Decoder with Nilay Patel

Today, I’m talking with Roy Jakobs. He’s the CEO of Royal Philips, which makes medical devices ranging from MRI machines to ventilators. Philips has a long history —- the company began in the late 19th century as a lightbulb manufacturer, and over the past century it’s grown and shrunk in various ways. Basically, while every other company has been trying to get bigger, Philips has been paring itself down to a tight focus on healthcare, and Roy and I talked about why that market is worth the focus. 

Roy and I also talked about an ongoing controversy at Philips that he had a part in: In 2021, after years of consumer complaints, Philips was made to recall millions of its breathing machines. Those devices were eventually tied to more than 500 deaths. That’s a pretty big decision, with massive life-or-death consequences, and you’ll hear us talk about it in detail.

Links: 

Transcript: https://www.theverge.com/e/24006874

Credits: 

Decoder is a production of The Verge and part of the Vox Media Podcast Network.

Our producers are Kate Cox and Nick Statt. Our editor is Callie Wright. Our supervising producer is Liam James.

The Decoder music is by Breakmaster Cylinder.

Learn more about your ad choices. Visit podcastchoices.com/adchoices

We’ve been covering the rise of AI image editing very closely here on Decoder and at The Verge for several years now — the ability to create photorealistic images with nothing more than a chatbot prompt could completely reset our cultural relationship to photography. But one argument keeps cropping up in response. You’ve heard it a million times, and it’s when people say “it’s just like Photoshop,” with “Photoshop” standing in for the concept of image editing generally. 

So today, we’re trying to understand exactly what it means, and why our new world of AI image tools is different — and yes, in some cases the same. Verge reporter Jess Weatherbed recently dove into this for us, and I asked her to join me in going through the debate and the arguments one by one to help figure it out.

Links: 

Credits: 

Decoder is a production of The Verge and part of the Vox Media Podcast Network.

Our producers are Kate Cox and Nick Statt. Our editor is Callie Wright. Our supervising producer is Liam James.

The Decoder music is by Breakmaster Cylinder.

Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today, I’m talking with Mike Krieger, the new chief product officer at Anthropic, one of the hottest AI companies in the industry. Anthropic’s main product right now is Claude, the name of both its industry-leading AI model and a chatbot that competes with ChatGPT. 

Mike has a fascinating resume: he was the cofounder of Instagram, and then started AI-powered newsreader Artifact. I was a fan of Artifact, so I wanted to know more about the decision to shut it down as well as the decision to sell it to Yahoo. And then I wanted to know why Mike decided to join Anthropic and work in AI — an industry with a lot of investment, but very few consumer products to justify it. What’s this all for? 

Links: 

Transcript: https://www.theverge.com/e/24001603

Credits:

Decoder is a production of The Verge and part of the Vox Media Podcast Network.

Our producers are Kate Cox and Nick Statt. Our editor is Callie Wright. Our supervising producer is Liam James.

The Decoder music is by Breakmaster Cylinder.

Learn more about your ad choices. Visit podcastchoices.com/adchoices

The web has a problem: huge chunks of it keep going offline. The web isn’t static, parts of it sometimes just… vanish.

But it’s not all grim. The Internet Archive has a massive mission to identify and back up our online world into a vast digital library. In 2001, it launched the Wayback Machine, an interface that lets anyone call up snapshots of sites and look at how they used to be and what they used to say at a given moment in time. Mark Graham, director of the Wayback Machine, joins Decoder this week to explain both why and how the organization tries to keep the web from disappearing.

Links: 

Credits: 

Decoder is a production of The Verge and part of the Vox Media Podcast Network.

Our producers are Kate Cox and Nick Statt. Our editor is Callie Wright. Our supervising producer is Liam James.

The Decoder music is by Breakmaster Cylinder.

Learn more about your ad choices. Visit podcastchoices.com/adchoices

Decoder is off this week for a short end-of-summer break. We’ll be back with both our interview and explainer episodes after the Labor Day holiday. In the meantime we thought we’d re-share an explainer that’s taken on a whole new relevance in the last couple weeks, about deepfakes and misinformation.

In February, I talked with Verge policy editor Adi Robertson how the generative AI boom might start fueling a wave of election-related misinformation, especially deepfakes and manipulated media. It’s not been quite an apocalyptic AI free-for-all out there. But the election itself took some really unexpected turns in these last couple of months. Now we’re heading into the big, noisy home stretch, and use of AI is starting to get really weird — and much more troublesome. 

Links: 

Credits: 

Decoder is a production of The Verge and part of the Vox Media Podcast Network.

Our producers are Kate Cox and Nick Statt. Our editor is Callie Wright. Our supervising producer is Liam James.

The Decoder music is by Breakmaster Cylinder.

Learn more about your ad choices. Visit podcastchoices.com/adchoices

Decoder is off this week for a short end-of-summer break. We’ll be back with both our interview and explainer episodes after the Labor Day holiday, and I’m very excited for what we have coming up on the schedule. 

But while we’re out, we’d like to highlight a great episode from the Land of the Giants podcast, which is over at Vulture this season, for a deep dive into Disney. Can it be a tech company? It’s the question that defines the struggles of its streaming service Disney Plus — and it also tells us where it needs to go in the future to compete with Amazon, Apple, and Netflix. 

Links: 

Credits: 

Decoder is a production of The Verge and part of the Vox Media Podcast Network.

Our producers are Kate Cox and Nick Statt. Our editor is Callie Wright. Our supervising producer is Liam James.

The Decoder music is by Breakmaster Cylinder.

Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Onion is a comedy institution — and like everything else in media, it went on a pure nightmare hell ride in the 2010s. We could do an entire episode on the G/O Media calamity, but the short version is: A bunch of friends just managed to buy The Onion, and they're busy relaunching the website, going back to print, and, clearly, having a blast doing it. CEO Ben Collins and chief product officer Danielle Strle joined me to explain how that even works in 2024.

Links: 

Transcript: https://www.theverge.com/e/23989633

Credits:

Decoder is a production of The Verge and part of the Vox Media Podcast Network.

Our producers are Kate Cox and Nick Statt. Our editor is Callie Wright. Our supervising producer is Liam James.

The Decoder music is by Breakmaster Cylinder.

Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today I’m talking with Thomas Dohmke, the CEO of GitHub. GitHub is the platform for managing code – but since 2018, it’s also been owned by Microsoft. We talk a lot about how independent GitHub really is inside of Microsoft — especially now that Microsoft is all-in on AI, and Gitbhub Copilot is one of the biggest AI product success stories that exists right now. But his perspective on AI is pretty refreshing: It’s clear there’s still a long way to go.

Links: 

Transcript: https://www.theverge.com/e/23986019

Credits:

Decoder is a production of The Verge, and part of the Vox Media Podcast Network.

Our producers are Kate Cox and Nick Statt. Our editor is Callie Wright. Our supervising producer is Liam James.

The Decoder music is by Breakmaster Cylinder.

Learn more about your ad choices. Visit podcastchoices.com/adchoices

There’s a major internet speech regulation currently making its way through Congress, and it has a really good chance of becoming law. It’s called KOSPA: the Kids Online Safety and Privacy Act, which passed in the Senate with overwhelming bipartisan support late last month. At a high level, KOSPA could radically change how tech platforms handle speech in an effort to try and make the internet safer for minors. 

It’s a controversial bill, with a lot going on. To break it all down, I invited on Verge senior policy reporter Lauren Feiner, who’s been covering these bills for months now, to explain what’s happening, what these bills actually do, and what the path forward for this legislation looks like.

Links: 

Credits: 

Decoder is a production of The Verge, and part of the Vox Media Podcast Network.

Our producers are Kate Cox and Nick Statt. Our editor is Callie Wright. Our supervising producer is Liam James.

The Decoder music is by Breakmaster Cylinder.

Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today, I’m talking with Replika founder and CEO Eugenia Kuyda, and I will just tell you right away, we get all the way to people marrying their AI companions, so get ready. It’s a ride.

Replika’s basic pitch is pretty simple: what if you had an AI friend? The company offers avatars you can curate to your liking that pretend to be human, so they can be your friend, your therapist, or even your date. That’s a lot for a private company running an iPhone app, and Eugenia and I talked a lot about the consequences of this idea and what it means for the future of human relationships. 

Links: 

Transcript: https://www.theverge.com/e/23980789

Credits:

Decoder is a production of The Verge, and part of the Vox Media Podcast Network.

Our producers are Kate Cox and Nick Statt. Our editor is Callie Wright. Our supervising producer is Liam James.

The Decoder music is by Breakmaster Cylinder.

Learn more about your ad choices. Visit podcastchoices.com/adchoices