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By Amanda Matta
4.8
318318 ratings
The podcast currently has 54 episodes available.
The most played episodes among Podcast App listeners.

What did “free speech” mean before the Civil War...and what did it cost? Today, I'm exploring how Americans have debated the meaning of liberty through words, images, and even violence beginning with Samuel Jennings’s 1792 painting 'Liberty Displaying the Arts and Sciences' in 1790. Commissioned by Philadelphia’s Library Company, this version of liberty is imagined as a goddess who uses her staff to bestow knowledge and emancipation. Fast forward six decades, and a very different rod appears in the infamous 1856 caning of Senator Charles Sumner, captured in the print engraving 'Southern Chivalry.' Here, a gold-topped cane becomes a weapon to silence anti-slavery speech on the Senate floor. Along the way, we’ll trace how abolitionists like Benjamin Franklin, John Quincy Adams, and Frederick Douglass defended speech as action, not abstraction, and how attempts to gag or punish words have only sharpened conflict in American history. Today's Works: Samuel Jennings, ‘Liberty Displaying the Arts and Sciences, or The Genius of America Encouraging the Emancipation of the Blacks’ (c. 1792). Library Company of Philadelphia. and John L. Magee, ‘Southern chivalry - argument versus clubs.’ 1856. ______ New episodes every month. Let's keep in touch! Email: [email protected] Instagram: @artofhistorypodcast | @matta_of_fact

In Part 2 of our Impressionism series, we leave the floating world of Japan behind and step into the bustling studios, salons, and sun-drenched riverbanks of 19th-century France. This time, we meet the artists who dared to defy the rules (Monet, Morisot, Manet, Degas, Renoir, Cassatt) and the dealer, Paul Durand-Ruel, who bet everything on their vision. We’ll explore how these painters broke with tradition to capture the modern world around them…and how their movement spread, against all odds, to American collectors, museums, and artists. ______ New episodes every month. Let's keep in touch! Email: [email protected] Instagram: @artofhistorypodcast

Before Monet painted water lilies or Degas sketched ballerinas, a wave was crashing in from the East. In this episode, we explore how Japanese woodblock prints—especially Hokusai’s ‘The Great Wave off Kanagawa’—reshaped the way Western artists thought about space, subject, and form. From flattened perspective to everyday scenes, ukiyo-e wasn’t just decorative—it was revolutionary. We’ll unpack the rise of Japonisme, its deep (and sometimes uneasy) influence on Impressionism, and how one iconic wave helped turn the tide of art history. Today’s image: Katsushika Hokusai, ‘Under the Wave off Kanagawa (Kanagawa oki nami ura),’ (1830-32). Woodblock print; ink and color on paper. Metropolitan Museum of Art, New York. ______ New episodes every month. Let's keep in touch! Email: [email protected] Instagram: @artofhistorypodcast | @matta_of_fact

Witchcraft has captivated the imagination of society for centuries, and is today viewed as an enigmatic symbol of limitless power and feminine agency. But this wasn’t always the case. Through art, we can track how witches, once considered monstrous agents of the devil, have been recast as complex figures of mystery, strength, and even allure. Today's Images: Martin Schongauer, ‘The Temptation of St. Anthony’ (c. 1470); Hans Baldung Grien, ‘The Sorceress’ (1510); Francisco Goya, 'Witches’ Flight' (1798); Luis Ricardo Falero, 'Witches Going to Their Sabbath' (1878); and Albert Joseph Pénot, 'The Bat Woman' (1890). ______ Substack: https://mattaoffact.substack.com/p/off-with-her-head-anne-boleyn ______ New episodes every month. Let's keep in touch! Email: [email protected] Instagram: @artofhistorypodcast

Grant Wood (1891-1942) is probably best known for his double portrait depicting a man and woman on a farmstead - that icon of American painting, American Gothic. But his career encompassed so much more, and was marked by an uncanny ability to weave and deconstruct "American values"—whatever those are. In The Midnight Ride of Paul Revere, Wood builds us a dreamscape in which we can confront the fables and myths of our national identity head-on. And I'm bringing it to you just in time for Independence Day! Today's artwork: Grant Wood, The Midnight Ride of Paul Revere (1931). Oil on Masonite. Metropolitan Museum of Art, New York. ______ New episodes every month. Let's keep in touch! Email: [email protected] Patreon: https://www.patreon.com/matta_of_fact Instagram: @artofhistorypodcast TikTok: @artofhistorypod // @matta_of_fact
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