In this special episode, the host and producer of The Art of Crime, Gavin Whitehead, joins us to explore the fascinating life of Madame Tussaud.

Known for founding the world-renowned wax museum, Tussaud’s story intersects with the dramatic history of the French Revolution, art, and even true crime.

Tune in for a captivating discussion on how Tussaud’s legacy continues to captivate audiences today, and for more, be sure to check out The Art of Crime wherever you get your podcasts!

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New episodes every month. Let's keep in touch!

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Instagram: @artofhistorypodcast | @matta_of_fact

In 1501, Lucrezia Borgia—daughter of the infamous Pope Alexander VI—briefly ruled the Vatican in his absence, a moment as shocking then as it is now. But how did she gain this rare position of power? And how does Frank Cadogan Cowper’s striking Pre-Raphaelite painting mirror our cultural perception of her?

Unravel the myths surrounding Lucrezia Borgia, explore the evolution of women’s roles in the Catholic Church, and examine how history, scandal, and art collide in depicting one of the Renaissance’s most enigmatic women.

Today's Image: Frank Cadogan Cowper, 'Lucretia Borgia Reigns in the Vatican in the Absence of Pope Alexander VI' (c. 1910). Oil on canvas. Tate Britain, London.

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Pieter Bruegel the Elder's Landscape with the Fall of Icarus reimagines Ovid's Metamorphoses, transforming the myth of Icarus into a meditation on human indifference and folly. This episode unpacks how Bruegel intertwines visual storytelling with contemporary Dutch and Flemish proverbs, reframing Icarus’ tragic fall as a subtle commentary on the world’s disregard for individual suffering.

Today’s artwork: Pieter Bruegel the Elder, Landscape with the Fall of Icarus (c. 1560). Oil on canvas. Royal Museums of Fine Arts, Brussels.

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Inspired by The Rainbow Portrait of Queen Elizabeth I at Hatfield Park, an extravagant cake was recently unveiled by Emma Jayne Cake Design, for Cake International 2024. Learn the secrets of this enthralling portrait and its cake twin on today's art bite!

Today's works:

Emma Jayne Cake Design, "Elizabeth I" and Unknown Artist, Rainbow Portrait of Queen Elizabeth I (c. 1600-1603). Hatfield House, United Kingdom.

Witchcraft has captivated the imagination of society for centuries, and is today viewed as an enigmatic symbol of limitless power and feminine agency. But this wasn’t always the case. Through art, we can track how witches, once considered monstrous agents of the devil, have been recast as complex figures of mystery, strength, and even allure.

Today's Images: Martin Schongauer, ‘The Temptation of St. Anthony’ (c. 1470); Hans Baldung Grien, ‘The Sorceress’ (1510);  Francisco Goya, 'Witches’ Flight' (1798); Luis Ricardo Falero, 'Witches Going to Their Sabbath' (1878); and Albert Joseph Pénot, 'The Bat Woman' (1890).

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Substack: https://mattaoffact.substack.com/p/off-with-her-head-anne-boleyn

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The story behind John Singer Sargent’s iconic painting, Portrait of Madame X, rarely focuses on on the life of its subject, Virginie Amélie Avegno Gautreau. A prominent Parisian socialite known for her striking beauty, Amélie's story before and after Sargent's portrait speaks volumes about attitudes towards women in the elite circles of Belle Époque Paris.

Today's artwork: John Singer Sargent, Portrait of Madame X (1884). Oil on Canvas. Metropolitan Museum of Art.

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This episode is brought to you by BetterHelp. Give online therapy a try at betterhelp.com/ARTHISTORY and take a step toward a more fulfilled, more curious you.

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George Washington was many things: general, president, family man, and slaveholder. This giant of American history had a complex relationship with the enslaved—and often invisible—laborers who made his achievements possible. But through the art historical record, we can catch glimpses of these individuals and discover how they impacted Washington's life...and legacy.

Today's image: John Trumbull, George Washington (1780). Oil on Canvas. Metropolitan Museum of Art.

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This episode is brought to you by BetterHelp. Give online therapy a try at betterhelp.com/ARTHISTORY and get on your way to being your best self.

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Artist and illustrator J.C. Leyendecker (1874-1951) helped shape modern American visual culture as the mind behind advertising campaigns like the legendary “Arrow Collar Man.” He was also responsible for countless covers for the Saturday Evening Post—one more, in fact, than Norman Rockwell. 

Modern biographers also hold that Leyendecker was a gay man. Critics are now asking themselves whether his sexuality permeated into some of his most iconic commercial illustrations. 

Today's Image: J.C. Leyendecker, “Record Time, Cool Summer Comfort,” (advertisement for Kuppenheimer menswear) (c. 1920). Oil on canvas. National Museum of American Illustration, Newport.

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This episode is brought to you by BetterHelp. Give online therapy a try at betterhelp.com/ARTHISTORY and get on your way to being your best self.

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I'm on vacation, and I hope you'll get some time away soon, too! Our featured podcast today is one that you'll 100% want to listen to on your summer travels: History Daily. 

Each weekday on History Daily, host Lindsay Graham (not the senator) takes you back in time to explore a momentous event that happened ‘on this day’ in history. History Daily is there to tell you the true stories of the people and events that shaped our world—one day at a time.

So if you’re stuck in traffic, bored at work—wherever you are, listen to History Daily to remind yourself that something incredible happened to make that day historic. A co-production from award-winning podcasters Airship and Noiser.

Listen here, or wherever you get your podcasts.

The internet has been ablaze with hot takes on King Charles III's brand-new royal portrait by British artist Jonathan Yeo. Does it depict a strong, capable monarch? Or one who is overshadowed by the chaotic state of his institution and modern world?

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