Glenda Jackson is the subject of a BFI season and in this film she plays part of a love triangle in John Schlesinger's follow up to his Oscar winning Midnight Cowboy. The plot written by Penelope Gilliat centres on an artist who has relationships with a female job consultant and a male doctor. Was the 1971 film ahead of its times? Matthew Sweet re-watches it with guests including Glenda Jackson, playwright Mark Ravenhill, film historian Melanie Williams and BFI National Archive curator Simon McCallum. They discuss the different elements of the film, including the score, which features the trio Soave sia il vento from Mozart's opera Così fan tutte, the very precise decor and evocation of late 60s London and filming inside a Jewish synagogue. The Glenda Jackson season runs at the BFI across July with a screening of this film on July 24th.

Producer: Fiona McLean

Sunday Bloody Sunday (1971) still courtesy BFI

You can find Matthew Sweet discussing other classics of British Cinema in the Free Thinking archives including:

British New Wave Films of the 60s - Joely Richardson and Melanie Williams evaluate the impact and legacy of Woodfall Films, the company behind Look Back in Anger, A Taste of Honey and The Loneliness of the Long Distance Runner. https://www.bbc.co.uk/programmes/b09ysnl2

An extended interview with Mike Leigh, recorded as he released his historical drama Peterloo, but also looks back at his film from 1984 Four Days in July https://www.bbc.co.uk/programmes/m0000tqw

Early Cinema looks back at a pioneer of British film Robert Paul and at the work of Alice Guy https://www.bbc.co.uk/programmes/m000dy2b

Philip Dodd explores the novel and film of David Storey's This Sporting Life with social historian Juliet Gardiner, journalist Rod Liddle, writer Anthony Clavane and the author's daughter Kate Storey https://www.bbc.co.uk/programmes/b09j0rt6

Samira Ahmed convenes a discussion about British Social Realism in Film https://www.bbc.co.uk/programmes/b01pz16k