However. The metaphor she uses to help illuminate her explanations is both new and remarkably insightful. She argues that genocide must be viewed as a script. This script has directors and producers. but it also has actors. And the actors, far away from the directors, are able to interpret the script in ways that makes genocide make sense to their own lives and circumstances. sometimes this leads them to kill more people than they had been ordered to kill. But sometimes it leads individuals to ignore or save people who logically should have been targeted, sometimes in startling ways. It gives individual actors the ability to alter the desired pace and nature of the killings. And, as Fujii says, it casts traditional categories of perpetrators, bystanders and victims into question.

Fujii’s emphasis on genocide as process and on genocide as a script transformed the way I talk about mass killing. That makes this an important book.

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