Broken Record with Rick Rubin, Malcolm Gladwell, Bruce Headlam and Justin Richmond

BROCKHAMPTON's original members formed after posting on a Kanye West fan message board in 2010, and then started making music in The Woodlands, Texas. Since then, they’ve turned the idea of a boy band on its head. With as many as 14 members at times, BROCKHAMPTON's deconstructed the traditional pop star/rap ethos by being unapologetically inclusive of racial and sexual identities. 

Today BROCKHAMPTON's frontman Kevin Abstract talks through the group’s sixth and latest album, Roadrunner: New Light, New Machine with Rick Rubin. We’ll hear Kevin talk about how the project slowly evolved from a pop album to something darker and more rap driven. Kevin also explains how supporting one of the group’s members through losing their dad became the album’s creative thrust, and explains why their next album will probably be their last.

Subscribe to Broken Record’s YouTube channel to hear all of our interviews:  https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com

Check out a playlist of our favorite BROCKHAMPTON and Kevin Abstract tracks  HERE.

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Archie Shepp is a tenor saxophonist and composer who's spent over half a century contributing to the evolution of Black music. Shepp has long fought for Black musicians to get their fair share of credit, recognition and recompense for their contributions to popular music. Shepp's been considered a leader of avant-garde jazz since the 60's. He's famously played alongside John Coltrane, Lee Morgan, and the great free jazz pianist, Cecil Taylor. But 84-year-old Shepp doesn’t consider the music he plays jazz at all. He calls it “African American music” to acknowledge the Black Americans who created the tradition.

On today’s episode, Justin Richmond talks to Archie Shepp about how an assignment he received in the third grade sparked the activism that's been ever present in his 60-year career. Shepp also talks about his relationship with Coltrane, who he says never took his horn out of his mouth. And he also recalls the rhetorical power of Malcolm X and the lasting image of seeing him speak to a sea of black heads on the streets of Harlem.

Subscribe to Broken Record’s YouTube channel to hear all of our interviews:  https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com

Check out a playlist of our favorite Archie Shepp tracks  HERE.

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Craig Finn, the lead singer and songwriter of The Hold Steady, is known for his vivid, literary-style songwriting. He often writes about characters going through an existential crisis. The Hold Steady released their eighth album, Open Door Policy, earlier this year. This time around, the Minneapolis-born Finn says his focus is on themes related to the trappings of technology and late-stage capitalism. 

On today’s episode Craig Finn talks to Bruce Headlam about how the Drive By Truckers inspired him to create The Hold Steady, how Springsteen taught him to vamp, and why he feels like it’s his duty to not only write about the party, but to write about the hangover too.

Subscribe to Broken Record’s YouTube channel to hear all of our interviews:  https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com

Check out a playlist of our favorite Craig Finn and Hold Steady tracks  HERE.

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At Pushkin, we think of Juneteenth as an opportunity to reflect on the past and think about the future: How do we build a more just and equitable society? We strive to make podcasts that help answer that question, and in honor of Juneteenth, we’re highlighting two of them. In this episode, you'll hear previews of our new shows Be Antiracist and A Slight Change of Plans. We hope these episodes inspire thinking and conversation around issues of race in your own lives.

You can listen to more episodes at www.pushkin.fm/show/ 

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Moby may be one of the most highly recognizable dance-music artists of all time, but he’s also a talented multi-hyphenate whose unconventional 30-year career includes massive success as a producer and DJ, and notoriety as an animal rights activist. Moby’s latest project, Reprise, is a greatest hits album that revisits the highlights of his extensive catalogue. Recorded with the Budapest Art Orchestra and various vocalists like Jim James, Moby’s most well known electronic songs are reimagined on Reprise into sparse, soul-stirring compositions.

On today’s episode we’ll hear Rick Rubin and Moby reminisce about their early punk rock days in New York City, and the first time Moby ever heard house music while dancing in a club basement next to Prince. Moby also talks about what it was like to be buddies with David Bowie, getting sober, and why he decided to sell the big fancy castle he lived in all by himself.

Subscribe to Broken Record’s YouTube channel to hear all of our interviews:  https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com

Check out a playlist of Moby's early influences from the NYC club scene  HERE.

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Brian Eno’s 50-year career is teeming with innovation. He started out playing synths in the early ‘70s as a member of the UK glam-rock band Roxy Music and went on to create an entirely new musical genre—ambient music, and later he recorded a series of solo albums and eventually produced career-defining albums for a host of bands including U2, Devo and Coldplay.

On today’s episode Rick Rubin talks to Brian Eno about his new radio station through Sonos Radio HD called The Lighthouse, and his love for the musical space that exists between humans and machines. Eno also recalls predicting the birth of hip-hop in the back of a cab with David Bryne, and he explains why listening to Beyoncé through a wall is strangely satisfying.

Subscribe to Broken Record’s YouTube channel to hear all of our interviews:  https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com

Check out a playlist of our favorite Brian Eno songs HERE.

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Liz Phair helped lay the foundation for a generation of fierce, independent artists on her gritty 1993 debut album, Exile In Guyville. Early in her career, she pushed for freedom and creative control, especially for female artists. It's something she’s finally seeing become the norm in the industry. That progress inspired her new record, Soberish where she reunites with the producer of her first two albums: Brad Wood.

On today’s episode Bruce Headlam talks to Liz Phair about how her approach to recording music isn’t a technical one — she relies on the unique way she hears music and her background as a visual artist. She also talks about how her first ever creative aspiration was to write a classic Christmas carol.

Subscribe to Broken Record’s YouTube channel to hear all of our interviews:  https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com

Check out a playlist of our favorite Liz Phair songs HERE.

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Rhiannon Giddens is a brilliant fiddle and banjo player who’s one of the few musicians alive today trained in the centuries-old black string band tradition. Giddens is a North Carolina native but now lives in Ireland, not far from her partner Francesco Turrisi. During lockdown, the duo recorded their latest album, They’re Calling Me Home. On today’s episode, Bruce Headlam talks to Giddens about her decision to write from a cultural point of view rather than her own. Giddens also talks about how she has been able to maintain a living connection to the near-extinct black square dance players. And we’ll hear her play a banjo style that originated in West Africa.

Subscribe to Broken Record’s YouTube channel to hear all of our interviews:  https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com

Check out a playlist of our favorite Rhiannon Giddens songs HERE.

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In 2005 singer Bonnie "Prince" Billy a.k.a. Will Oldham and guitarist Matt Sweeney released the Superwolf album, which has developed a cult following that includes Rick Rubin who absolutely fell in love with the project. Now, 16 years later, they’re back with the follow-up, Superwolves.

The new album was five years in the making—a leisurely pace that allowed Oldham and Sweeney to be incredibly intentional with their creative choices. On today’s episode, Rick Rubin talks to Oldham and Sweeney about their work together, which Rick considers some of his favorite contemporary music and the reason he’s since used Sweeney on so many of the sessions he’s produced including the Dixie Chicks, Cat Stevens, and Adele. Will Oldham talks about his philosophy on connecting with his audience, and how if this pandemic were to take us all, Superwolves would be a great album to go out on.

Subscribe to Broken Record’s YouTube channel to hear all of our interviews:  https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord

You can also check out past episodes here: https://brokenrecordpodcast.com

Check out a playlist of our favorite Bonnie "Prince" Billy and Matt Sweeney songs HERE. Also, here is a playlist of some of Oldham's favorite songs and here is a playlist of some of Sweeney's. You can purchase their new record here.

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The Bomber Mafia is the new audiobook by Revisionist History host (and Pushkin co-founder) Malcolm Gladwell. It examines the rise of air power, which created one of the greatest moral challenges of the Second World War. In The Bomber Mafia, you’ll hear the voices of the generals, aircraft soaring, and bombs crashing. It is history brought to life through the power of audio. Buy the audiobook at bombermafia.com and receive an exclusive Listener's Guide full of photos and commentary. Print and ebook editions available wherever books are sold.

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