Latino USA

Today we're bringing you an episode from our vault — a love story of student activism. We're taking you back to 1968, when thousands of students participated in a series of protests that helped spark the Chicano Movement, historically known as the East L.A. Walkouts. It's also when high school sweethearts and student organizers Bobby Verdugo and Yoli Ríos danced to a Thee Midniters song and fell in love.

This story originally aired in February of 2019.

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Steven Melendez thinks a lot about accessibility in the world of classical dance. Steven got his start in ballet at just seven years old, as part of an outreach program run by New York Theater Ballet. Although Steven went on to become a successful professional dancer, he always felt he had to straddle two vastly disconnected worlds: that of classical ballet and his home life in the Bronx. Now, as Steven comes full circle, becoming the artistic director of New York Theater Ballet, he reflects on the strategies that can open the doors of classical ballet to new audiences.

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Latino USA continues to celebrate its 30th anniversary, bringing you conversations with some of the most influential Latinos and Latinas of the last three decades. In this episode, Maria Hinojosa catches up with pioneering filmmaker Hector Galán, who for over 40 years has been documenting our Latino communities.

In this conversation, Hector shares how he got his start as a cameraman at a local TV station in West Texas in the 1970s and how the Chicano Movement gave him a sense of identity and purpose that has stayed with him throughout all these years. After a long career making documentaries, Hector looks back at his legacy and the projects he still wants to pursue.

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According to Haitian-American author Edwidge Danticat, stories are a way of finding inspiration and comfort during the times we’re living through. Her award-winning writing portrays the immigrant experience, Haitian-American identity and loss. In conversation with Maria Hinojosa, Danticat dives into the history of resistance to the police violence that was all around her as a young adult in New York City, the loss of her own uncle who died at the hands of immigration authorities, and how she's making sense of the current moment.

The episode originally aired in 2020.

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In 1919, an intrepid Texas state representative, José Tomás Canales, decided to lead an investigation into the abuse of power by the Texas Rangers. For several years, residents of South Texas had been reporting that members of the law enforcement agency were going rogue: beating, torturing, and even killing people, in the name of protecting Anglo settlers. The subsequent investigation into these abuses would illustrate the difficulties of reforming and creating oversight over policing on the border—and would leave behind a narrative about justified violence against the Mexican-American community, that lingers to this day.

The episode originally aired in 2020.

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Latino USA has cycled through quite a few theme songs in its 30 years. There was the original theme, with acoustic guitar and soft woodwinds, followed by a brassier, more Latin Jazz influenced sound. There were even a few years when Latino USA didn’t have a theme song at all, instead featuring unique scoring for each of its stories.

In 2017, Latino USA teamed up with musical artist Xenia Rubinos to create a new song—and five years later, it’s the same one you hear on our show today. In this episode, Xenia opens up about her creative process and how her own growth inspired a special 30th anniversary remix.

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For years, Anita Flores carried shame: She was a second-generation half-Peruvian who barely spoke Spanish. She pretended she didn’t care; she subtly avoided her paternal family in Lima. Then, her father was diagnosed with dementia.

As her dad’s memory started to falter, Anita would see him light up when she made the effort to speak in his first language. She tells the story of reassessing her relationship with her father, with her extended family, and with the language that kept them apart—and had the potential to bring them together.

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We tackle the Flamin’ Hot Cheetos controversy and dive into why this story is so much more than just about a processed snack food but a story about race, culture, identity, and the stories that we choose to believe.

This story originally aired in June of 2021.

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What happens when people living in poverty get a stable income from the government? More than 100 guaranteed income pilot programs have launched across the U.S. and most are found in California. How is a regular income — with no restrictions on how to spend the money — making a difference for participants? In this episode, we spend a month with Martha and Micaela, two participants of a pilot program launched by the city of Los Angeles — one of the biggest guaranteed income programs in the country where half of the beneficiaries are Latinx — and we learn about the history of Universal Basic Income.

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For over 25 years, Uruguayan band No Te Va Gustar has been filling concert venues across Latin America. With their mix of pop, rock, reggae, ska, and other styles, the band has evolved over the years from its original three-member composition to its current nine members. Their album, "Otras Canciones," commemorates their 25th anniversary by featuring some of their most popular songs, performed in front of a live audience and featuring collaborations with legendary guests like Julieta Venegas, Draco Rosa, Jorge Drexler, and Flor De Toloache. For this edition of our segment, "How I Made It," we hear from three members of No Te Va Gustar: Diego Bartaburu, Martín Gil, and Francisco Nasser.

The episode originally aired in 2019.

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