On yesterday’s episode of Sway, the chief executive of Mastercard spoke about why the company blocked subscription payments on Pornhub. Was it too little too late? Kara asks Nicholas Kristof, the journalist whose reporting on child pornography forced the payment company’s hand.

You can find transcripts (posted midday) and more information for all episodes at nytimes.com/sway, and you can find Kara on Twitter @karaswisher.

Ajay Banga has spent a decade as chief executive of Mastercard. Last year, he oversaw $6.5 trillion in transactions. That means he knows what we’re spending right now (aggregated and anonymized, of course) and how long it might take to get us out of our current economic funk. It also means Mr. Banga has leverage over virtually any business that relies on credit card payments.For example, following recent reporting from New York Times columnist Nicholas Kristof on the scale of child pornography on PornHub, Mastercard announced that it would terminate payments on that site.

Mr. Banga departs as chief executive at the end of this year, transitioning to the post of executive chairman. In this “exit interview,” Kara Swisher presses him on whether the company he’s helped build can keep up with Silicon Valley — and with the social consciousness of the next consumer generation.

You can find transcripts (posted midday) and more information for all episodes at nytimes.com/sway, and you can find Kara on Twitter @karaswisher.

Brené Brown’s best-selling books and TED talks about embracing vulnerability and shame have made her a cultural phenomenon. Silicon Valley executives often invite her to speak to their companies, though she is skeptical about their intentions to follow through on her advice. “For some people, I am the kombucha shake of the month,” she says.

In this episode of Sway, she’s taking on the toughest case of all: the self-proclaimed “vulnerability skeptic” Kara Swisher.

You can find transcripts (posted midday) and more information for all episodes at nytimes.com/sway, and you can find Kara on Twitter @karaswisher.

Kara's interview with Georgia’s Secretary of State was a doozy. This episode refers back to yesterday’s episode, “Georgia’s Secretary of State on Standing Up to Trump."

You can find transcripts (posted midday) and more information for all episodes at nytimes.com/sway, and you can find Kara on Twitter @karaswisher.

Georgia begins early voting today in two runoffs that will decide the composition of the next U.S. Senate. If Democrats win both seats, the Senate will be split 50-50 (with Vice President-elect Kamala Harris acting as tiebreaker). If they don’t, it will be controlled by Republicans who stand ready to block most actions of a Biden presidency.

Brad Raffensperger is the man overseeing Georgia’s critical race. As secretary of state, his role is to ensure that the election is fair and — he hopes — drama-free. “My job is to have fair and honest elections, but also I’d love to have elections get back to being boring again.” He does not want “everything flamed up.”

That’s because Mr. Raffensperger is still dealing with the flames of last month’s presidential election. Donald Trump called the secretary of state “an enemy of the people” as he certified (and then recertified) Joe Biden’s victory in Georgia. Mr. Raffensperger has faced pressure — and death threats — from members of his own party.

In this episode of Sway, Kara Swisher presses the secretary of state on how he’s managing the ire of his party, why — if elections were free and fair — he and fellow Republicans continue to champion voting restrictions, and how wrong Mr. Raffensperger was to compare Donald Trump to Stacey Abrams.

You can find transcripts (posted midday) and more information for all episodes at nytimes.com/sway, and you can find Kara on Twitter @karaswisher.

This week, Kara Swisher interviewed WarnerMedia’s chief executive, Jason Kilar, fresh on the heels of the announcement that Warner Bros. will release its 2021 film slate in theaters and on its streaming site, HBO Max, simultaneously. (If you missed that episode — scroll back and hit play! Or click here if you’re on the World Wide Web).

In this bonus episode of “Sway,” Kara Swisher and the New York Times media columnist Ben Smith discuss what the news means for the future of the film industry, and whether this move will establish Mr. Kilar as the streaming king of Hollywood or leave his “head on a platter.” As Mr. Smith puts it, “A huge piece of the studio business — and of Warner’s business — are these relationships with directors who they just burned the hell out of."

You can find transcripts (posted midday) and more information for all episodes at nytimes.com/sway, and you can find Kara on Twitter @karaswisher.

If you want to be the first to watch “Dune,” “Godzilla vs. Kong” or the new “Matrix” movie this year (yes, there’s a fourth one) — you won’t have to line up at a movie theater. That’s because Jason Kilar, the C.E.O. of WarnerMedia, announced last week that the full slate of Warner Bros. films will be simultaneously released in theaters and on the company’s streaming service, HBO Max.

Mr. Kilar is only seven months into the job, and he just unleashed one of the biggest industry shake-ups in recent history. Movie theater executives and filmmakers are reeling. As director Christopher Nolan told The Hollywood Reporter, “some of our industry’s biggest filmmakers and most important movie stars went to bed the night before thinking they were working for the greatest movie studio and woke up to find out they were working for the worst streaming service.”

In this episode of “Sway,” Kara Swisher questions Mr. Kilar on whether he just delivered the final death blow to struggling theaters, how he’ll make good with Hollywood’s top talent, and what films will look like when — as Mr. Kilar predicts — blockbuster budgets surpass a billion dollars.

You can find transcripts (posted midday) and more information for all episodes at nytimes.com/sway, and you can find Kara on Twitter @karaswisher.

Steven Galanis is helping celebrities get into the gig economy. He launched his company, Cameo, three years ago as a marketplace for the famous (and not-so-famous) to sell personalized shout-outs.

For $500, Kareem Abdul-Jabbar may wish you a happy birthday. For $200, Ian Ziering (a.k.a. Steve Sanders from the original “Beverly Hills, 90210”) can send your mom a Happy Mother’s Day greeting. And for $10, the company’s chief executive, Mr. Galanis, will wish your kid’s team good luck on its next hockey game.

The company is facilitating fan requests, gag gifts and even political pranks. (The former New Jersey governor Chris Christie was a recent target.) But the point, says Mr. Galanis, is to bridge the gap for people who are “more famous than rich” — aging athletes, faded pop idols, out-of-work supporting actors and even artists whose inappropriate actions have led them to be “canceled.”

In the process, Mr. Galanis is taking on Hollywood power houses. Cameo is cutting agents, managers and publicists out of the equation, compressing the distance between celebrities and, well, the rest of us.

You can find transcripts (posted midday) and more information for all episodes at nytimes.com/sway, and you can find Kara on Twitter @karaswisher.

Dr. Ozlem Tureci and Dr. Ugur Sahin, the co-founders of BioNTech, are behind the first coronavirus vaccine to be approved in the West. Starting next week, the “Pfizer vaccine” will be available in Britain.

While Pfizer is financing and distributing the vaccine, the science behind it was actually spearheaded by the couple’s lesser-known company. When Drs. Tureci and Sahin, along with their BioNTech team, embarked on this mission, the record for the fastest vaccine creation was four years. They did it in less than one.

BioNTech started working on a vaccine in January. By early November, the company shared the results of its Phase 3 trials: over 90 percent efficacy. The announcement was made days after the presidential election was called for Joe Biden, and Donald Trump claimed the timing was politically motivated.

In this episode of “Sway,” the couple dismiss that accusation and speak instead to the science. “Clinical trials are highly regulated,” Dr. Tureci says. “And this is something which you cannot really delay or stop or expedite.”

You can find transcripts (posted midday) and more information for all episodes at nytimes.com/sway, and you can find Kara on Twitter @karaswisher.

Marielle Heller had her big acting break in “The Queens Gambit,” a chess drama that has already been viewed on Netflix by over 60 million households. But prior to her performance as Alma Wheatley, Ms. Heller was already a big name — off the screen.

She directed award-winning films like 2019’s “A Beautiful Day in the Neighborhood” and 2018’s “Can You Ever Forgive Me?” Female directors remain a minority in the U.S. film industry, and Ms. Heller has spent her career navigating what she describes as a male-dominated Hollywood “machine.”

“I do think there’s a weird stigma where people probably think that female directors are a risk,” Ms. Heller says, explaining that people “watch a male director make one little indie that comes out of Sundance and they go, ‘I see potential in that kid.’ And then they watch a female director come out of Sundance and make one little indie and they go: ‘That was excellent. I’ll wait to see her next movie to see if she gets a job.’”

In this episode of “Sway,” Ms. Heller and Kara Swisher discuss what it’s like to be “difficult” women, why Hollywood lets Tony Soprano get away with murder but worries that female characters are “unlikable,” and how Ms. Heller — despite all her directorial acclaim — still gets offered 30 to 40 percent less pay than men who do the same job.

You can find transcripts (posted midday) and more information for all episodes at nytimes.com/sway, and you can find Kara on Twitter @karaswisher.