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Zadie Smith’s new novel, “The Fraud,” is set in 19th-century England, and introduces a teeming cast of characters at the periphery of a trial in which the central figure claimed to be a long-lost nobleman entitled to a fortune. Smith discusses her new novel with Sarah Lyall.
Also on this week’s episode, the Times reporters Alexandra Alter and Julia Jacobs discuss a recent controversy involving the National Book Awards and their decision to drop Drew Barrymore as this year’s master of ceremonies in solidarity with the Hollywood writers’ strike.
Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
By The New York Times4.1
36673,667 ratings
Zadie Smith’s new novel, “The Fraud,” is set in 19th-century England, and introduces a teeming cast of characters at the periphery of a trial in which the central figure claimed to be a long-lost nobleman entitled to a fortune. Smith discusses her new novel with Sarah Lyall.
Also on this week’s episode, the Times reporters Alexandra Alter and Julia Jacobs discuss a recent controversy involving the National Book Awards and their decision to drop Drew Barrymore as this year’s master of ceremonies in solidarity with the Hollywood writers’ strike.
Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

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