One of the leaders of British science fiction's 1960s New Wave, M. John Harrison has spent the subsequent five decades inventing new and exhilarating literary worlds that push against the boundaries of genre and expectations of the novel form. Now he returns to the post-apocalyptic milieu with The End of Everything: the story of an artist and her nephew eking out a life in a fictional Kent seaside town where reality itself has collapsed. Offering an oblique satire of life in contemporary Britain and the chaos of our post-truth age, the novel is as strange, demanding, and frightening as the times we live in. In this episode of the podcast, Harrison shares his thoughts on the purpose and value of imaginative fiction, the convergence of his real and authorial selves, and the freedom he has found in old age to write exactly what he wants without compromise.

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