Decision to Leave? More like, decision to watch a good movie! EMMY AWARD WINNER (but more importantly, David Sims Best Supporting Actress Nominee of 2017) joins us to discuss Park’s most recent film, a romantic noir that gets text messaging absolutely right. We’re getting into everything, from the complexities of Tang Wei’s performance, to the concept of “sand beaching,” to S. Craig Zahler’s tight ponytail. Plus, we give our final Park rankings, and announce our next series, the worst-kept secret in podcasting.

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We couldn’t be more excited to talk about the film we consider to be Park’s masterpiece - the gorgeous, twisty, and ultimately moving THE HANDMAIDEN. “Mother of the Blankies” Emily Yoshida joins us to unpack this puzzlebox of an erotic thriller, a brilliant adaptation of Sarah Waters’ Fingersmith. Come for the coining of a new Blank Check phrase (thanks, researcher JJ!), stay for a very crucial “touch of the Tucc” tangent. By the way - what does that octopus actually do??

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Remember when the star of TV’s Prison Break (Wentworth Miller, “human map”) wrote a screenplay that landed on the Black List and ended up serving as the material for Park Chan-Wook’s only English film to date? What a time to be alive! Mia Wasikowska superfan Emily St. James returns to Blank Check to offer her take on 2013’s Stoker, a movie that is not NOT about vampires. Join us as we fawn over Park’s stunning directorial choices (that shot where Nicole Kidman’s hair transitions into grass!), go long on 2000s TV series (Prison Break obviously, but also In Treatment), and listen with delight as Emily shares some crucial David Sims lore.

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Move over, Dracula. Eat your heart out Edward Cullen. A new sexy vampire is in town, and he just happens to be a PRIEST! Park Chan-Wook reunites with the wonderful Song Kang-ho to put his own stamp on the popular genre with 2009’s THIRST. Inverse’s Hoi-Tran Boi joins us to chat about this darkly funny (and devilishly sound-designed) film, an adaptation of Emile Zola’s classic novel Thérèse Raquin. How do the rules of vampirism translate to a culture where everything is cooked with garlic?  

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From the twisted mind of Park Chan-Wook, it’s…a surprisingly sensitive romance set in a mental hospital? Writer and Comedian Karen Chee joins us to chat about 2006’s I’M A CYBORG, BUT THAT’S OKAY - a real outlier in Park’s career, and a commercial disappointment after the global success of his Vengeance Trilogy. Would it surprise you to learn that this film was inspired by, of all things, TOY STORY? Is this the best Park film to remake with a cast of Muppets? Are any of the film’s mental illnesses based in reality? All that, and more, in a very silly episode.

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DA MOVIESH ARE BACK, BABY! Film Director Barbie joins the gang to chat about Christopher Nolan’s latest and an historic weekend at the multiplex. What’s the best format for seeing OPPENHEIMER? Which of the many character actors in this film makes the biggest impression? Will David make his sexy Christopher Nolan voice a new recurring bit? Plus - we address the SAG strike (solidarity!), the social media discourse around this film (so dumb!), and Ben admits that science used to seem cool.

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It’s 2023. An all-powerful AI program named “the Entity” is sewing chaos and threatening the fragile equilibrium of the world as we know it. It is also throwing sick parties. Meanwhile, over at Blank Check HQ, the BENTITY has a few tricks up his sleeve to surprise Griffin, David, and Marie with a mission of their own as they break down Tom Cruise and Christopher McQuarrie’s latest big-screen extravaganza.

Special thanks to IMF team members Teo Rapp-Olsson and Patrick Willems. Support their work!

Patrick Willems: https://www.youtube.com/@patrickhwillems

Teo Rapp-Olsson: https://www.imdb.com/name/nm6231691/

Mission: Impoddible theme composed by Alex Barron

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Park Chan-Wook’s loosely-linked “Vengeance Trilogy” comes to a starkly satisfying end with 2005’s LADY VENGEANCE - a normal flick…that’s all we have to say! Just kidding - we have LOTS to say about this one, with its stacked cast of lady convicts and grief-stricken parents. Our beloved Karen Han returns to the pod to correct our terrible Korean pronunciations and to tell us about “Jump Like A Witch” - a Korean reality series wherein famous female celebrities attempt to form a basketball team. Plus - it should surprise no one that this episode contains plenty of Pirates of the Caribbean discussion.

Guest Links: 

Get Karen’s Book “BONG JOON HO DISSIDENT CINEMA”

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What is an Oldboy? How do you feel about Greek Tragedies? How did Choi Min-Sik achieve that iconic (and insane) hairstyle? Was giving the 2004 Palme d’Or to FAHRENHEIT 9/11 over this film one of the greatest mistakes in the history of arts and culture? All those questions answered and more as critic Alison Willmore joins us to talk about OLDBOY, the first major Korean breakthrough in the American filmbro canon. 

Guest Links: 

Read Alison's writing at New York Magazine

Especially “Theory: Top Gun: Maverick Is (Mostly) a Death Dream” if you haven’t already

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Park Chan-Wook kicks off his famous “Vengeance” trilogy and we kick off another episode where we talk about Ted Danson’s late 90s sitcom BECKER! Critic, friend of the pod, and Crystal Skull-apologist David Ehrlich joins us to chat about Park’s “Sympathy for Mister Vengeance” - a film that shows that revenge is not a dish best served cold, but is actually kind of sad and futile. Come for Ehrlich’s story about his teen trip to Seoul (when he had lunch with Director Park!), stay for the throwback memories of ordering imported DVDs from YesAsia-dot-com and the often misleading branding of the Tartan Asian EXTREME label.

Guest Links:

Read Ehrlich’s writing at IndieWire

Listen to Fighting in The War Room

Watch Ehrlich’s Best of Videos

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