Imagine you’re in a bar, holding forth about the news of the day–maybe it’s 1985 and, like everyone else, you’re talking about Iran-Contra, Oliver North, and the CIA. As you signal to the bartender that you’re ready for another, an unassuming, somewhat chubby guy next to you smiles and says, “You really want to know how all of that went down?” Then he begins a two-hour monologue that gets crazier every twenty minutes. American Made is that monologue, shot with all the speed and adrenaline as its artistic model, Goodfellas. Mike and Dan talk about why the immediacy of first-person narrative works so well here and why it wouldn’t work at all with other people’s stories. So bury that duffel bag of cash and then give it a listen!

Those interested in a less cinematic look at Iran-Contra may want to read Firewall by Lawrence E. Walsh or Del Hahn’s Smuggler’s End:The Life and Death of Barry Seal.

Follow us on X and Letterboxd–and let us know what you’d like us to watch! Incredible bumper music by John Deley. Also check out Dan’s new Substack site, Pages and Frames, for essays and short pieces about books and films.

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