Blank Check with Griffin & David

GET TO THE CHOPPA! Griffin attempts his best (actually, worst) Arnold voice this week as we head to the jungle with Jon Gabrus and some bic razors. For almost three hours, we’re dissecting every little bit of PREDATOR - the glow-stick goo alien blood, the Alan Silvestri score, Arnold’s calves, Arnold’s biceps, Arnold’s long red polo shirt, Arnold’s chiseled cheekbones, the way Arnold says KILL ME!!! - you can expect lots of Arnold talk. 

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Okay, action freaks! We’re kicking off our John McTiernan miniseries - POD HARD WITH A VENGECAST - with a film that is not at all indicative of the greatness to come. Nomads! A movie where Pierce Brosnan attempts a garbage French accent and is terrified by some punks in a van. That’s kind of the whole thing. Anyway - get ready for a spirited conversation about plenty of other topics, like: the filmography of Tom Shadyac! John McTiernan’s super cool dad! Gerard Depardieu’s face! The strict rules of Julliard! The 1976 Academy Awards! And more! 

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If Yentl was about connecting with her absent father, and The Prince of Tides was about forgiving her difficult mother, The Mirror Has Two Faces is just about BARBRA! Who Weekly’s Bobby Finger and Lindsay Weber join us as we close out our Streisand series with her final film, a strange Frankenstein of a Judd Apatow, Albert Brooks, and Nora Ephron romcom. Should Lauren (“Betty”) Bacall have won the Oscar that year? Should Pierce Brosnan and Jeff Bridges have swapped roles? Is “the perfect bite” the ideal romcom concept? Is Barbra Streisand actually lazy, as she claims she is? Do we have any listeners who keep snoballs in their drawers?

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Can you hear the crawdads sing? Or is that just our Nick Nolte impression? Our favorite Carolinian Katey Rich joins us to chat about Streisand’s 1991 adaptation of Pat Conroy’s bugnuts novel, a story that includes some serious ethical breaches made by alluring therapist Susan Lowenstein. Listen along as Katey shares some tidbits from the book that did NOT make the screen adaptation (a tiger, for example), Griffin relates to Jason Gould’s attempts to be sporty, and David offers his hot take that this is a better 90s therapy movie than Good Will Hunting.  

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Surprise! In a first for Blank Check, we're dropping a bonus main-feed episode featuring a conversation with an Academy Award-nominated star of the film we just covered. The great Amy Irving joins us for a fun conversation about her career highs and lows, the behind-the-scenes YENTL gossip, and Ben's buried jeans. That's right, we have to explain Ben's denim thing to Amy Irving.

Follow Amy on IG @amyirvingofficial AND checkout her album "Born In A Trunk" on Spotify, Apple Music, Bandcamp or wherever you get music!

To witness the Buried Jeans™ in 3D and the rest of the 2024 collection goto congratyoulations.com

Plus, it's never too late to check out the Slow Xmas 2023 holiday music compilation now on Spotify, Apple Music, Bandcamp or wherever you get music!

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Podcast, can you hear me?” We certainly can, Barbra! The very menschy Jordan Hoffman joins us to chat about Streisand’s official directorial debut, a marvel of a film that makes anyone describing it sound insane. Yes, Barbra wrote, directed, produced, and starred in a period piece about a shtetl girl who crossdresses in order to study the Talmud. Yes, the film is a musical with songs composed by Michel Legrand. Yes, Barbra is the only person who sings in it, despite the male lead being Broadway legend Mandy Patinkin. Yes, Steven Spielberg called this movie “the greatest directorial debut since CITIZEN KANE.” Yes, we think Barbra should enter the MCU and direct Ant Man 4. Wait, what?

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Hello Gorgeous! We’re kicking off our Barbra Streisand series (titled “Podcastl,” naturally) with a look at her version of the classic Hollywood cautionary tale - 1976’s A STAR IS BORN. And who better to join us than our own songbird superstar - the lovely Rachel Zegler! While Babs didn’t technically direct this one, she and her partner Jon Peters (Bradley Cooper in LICORICE PIZZA, duh) exacted supreme creative control over the project - to mixed results. Join us as we trace the beginning of Streisand’s career, go down several rabbit holes of who else was considered for this movie (Elvis, Sonny and Cher), and speak fondly about Mariah Carey’s GLITTER. Because, why not?!

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Vroom vroom! Michael Mann is BACK. Bilge Ebiri is BACK. How do you say “we’re so back” in Italian? Join us as we talk about cars that go fast (Ferraris), hair that grows long (Adam Driver’s, normally), faces that have seen smart phones (Shailene Woodley’s) and character actors that could have been in this movie (Paul Giamatti, but specifically as Pig Vomit). Masculinity is a cage, machines that work the best are the most beautiful, and we all think that the Mille Miglia seems like a bad idea. No grazie!

This episode is sponsored by:

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We’re closing out 2023 with two words - Wet. Chocolate. Join us as we bid farewell to the DCEU, say “hello fennel” to Timothée Chalamet, and bring our craziest unhinged, “end of school year” energy to two very different new releases. Orm.

Check out Matt Singer’s Wonka Themed IHOP menu article.

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The music! The makeup! The MAESTRO! We’re diving into Bradley Cooper’s Leonard Bernstein biopic, the result of his post-A STAR IS BORN Blank Check, and we’re getting personal, emotional, and pretty ridiculous. Who does Griffin’s Bernstein impression sound like (because it certainly doesn’t sound like Bernstein)? What is Ben’s familial connection to the Maestro? Will Marie ever forgive Griffin for inviting Bobby Wagner on a date to visit Bradley Cooper’s Philly cheesesteak truck instead of her? Will David ever forgive Griffin for comparing the Maestro to Will Smith?

Theme music by Alex Barron

Music selection "We Three Kings" by Amy Irving, Goolis, Aaron Is Your Friend from Slow Xmas 3.

Check out the Slow Xmas 2023 holiday music compilation now on Spotify, Apple Music, Bandcamp or wherever you get music!

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