Pieter Bruegel the Elder's Landscape with the Fall of Icarus reimagines Ovid's Metamorphoses, transforming the myth of Icarus into a meditation on human indifference and folly. This episode unpacks how Bruegel intertwines visual storytelling with contemporary Dutch and Flemish proverbs, reframing Icarus’ tragic fall as a subtle commentary on the world’s disregard for individual suffering.

Today’s artwork: Pieter Bruegel the Elder, Landscape with the Fall of Icarus (c. 1560). Oil on canvas. Royal Museums of Fine Arts, Brussels.

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Inspired by The Rainbow Portrait of Queen Elizabeth I at Hatfield Park, an extravagant cake was recently unveiled by Emma Jayne Cake Design, for Cake International 2024. Learn the secrets of this enthralling portrait and its cake twin on today's art bite!

Today's works:

Emma Jayne Cake Design, "Elizabeth I" and Unknown Artist, Rainbow Portrait of Queen Elizabeth I (c. 1600-1603). Hatfield House, United Kingdom.

Witchcraft has captivated the imagination of society for centuries, and is today viewed as an enigmatic symbol of limitless power and feminine agency. But this wasn’t always the case. Through art, we can track how witches, once considered monstrous agents of the devil, have been recast as complex figures of mystery, strength, and even allure.

Today's Images: Martin Schongauer, ‘The Temptation of St. Anthony’ (c. 1470); Hans Baldung Grien, ‘The Sorceress’ (1510);  Francisco Goya, 'Witches’ Flight' (1798); Luis Ricardo Falero, 'Witches Going to Their Sabbath' (1878); and Albert Joseph Pénot, 'The Bat Woman' (1890).

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Substack: https://mattaoffact.substack.com/p/off-with-her-head-anne-boleyn

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The story behind John Singer Sargent’s iconic painting, Portrait of Madame X, rarely focuses on on the life of its subject, Virginie Amélie Avegno Gautreau. A prominent Parisian socialite known for her striking beauty, Amélie's story before and after Sargent's portrait speaks volumes about attitudes towards women in the elite circles of Belle Époque Paris.

Today's artwork: John Singer Sargent, Portrait of Madame X (1884). Oil on Canvas. Metropolitan Museum of Art.

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George Washington was many things: general, president, family man, and slaveholder. This giant of American history had a complex relationship with the enslaved—and often invisible—laborers who made his achievements possible. But through the art historical record, we can catch glimpses of these individuals and discover how they impacted Washington's life...and legacy.

Today's image: John Trumbull, George Washington (1780). Oil on Canvas. Metropolitan Museum of Art.

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Artist and illustrator J.C. Leyendecker (1874-1951) helped shape modern American visual culture as the mind behind advertising campaigns like the legendary “Arrow Collar Man.” He was also responsible for countless covers for the Saturday Evening Post—one more, in fact, than Norman Rockwell. 

Modern biographers also hold that Leyendecker was a gay man. Critics are now asking themselves whether his sexuality permeated into some of his most iconic commercial illustrations. 

Today's Image: J.C. Leyendecker, “Record Time, Cool Summer Comfort,” (advertisement for Kuppenheimer menswear) (c. 1920). Oil on canvas. National Museum of American Illustration, Newport.

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This episode is brought to you by BetterHelp. Give online therapy a try at betterhelp.com/ARTHISTORY and get on your way to being your best self.

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I'm on vacation, and I hope you'll get some time away soon, too! Our featured podcast today is one that you'll 100% want to listen to on your summer travels: History Daily. 

Each weekday on History Daily, host Lindsay Graham (not the senator) takes you back in time to explore a momentous event that happened ‘on this day’ in history. History Daily is there to tell you the true stories of the people and events that shaped our world—one day at a time.

So if you’re stuck in traffic, bored at work—wherever you are, listen to History Daily to remind yourself that something incredible happened to make that day historic. A co-production from award-winning podcasters Airship and Noiser.

Listen here, or wherever you get your podcasts.

The internet has been ablaze with hot takes on King Charles III's brand-new royal portrait by British artist Jonathan Yeo. Does it depict a strong, capable monarch? Or one who is overshadowed by the chaotic state of his institution and modern world?

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Adélaïde Labille-Guiard (1749–1803) rose from shopkeeper’s daughter to an official portraitist of the French royal court—only to have her achievements reduced to ash by the Revolution. While she defied societal barriers to build a remarkable artistic career, Adélaïde's legacy was long overshadowed by celebrated portraitist and memoirist Élisabeth Vigée-Lebrun.

Today, we’re joined by Bridget Quinn, author of the first (!!) full biography of the trailblazing artist: Portrait of a Woman: Art, Rivalry, and Revolution in the Life of Adélaïde Labille-Guiard. Quinn offers a fascinating new perspective on the layers of Adélaïde’s life—and her work. We discuss her life, her feminism, her sexuality, and her alleged “feud” with Vigée-Lebrun.

Pick up a copy of Portrait of a Woman here.

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The Chevalier d'Éon (1728–1810) is known as a transgender icon, living the first half of their life as a man, and the second as a woman. Theirs is also a life that is remarkably documented in contemporary artwork. But how much can we conclusively determine about how the Chevalier viewed themselves from their portraits?

Today's Image(s): Alexandre-Auguste Robineau, The Fencing-Match between the Chevalier de Saint-George and the Chevalier d'Éon (c. 1787-9). Oil on canvas. Royal Collection Trust.

And: Thomas Stewart, Chevalier d'Éon, after Jean-Laurent Mosnier (1792). National Portrait Gallery.

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