jerry doing the offending, that’s Swamp Dogg. Let that be your content warning: this episode contains language some listeners might find objectionable.
Need more Swamp? Check out his 2013 Aquarium Drunkard interview.
This week’s episode was written and produced by Jason P. Woodbury and Michael Krassner, Andrew Horton edited and engineered. Justin Gage, executive producer. Video production by Jonathan Mark Walls. Imagery by D. Norsen and Heavy Hymns.
Does Aquarium Drunkard make your listening life better? If so, you can support us through Patreon. Help continue to produce mixtapes, podcasts, radio shows, audio visual presentations, interviews, features, and much more.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Our guest this week is Chris Forsyth, guitarist, bandleader, composer, and DIY lifer. His studio albums evoke the punk psychedelia of Television, balancing ‘70s rock grooves the loose, exploratory feel of the Dead. But as good as his studio LPs are, it might be live recordings that best showcase his sound. His latest is called First Flight. On it, he’s joined by guitarist Dave Harrington, drummer Ryan Jewell, and bassist Spencer Zahn on stage at Nublu in New York City on September 20th, 2019.
Who knows how long it will be before we can safely cram into a room to take in some live jams, but in the meantime, the 40-some minutes of First Flight should help those missing the thrills of unexpected and immersive live music. Forsyth joined Transmissions to discuss his roots, time spent studying with Richard Lloyd of Television, and his motivations in opening a DIY space in Philadelphia, Jerry’s on Front.
Does Transmissions make your listening life better? Help us continue doing it by pledging your support via our Patreon page. Doing so will get you access to our secret stash—including bonus audio, exclusive podcasts, printed ephemera, and vinyl records—and help us keep an independent publication going.
Learn more about your ad choices. Visit megaphone.fm/adchoices
This week on Transmissions, we're joined by songwriter, Dr. Dog drummer, and noted Twitter personality Eric Slick. His new album of classic pop songcraft is called Wiseacre. Best known for his work with Dr. Dog and his wife, songwriter Natalie Prass, Wiseacre was inspired by the golden-hued melodies of Harry Nilsson, Haruomi Hosono, and a general '70s gloss. It's a deeply personal record, one that explores contentment and domesticity, as well as unpacking no small amount of personal weirdness and trauma.
Eric joined Aquarium Drunkard contributor Ben Kramer—you might know him from Radio Free Aquarium Drunkard’s The Tonight Zone, as featured on the Adult Swim live stream to get into it all: how his marriage to Prass influenced the lyrics of the record, how his meditation practice informs his songwriting, and what it's like to get into a real songwriting groove.
Learn more about your ad choices. Visit megaphone.fm/adchoices
From the publisher's feed

13,229 Listeners

5,267 Listeners

250 Listeners

143 Listeners

391 Listeners

8,833 Listeners

10,547 Listeners

304 Listeners

59,401 Listeners

219 Listeners

1,977 Listeners

227 Listeners

950 Listeners

5 Listeners

373 Listeners

1,517 Listeners

57,567 Listeners

367 Listeners

158 Listeners

15,919 Listeners

144 Listeners

45 Listeners

336 Listeners

52 Listeners

14 Listeners

12,417 Listeners

48 Listeners

64 Listeners

19 Listeners

34 Listeners

3 Listeners

739 Listeners