Cissy Fenwick (JV) talks about how improv makes her a better therapist, unconditional positive regard, therapists as active voice of reason characters, archetypes, her love of playing annoying people, using reps to set goals, her favorite improv exercise, anchoring game to a POV, emotional stakes, what she’s curious about, and more!

Eugene Cordero (Loki, Star Trek: Lower Decks) talks about his elementary school days, cockiness vs. confidence, struggles with dyslexia, finding his calling, the benefits of short form, committing to scenes, the myth of “best” ideas, not taking a coach’s taste personally, the joy of agreement, finding spontaneity within a premise, parenting like an improviser, accepting diverse voices, and more!

Chris Eddins (Lemon Pepper Wet) talks about learning improv as a way to help with public speaking, using jams to hone your craft, making unusual things make sense, his writing career, the origins of Lemon Pepper Wet, doing the thing, dyslexia and patterns, sustaining a game, facing an audience with cultural differences, being an introvert, advice for non-white improvisers, how improv helps his writing, visions for shows, sobriety, and more!

Heather Anne Campbell (SNL, Whose Line is it Anyway) talks about the innateness of improv, circumventing shame, forking the multiverse, takeaways from Boom Chicago, honoring an audience, her writing career, the visual experience of comedy, being in dialogue with the world, SNL, Whose Line, playing with Beck vs. playing with Miles, improv as tourism, craving the next evolution, her comedic influences, and more!

Ithamar Enriquez (Second City, Curb Your Enthusiasm) talks about his journey through Second City, memories from Tourco, inspiring theatrical techniques, the subjectivity of comedy, accessing satire through relationship, challenging stereotypes, using his voice as a Latinx writer, performing for the Obamas(!!!!), satire vs. shock humor, how he arrived at a career in comedy, trusting your improv, playing with people you love, learning from the classics, Puppet Up, and more!

Casey Feigh (creator of Holy Shit Improv), talks about analyzing his improv, setting shows up for success, vulnerability vs. perfection, amplifying your skillset, demystifying Hollywood, his early comedy grind, things he’s learned as a producer, the origins of Holy Shit Improv, improv as a destination art form, live-streaming, the power of creators, how to care more in scenes, serious improv, and more!

Ally Beardsley and Zac Oyama (Dimension 20, Yeti), talk about team chemistry, delightful comedic chaos, improv as a path to coming out of the closet, Ally’s first memory of seeing Zac on stage, the early LA indie scene, getting hired by College Humor, their comedic DNA, embracing absurdity, the power of specifics, being surprised by the mundane, Dimension 20, what they love about each others’ comedy, advice for newer improvisers, upcoming projects, and more!

James Mastraieni (Founder of the Shared Experience Studio) talks about the neuroscience of comedy, the connection between performers and audience, starting a comedy think tank, sailing vs. rowing, the importance of mentorship, treating premise openings like menus, relationship microcosms, comedy as the harshest art form, the drive to produce, the three major scenic tones, improvised sitcoms, and more!

Rekha Shankar (Dropout, Grand Crew) talks about her early obsession with sitcoms, getting into film school, left-brained comedy, improv as a path to writing, embracing discomfort, the gift of being an outcast, finding game moves, inventing vs. listening, making your own work, Kickstarter tips, letting go of rigidity in scenes, Gravid Water, and more!

Craig Cackowski (Second City, Drunk History) talks about learning Harolds before the internet, the benefit of nerves, studying with Del, the improv that inspired him, Stephen Colbert’s last Second City show, the development of JTS Brown, the intersection of comedy and artsy theater, the core philosophies of Dasariski, three guidelines for better scenes, Yes And vs. I Know, object work games, the Close Quarters form, where improv is headed and much, much more!