Oof - this is a tough one. Incredibly divisive, is “STAR 80” a darkly cynical triumph about the perils of Hollywood and the failings of men? Or is it a too-sympathetic “Portrait of An Incel as a who cares?!” per our guest Julie Klausner? Join us for a very spirited discussion about Fosse’s difficult last film, where we touch upon the dangers of the true crime genre, the tendency for male creatives to prioritize the male perspective, and the ways in which this film complicates the fascinating legacy of Fosse’s collaborative relationships with women. Plus, we offer our final Fosse rankings, and we ponder several tantalizing “what ifs?” about the unrealized projects lost to history after his death in 1987.

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It’s SHOWTIME, folks - and boy, are we jazzed about this episode! Broadway icon and actual Blank Check listener Lin-Manuel Miranda joins us to talk about what many consider to be Bob Fosse’s masterpiece, 1979’s “All That Jazz.” LMM surprises Griffin and David by bringing along an original copy of the film’s script, which offers some fascinating insights into Fosse’s blurring of the lines between memoir and fiction. We discuss the parallels between “All That Jazz” and LMM’s recent screen adaptation of Jonathan Larson’s “tick, tick…BOOM!” - two projects that are concerned with the creation of art in the face of mortality and self-doubt. Plus - Ben gets a very special birthday present. 

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Sure, Bob Fosse’s “Lenny” has beautiful cinematography, but does it effectively communicate that Lenny Bruce was funny? Is the narrative of stand-ups as “tortured truth tellers” overdone? 

We have THOUGHTS! Comedian and “stand-up historian” Colin Quinn joins us to talk about the legacy of Lenny Bruce, and what Fosse gets right (the milieu of the clubs, Valerie Perrine’s wonderful performance as Honey Bruce), and what he gets wrong (the actual humor). Plus - we entertain the idea of a miniseries structured not around a specific filmmaker, but a series of late-70s, early-80s films where the main auteur is…cocaine.

Editor’s Note: This episode includes Zoom audio.

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Wilkommen and Bienvenue to our “Cabaret” episode! Literal Disney Princess and musical theater superstar Rachel Zegler joins us to gush over Fosse’s 1972 film - a game-changer for the musical genre, and an Oscar-winning guarantor for Fosse’s cinematic “blank check” after the failure of “Sweet Charity.” Topics discussed include: the differences between the screen version and the stage show; Joel Grey’s Emcee being nearly cut out of the film; Liza Minnelli crafting her own unique look for Sally Bowles; Whether Michael York’s best role was on “Gilmore Girls”; and more!

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The minute you walked in the joint…I could see you were a man of distinction, A REAL PODCASTER! “Pod That Jazzcast” - our series on the films of Bob Fosse - kicks off with a real humdinger of an episode, as the boys discuss 1969’s swinging technicolor musical “Sweet Charity.” For folks unfamiliar with Fosse, we give an overview of his life and career in dance and theater leading up to his film directorial debut, and attempt to decipher his creative obsessions (women, fear of balding, isolated body movements, etc). Plus, Ben realizes he loves musicals, and the boys wonder which brass musical instrument has the most inherent humor.

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Our Sam Raimi series concludes with his most recent film - not to mention the first MCU film we’ve covered on the main feed - it’s time for Doctor Strange 2! Patrick Willems joins us to address the important questions: What was Raimi *doing* for the nine years between this and Oz? Does Kevin Feige and his Marvel Machine overpower Raimi’s creative voice? Should “Wandavision” have been released after this movie? Is Schnipper’s on 8th Ave the ideal place to debrief after seeing a movie in Times Square? Should America Chavez have been an adorable hobo riding the rails in between dimensions instead of a human MacGuffin? All that, plus Ben deploys his “nerd alert” buzzer instead of shoving the guys into a locker.

Patrick’s new film Night of the Coconut is available on Nebula (nebula.app/nightofthecoconut) or goto curiositystream.com/patrickhwillems and sign up for a discounted annual plan with free access to Nebula with your subscription. You can watch more of Patrick’s work on his YouTube channel.

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Ah, yes - we’ve arrived at the reason why we held off on covering Sam Raimi for so long…because we didn’t want to end our series on such a dismal note! “Oz the Great and Powerful” - Raimi’s last feature until the recent “Doctor Strange in the Multiverse of Madness” - features James Franco in a performance that guest Dana Schwartz (“Noble Blood”) characterizes as “having the energy of a hot boy in a school play who’s laughing with his friends in the front row.” It doesn’t have the tactile, zippy cinematic language of Raimi’s best work, instead opting for the popular hyper-saturated, entirely digital look of Tim Burton’s “Alice in Wonderland” (a clear influence). But it *does* have a little girl made of porcelain who almost made Ben cry. Topics discussed include our desire for a Mila Kunissance, Zach Braff being the surprise MVP in this movie, whether “Tinkers” are a specific ethnicity or a class or workers, and the Disney IP lawyers who had to be on set making sure nothing infringed on MGM’s copyright of the classic Oz visuals.

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After the massive box office success of his Spider-Man movies, Sam Raimi went “back to basics” - returning to the gnarly demonic possession genre that he put his stamp on back in the “Evil Dead” days. This time, instead of the chin-god Bruce Campbell, we’ve got a particularly cherubic Alison Lohman in the starring role! The Bechdel Cast’s Caitlin Durante and Jamie Loftus join the #TwoFriends to chat about the goofy gross-out scares and economic recession relevance of 2009’s “Drag Me To Hell,” plus, we attempt to put together the ultimate canon of Goat Cinema.

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If “Spider-Man 2” had the reputation of being the greatest superhero movie of all time, “Spider-Man 3” had the inverse - a bloated mess with too many villains, and a very goofy Peter Parker going to the darkside, if by “darkside” you mean a trip to Men’s Warehouse and Hot Topic. But is that reputation justified? We’re gonna air on the side of…not REALLY. Notable Spidey 3 defender Jamelle Bouie (The New York Times, his podcast “Clear and Present Danger”) returns to Blank Check to praise this film’s focus on interpersonal relationships and quiet character moments. What else do we like? Griffin likes the “Editor’s Cut” (on Amazon Prime!). Ben *obviously* loves The Sandman. We all can agree that the much-memed sidewalk strut and jazz club sequences are a ton of fun. What doesn’t work? Let’s just say we have some issues with a lil guy named VENOM.

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For a while, “Spider-Man 2” was considered the high water mark for superhero movies - but does it hold up 14 years deep into the MCU? We’ve got two words for you - ALFRED MOLINA. Self-professed “Blank Check rabble rouser” Chris Gethard returns to the pod (and apologizes to the Blankie Community) as we trace the history and legacy of this iconic Spidey sequel. We love this movie so much, David doesn’t even care that the subway sequence isn’t accurate to New York! Other topics covered - why Aunt May should always be elderly and fragile, Tobey’s near-firing from the franchise, Mr Ditkovich Memes, our comic book villain rankings, and more!

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