Decoder with Nilay Patel

If you’ve been listening to Decoder or the Vergecast for a while, you know that I am obsessed with Google Search, the web, and how both of those things might change in the age of AI. But to really understand how something might change, you have to step back and understand what it is right now. 

So today I’m talking with Verge platforms reporter Mia Sato about Google Search, the industries it’s created, and more importantly, how relentless search engine optimization, or SEO, has utterly changed the web in its image. Mia and I really dug into this to explain why search results are so terrible now, what Google is trying to do about it, and why this is such an important issue for the future of the internet.

Links: 

Credits: 

Decoder is a production of The Verge, and part of the Vox Media Podcast Network.

Today’s episode was produced by Kate Cox and Nick Statt and was edited by Callie Wright. Our supervising producer is Liam James. 

The Decoder music is by Breakmaster Cylinder.

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Today, I’m talking to Kyle Chayka, a staff writer for The New Yorker, a regular contributor to The Verge, and author of the new book Filterworld: How Algorithms Flattened Culture. Kyle has been writing for years now about how the culture of big social media platforms bleeds into real life, first affecting how things look, and now shaping how and what culture is created and the mechanisms by which that culture spreads all around the world. 

If you’ve been listening to Decoder, this is all going to sound very familiar. The core thesis of Kyle’s book — that algorithmic recommendations make everything feel the same — hits at an idea that we’ve talked about countless times on the show: that how content is distributed shapes what content is made. So I was really excited to sit down with Kyle and dig into Filterworld and his thoughts on how this happened and what we might be able to do about it.

Links: 

Transcript: https://www.theverge.com/e/23858379

Credits: 

Decoder is a production of The Verge and part of the Vox Media Podcast Network.

Today’s episode was produced by Kate Cox and Nick Statt and was edited by Callie Wright.

The Decoder music is by Breakmaster Cylinder.

Learn more about your ad choices. Visit podcastchoices.com/adchoices

Our Thursday episodes are all about big topics in the news, and this week we’re wrapping up our short series on one of the biggest topics of all: generative AI. In our last couple episodes, we talked a lot about some of the biggest, most complicated legal and policy questions surrounding the modern AI industry, including copyright lawsuits and deepfake legislation. But we wanted to end on a more personal note: How is this technology making people feel, and in particular how is it affecting how people communicate and connect?

Verge reporter Miya David has covered AI chatbots — specifically AI romance bots — quite a bit, so we invited her onto the show to talk about how generative AI is finding its way into dating. We not only discussed how this technology is affecting dating apps and human relationships, but also how the boom in AI chatbot sophistication is laying the groundwork for a generation of people who might form meaningful relationships with so-called AI companions.

Links: 

Transcript: https://www.theverge.com/e/23856679

Credits: 

Decoder is a production of The Verge and part of the Vox Media Podcast Network.

Today’s episode was produced by Kate Cox and Nick Statt and was edited by Callie Wright.

The Decoder music is by Breakmaster Cylinder.

Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this special episode of Decoder, science educator and YouTuber Hank Green is guest hosting. And the guest? It’s Nilay Patel, who sat down with Hank to discuss building The Verge, the state of media, and the future of the web. Also: whether the fediverse is worth investing in, and how social platforms’ control of distribution has shaped the internet.

In the words of Hank: “Nilay has got some weird ideas about the internet. For example, that he’s going to revolutionize the media through blog posts. He keeps saying it, but what the hell does he mean? While I was busy building my business on other people’s platforms, Nilay has built something very rare in the year 2024: a website that publishes content and isn’t behind a paywall yet still makes money. How does he do it? How does he make decisions? How is The Verge structured? The tables have turned.”

Links:

Transcript: https://www.theverge.com/e/23851875

The Vergecast and Decoder are live at SXSW this weekend, March 8th and 9th. SXSW attendees can see both shows live on the official Vox Media Podcast Stage at the JW Marriott, presented by Atlassian. Learn more at voxmedia.com/live.

Credits:

Decoder is a production of The Verge and part of the Vox Media Podcast Network.

Today’s episode was produced by Kate Cox and Nick Statt and was edited by Callie Wright.

The Decoder music is by Breakmaster Cylinder. 

Learn more about your ad choices. Visit podcastchoices.com/adchoices

Our new Thursday episodes of Decoder are all about deep dives into big topics in the news, and this week we’re continuing our mini-series on one of the biggest topics of all: generative AI. Last week, we took a look at the wave of copyright lawsuits that might eventually grind this whole industry to a halt. Those are basically a coin flip — and the outcomes are off in the distance, as those cases wind their way through the legal system. 

A bigger problem right now is that AI systems are really good at making just believable enough fake images and audio — and with tools like OpenAI’s new Sora, maybe video soon, too. And of course, it’s once again a presidential election year here in the US. So today, Verge policy editor Adi Robertson joins the show to discuss how AI might supercharge disinformation and lies in an election that’s already as contentious as any in our lifetimes — and what might be done about it.

Links: 

Credits:

Decoder is a production of The Verge and part of the Vox Media Podcast Network.

Today’s episode was produced by Kate Cox and Nick Statt and was edited by Callie Wright.

The Decoder music is by Breakmaster Cylinder.

Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today, I’m talking with Rahul Purini, the president of Crunchyroll, a streaming service focused entirely on anime — and really, the biggest anime service still going. Rahul has a long history with anime: he spent more than seven years at Funimation, a company that started in the 90s to distribute Dragon Ball Z to US audiences, before getting the top job at Crunchyroll.

Anime might seem like niche content, but it’s not nearly as niche as you might think – our colleagues over at Polygon just ran a huge survey of anime viewers and found that 42% of Gen Z and 25% of millennials watch anime regularly. And Crunchyroll is growing with that audience — like most entertainment providers, the service absolutely exploded during the pandemic, going from 5 million paying subscribers in 2021 to more than 13 million as of last month. 

But interestingly Rahul says Crunchyroll’s growth isn’t being driven by more and more people watching anime, but more and more anime fans — especially those watching pirated content — choosing to pay for it.

Links: 

Transcript: https://www.theverge.com/e/23845221

Credits: 

Decoder is a production of The Verge and part of the Vox Media Podcast Network.

Today’s episode was produced by Kate Cox and Nick Statt and was edited by Callie Wright.

The Decoder music is by Breakmaster Cylinder. 

Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Decoder team is off this week. We’ll be back next week with both the interview and the new explainer episodes; we’re really excited about what’s on the schedule here. 

In the meantime, I thought you all might enjoy a conversation I had with Kara Swisher, the Wall Street Journal’s Joanna Stern and Bloomberg’s Mark Gurman about the Apple Vision Pro. All of us have been covering Apple for a very long time, and we had a lot of fun swapping impressions, talking strategy, and sharing what we liked, and didn’t like, about Apple’s $3,500 headset. 

Links: 

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Our new Thursday episodes are all about deep dives into big topics in the news, and for the next few weeks we’re going to stay focused on one of the biggest topics of all: generative AI. There’s a lot going on in the world of generative AI, but maybe the biggest is the increasing number of copyright lawsuits being filed against AI companies like OpenAI and StabilityAI.

So for this episode, we’re going to talk about those cases, and the main defense the AI companies are relying on: an idea called fair use. To help explain this mess, I talked with Sarah Jeong. Sarah is a former lawyer and a features editor here at The Verge, and she is also one of my very favorite people to talk to about copyright. I promise you we didn’t get totally off the rails nerding out about it, but we went a little off the rails. The first thing we had to figure out was: How big a deal are these AI copyright suits?

Links: 

Credits: 

Decoder is a production of The Verge and part of the Vox Media Podcast Network.

Today’s episode was produced by Kate Cox and Nick Statt and was edited by Callie Wright.

The Decoder music is by Breakmaster Cylinder. 

Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today, I’m talking with Jonathan Kanter, the Assistant Attorney General in charge of the Antitrust Division at the Department of Justice. Alongside FTC chair Lina Khan, Jonathan is one of the most prominent figures in the big shift happening in competition and antitrust in the United States. This is a fun episode: we taped this conversation live on stage at the Digital Content Next conference in Charleston, South Carolina a few days ago, so you’ll hear the audience, which was a group of fancy media company executives. 

You’ll also hear me joke about Google a few times; fancy media execs are very interested in the cases the DOJ has brought against Google for monopolizing search and advertising tech — and Jonathan was very good at not commenting about pending litigation. But he did have a lot to say about the state of tech regulation, he and Khan’s track record so far, and why he thinks the concepts they’re pushing forward are more accessible than they’ve ever been.

Links: 

Transcript: https://www.theverge.com/e/23831914

Credits: 

Decoder is a production of The Verge and part of the Vox Media Podcast Network.

Today’s episode was produced by Kate Cox and Nick Statt and was edited by Callie Wright.

The Decoder music is by Breakmaster Cylinder.

Learn more about your ad choices. Visit podcastchoices.com/adchoices

We’re very excited for today’s episode, because from now on we’ll be delivering you two Decoders every week. On Monday’s we’ll have our classic interviews with CEOs and other high-profile guests. But our new shorter Thursday episode – like today’s – will explain big topics in the news with Verge reporters, experts, and other friends of the show. 

The big idea we’re going to jump into today does in fact have a lot of problems: electric vehicle adoption in the US. We invited Verge Transportation Editor Andy Hawkins, who’s been covering the EV transition for years, to walk us through what’s happening. 

Late last year, Andy wrote a fantastic article called, “The EV Transition trips over its own cord.” It was all about the kind of paradox of the EV market right now: The momentum for electric cars in America feels like it’s started to hit serious snags, even though more people than ever before are going fully electric. The stakes are high, and there’s a lot going on. Let’s get into it. 

Links: 

Credits: 

Decoder is a production of The Verge and part of the Vox Media Podcast Network.

Today’s episode was produced by Kate Cox and Nick Statt and was edited by Callie Wright.

The Decoder music is by Breakmaster Cylinder.

Learn more about your ad choices. Visit podcastchoices.com/adchoices